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As Brazil and other countries in Latin America turned away from their authoritarian past and began the transition to democracy in the 1980s and 1990s, interest in developing new institutions to bring the benefits of democracy to the citizens in the lower socioeconomic strata intensified, and a number of experiments were undertaken. Perhaps the one receiving the most attention has been Participatory Budgeting (PB), first launched in the southern Brazilian city of Porto Alegre in 1989 by a coalition of civil society activists and Workers&’ Party officials. PB quickly spread to more than 250 other municipalities in the country, and it has since been adopted in more than twenty countries world...
The first – and long-awaited – major biography of Brazilian president Luiz Inácio Lula da Silva Lula is among the greatest political figures in Brazilian history. The only president in the country with a working-class background, combined with a party that was profoundly original in its roots, he exercised charismatic power and influence in a more lasting way than any other public figure in the republican period. Since 2011, Fernando Morais, one of Brazil's leading writers, has gained direct, frank and frequent access to Lula. To these dozens of hours of testimonies, he has added a reporter's flair and captivating prose to compose a biography that paints a picture in all its grandeur and complexity. In a narrative that makes use of flashforwards and flashbacks to maintain an electrifying pace, Morais goes from Lula's childhood to the annulment of his convictions, in 2021, passing through the new unionism, the ABC strikes, the foundation of the PT and the first election campaign.
Brazil, Land of the Past scrutinizes the ideological roots of the so-called New Right in Brazil. The book traces the continuity and resilience of a system of thought based on the idea of a God-given hierarchical order to be defended against any social contract and modernizing relativization. It explains in detail how today a diverse movement — which includes actors ranging from the authoritarian Bolsonaro wing to economic liberals to the military to both Catholic and evangelical religious conservatives – assumes unanimously the ideas of this tradition as underlying premises of their political action. Though not always explicitly, this drives the self-declared “liberal-conservative” but rather anti-modernist reaction which claims to liberate an imaginary authentic “Brazil” from an aberrant “State” – and in so doing intends to preserve inherited privilege in an extremely unequal society.
Directory of foreign diplomatic officers in Washington.
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Este livro é resultado de aproximadamente 13 horas de entrevistas com o general Villas Bôas, realizadas em agosto e setembro de 2019. A entrevista seguiu o modelo de uma história-de-vida, indo desde as origens familiares até o tempo presente. Está aqui registrado o que o general Villas Bôas quis deixar como suas memórias a respeito de sua trajetória de vida, de suas ideias sobre a realidade nacional e de como vivenciou eventos políticos decisivos, com atenção especial ao período em que foi comandante do Exército Brasileiro (5 de fevereiro de 2015 a 11 de janeiro de 2019). O livro, como uma fonte documental inédita, contribui para uma melhor compreensão sobre a história recente do Brasil, na visão do comandante de uma de suas instituições mais importantes.
How Brazilian postwar avant-garde artists updated modernism in a way that was radically at odds with European and North American art historical narratives. Brazilian avant-garde artists of the postwar era worked from a fundamental but productive out-of-jointness. They were modernist but distant from modernism. Europeans and North Americans may feel a similar displacement when viewing Brazilian avant-garde art; the unexpected familiarity of the works serves to make them unfamiliar. In Constructing an Avant-Garde, Sérgio Martins seizes on this uncanny obliqueness and uses it as the basis for a reconfigured account of the history of Brazil's avant-garde. His discussion covers not only widely r...
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From the documentary to the cinema novo and cannibalism, from Nelson Pereira dos Santos's Vidas Secas to music in the films of Glauber Rocha, this third, revised edition is a century-spanning introduction to the story of a medium that flourished in one of the most developed of 'underdeveloped' nations.