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A Kirkus Best Fiction of 2019 Pick! A cross between Daniel Woodrell and Annie Proulx, Wyoming is about the stubborn grip of inertia and whether or not it is possible to live without accepting oneself. It’s 1988 and Shelley Cooper is in trouble. He’s broke, he’s been fired from his construction job, and his ex-wife has left him for their next door neighbor and a new life in Kansas City. The only opportunity on his horizon is fifty pounds of his brother’s high-grade marijuana, which needs to be driven from Colorado to Houston and exchanged for a lockbox full of cash. The delivery goes off without a hitch, but getting home with the money proves to be a different challenge altogether. Fueled by a grab bag of resentments and self punishment, Shelley becomes a case study in the question of whether it’s possible to live without accepting yourself, and the dope money is the key to a lock he might never find. JP Gritton’s portrait of a hapless aspirant at odds with himself and everyone around him is both tender and ruthless, and Wyoming considers the possibility of redemption in a world that grants forgiveness grudgingly, if at all.
A noir tour-de-force set in a world of hustlers from "one of America's darkest and funniest chroniclers." (The Guardian)
When Stoner was published in 1965, the novel sold only a couple of thousand copies before disappearing with hardly a trace. Yet John Williams’s quietly powerful tale of a Midwestern college professor, William Stoner, whose life becomes a parable of solitude and anguish eventually found an admiring audience in America and especially in Europe. The New York Times called Stoner “a perfect novel,” and a host of writers and critics, including Colum McCann, Julian Barnes, Bret Easton Ellis, Ian McEwan, Emma Straub, Ruth Rendell, C. P. Snow, and Irving Howe, praised its artistry. The New Yorker deemed it “a masterly portrait of a truly virtuous and dedicated man.” The Man Who Wrote the Pe...
An epic tale of boyhood from a unique and unforgettable new voice . William Tyce is a boy without parents, left under the care of an eccentric, absent uncle. To impose order on the sudden chaos of his life, he crafts a glossary-style list, through which he imparts his particular wisdom and thoughts on subjects ranging from ASPHALT PATHS, CAMPFIRE and NIGHT RAT to MORTAL BETRAYAL, SANITY and REVELATION. His improbable quest—to create a reference volume specific to his existence—takes him on a journey down the river by raft (see MYSTICAL VISION, see NAVIGATING BIG RIVERS BY NIGHT). He seeks to discover how his mother died (see ABSENCE) and find reasons for his father's disappearance (see UNCERTAINTY, see VANITY). But as he goes about defining his changing world, all kinds of extraordinary and wonderful things begin to happen to him...
A heartfelt exploration of faith and love and friendship, What Happened To Sophie Wilder is a beautiful, absorbing work about the redemptive power of storytelling: a literary love story. Charlie Blakeman has just published his first novel, to almost no acclaim. He's living on New York's Washington Square, struggling with his follow-up, and floundering within his pseudointellectual coterie when his college love, Sophie Wilder, returns to his life. Sophie is also struggling, though Charlie isn't sure why, since they've barely spoke, after falling out a decade before. Now Sophie begins to tell Charlie the story of her life since then, particularly the story of the days she spent taking care of a dying man with his own terrible past and of the difficult decision he forced her to make. When she disappears once again, Charlie sets out to discover what happened to Sophie Wilder. Christopher Beha's debut novel explores faith, love, friendship, and, ultimately, the redemptive power of storytelling.
Longlisted for the 2016 PEN/Robert W. Bingham Prize for Debut Fiction Part fable, part allegory, The Boatmaker is the haunting and passionate story of a voyage of self-discovery. A fierce and complicated man wakes from a fever dream compelled to build a boat and sail away from the isolated island where he was born. Encountering the wider world for the first time, the reluctant hero falls into a destructive love affair, is swept up into a fanatical religious movement, and finds himself a witness to racial hatred unlike anything he’s ever known. The boatmaker is tempted, beaten, and betrayed: his journey marked by chilling episodes of violence and horror while he struggles to summon the strength to make his own way. The Boatmaker is a fable for our times, a passionate love story, and an odyssey of self-discovery.
During a 1970s summer, five adolescent girls learn that peril exists where they never imagined: in their neighborhood and homes; in parents who steal their time and freedom (and, in one case, a thumb); in the pull of the world beyond their friendships; and in their own burgeoning sexuality. In a sparkling debut, Karen Lee Boren offers an exquisitely rendered coming of age story about adolescent girls in small-town Wisconsin who learn that life’s real perils exist where they never imagined: in their own neighborhoods and homes. During a single summer in the 1970s, five friends while away the hours by torturing the Avon lady, playing four square, jumping rope, swimming, and perfecting the art of sneaking out for night runs to the lake. Then one night the unthinkable happens, forcing the girls into a world beyond childhood and the pull of young friendship.
The beautifully told story of a day in the life of Isabel, a twenty-something from Portland, Oregon, that has all the hallmarks of a cult favourite Isabel lives in Portland, Oregon and works in a library, repairing damaged books. She longs to visit the destinations revealed in their pages. Her daydreams are peopled by memories from her Alaskan childhood, the glaciers that are being lost. Meanwhile, she's just the tiniest bit lonely and lovelorn. The object of her affection, a soldier recently returned from Afghanistan who also works in the basement of the library, seems equally quiet and so perhaps it's no surprise that their contact has been limited to only snatched moments. But today is the day that will all change. Isabel is determined to finally open up to him, to find the perfect vintage dress for this evening's party, and to invite him along. But, of course, life rarely happens as we plan it.
Facing the prospect of fatherhood, disillusioned by his fledgling teaching career, and mourning the loss of a fraught former relationship, 25-year-old Francis Mason is a prisoner of his past mistakes. But when his second-grade class discovers a dead body during a field trip to a San Francisco beach, Francis spirals into unbearable grief and all-consuming paranoia. As his behavior grows increasingly erratic, and tensions arise with the school principal and the parents of his students, he faces the familiar urge to flee — a choice that forces him to confront the character weaknesses that have shattered his life again and again — and to accept the wrenching truth about the past he’s never been able to move beyond.
Poetry. A former winner of the Anthony Hecht Poetry Prize, and a finalist for the Pulitzer Prize for Poetry, Morri Creech is one of America's finest poets. His fourth collection, BLUE ROOMS, explores the uncertain terrain between conscious perception and the objective world. This new collection includes powerful lyric sequences that examine Magritte's surreal investigations of the elusive self, Cezanne's attempts to limn the dynamic nature of reality, and Goya's unflinching depictions of cosmic and historical horrors--all while balancing rich language with an exacting formal control. "In these poems, Morri Creech, one of our finest formal poets, confronts the fundamental mystery of language-...