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This edited volume provides a comprehensive overview of the renewal of academic engagement in the Argentinian dictatorship in the context of the post-2001 crisis. Significant social and judicial changes and the opening of archives have led to major revisions of the research dedicated to this period. As such, the contributors offer a unique presentation to an English-speaking audience, mapping and critiquing these developments and widening the recent debates in Argentina about the legacy of the dictatorship in this long-term perspective.
Born in 1879, Eugen Varga would become the most prominent Marxist economist in the Soviet Union – ‘Stalin’s economist’. This volume contains a wide and representative selection of his works, dating from his entry into the Hungarian Communist Party in 1919 through to his criticisms of John Maynard Keynes in the 1950s. It includes the entire text of his Economic Problems of the Proletarian Dictatorship, according to Lenin probably the best work on the collapse of the revolutionary government in Hungary. A detailed critical introduction by Varga’s biographer, André Mommen, supplies valuable background detail on the circumstances of Varga’s work, contextualising it in relation to political events and the development of orthodox economic theory in the USSR.
This book provides a new history of the changing relationship between art, craft and industry focusing on the transition from workshop to studio, apprentice to pupil, guild to gallery and artisan to artist. Responding to the question whether the artist is a relic of the feudal mode of production or is a commodity producer corresponding to the capitalist mode of cultural production, this inquiry reveals, instead, that the history of the formation of art as distinct from handicraft, commerce and industry can be traced back to the dissolution of the dual system of guild and court. This history needs to be revisited in order to rethink the categories of aesthetic labour, attractive labour, alienated labour, nonalienated labour and unwaged labour that shape the modern and contemporary politics of work in art.
In this book Bajema seeks to use the greater emphasis on chance and the aleatory in recent Marxist theory to rethink major aspects of historical materialism, emphasising especially the plurality of historical time and space.
Daniel Bensaïd: From the Actuality of Revolution to the Melancholic Wager is the first systematic full-length study of Bensaïd’s renovation of Marxism. Bensaïd, a student leader during the May '68 revolt and founder of the Ligue communiste révolutionnaire, was an exemplar of a creative and open liberatory Marxism, leaving a vast oeuvre for a new generation of Marxists to explore. Much of Bensaïd’s writing remains untranslated into English, and Roso’s volume offers a comprehensive critical overview.
Raising the Red Flag explores the origins of the British Marxist movement from the creation of the Social Democratic Federation to the foundation of the Communist Party. It tells a story of rising class struggle, the founding of the Labour Party, the fight against World War One, the Russian Revolution, and the explosive year of 1919. The book also uses new archival sources to re-examine Marxist organisations such as the British Socialist Party, the Socialist Labour Party, and Sylvia Parkhurst’s Workers’ Socialist Federation. Above all, this is the story of men and women who fought to liberate the working class from capitalism through socialist revolution.
This book collects essays on the political economy of Brazil, focusing on the administrations led by the Workers’ Party, under Presidents Lula and Dilma Rousseff (2003-16). The essays examine the economic, political, and social aspects of these governments.
Through the concepts of the ‘coloniality of asylum’ and ‘solidarity as method’, this book links the question of the state to the one of civil society; in so doing, it questions the idea of ‘autonomous politics’, showing how both refugee mobility and solidarity are intimately marked by the coloniality of asylum, in its multiple ramifications of objectification, racialisation and victimisation. Taking an interdisciplinary approach, The Coloniality of Asylum bridges border studies with decolonial theory and the anthropology of the state, and accounts for the mutual production of ‘refugees’ and ‘Europe’. It shows how Europe politically, legally and socially produces refugees while, in turn, through their border struggles and autonomous movements, refugees produce the space of Europe. Drawing on ethnographic fieldwork conducted in Hamburg in the wake of the 2015 ‘long summer of migration’, the book offers a polyphonic account, moving between the standpoints of different subjects and wrestling with questions of protection, freedom, autonomy, solidarity and subjectivity.
Walt Whitman and His Caribbean Interlocutors: José Martí, C.L.R. James, and Pedro Mir explores the writings of Whitman and of three Caribbean authors who engaged with them: the Cuban writer and revolutionary José Martí; Trinidadian activist, historian and cultural critic C.L.R. James, and Dominican poet Pedro Mir.
The Berlin council movement of 1919–20 proves that there was a left alternative beyond Social Democracy and Stalinism in the German Revolution. The movement combined an impressive mass mobilisation with extensive socialist and democratic aspirations that pointed far beyond the Weimar order. Berlin was not just the centre of the November Revolution of 1918, but also the most important arena of the Second Revolution that followed. For the first time, the movement is analysed here in all its diversity and on the basis of a broad range of sources. Beside the workers' and factory councils, it also includes councils of students, women, the unemployed and intellectuals. Central events such as the 1919 general strike and the struggle against the Kapp Putsch of 1920 are also examined.