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The Argentinian Dictatorship and its Legacy
This edited volume provides a comprehensive overview of the renewal of academic engagement in the Argentinian dictatorship in the context of the post-2001 crisis. Significant social and judicial changes and the opening of archives have led to major revisions of the research dedicated to this period. As such, the contributors offer a unique presentation to an English-speaking audience, mapping and critiquing these developments and widening the recent debates in Argentina about the legacy of the dictatorship in this long-term perspective.
The Prisms of Gramsci
In this work, Marcos Del Roio analyses Gramsci's pre-prison political-theoretical activity in light of a radical thesis: that throughout Gramsci's life we see a total continuity between his political praxis and his philosophical reflection. That is not to ignore the changes, turns, and even fractures in the Sardinian communist's thinking across his brief but rich existence. On the contrary. Reading Gramsci, we find key ideas that set the rhythm of all of his thought, at least from the time of the Turin factory councils up till the writing of his final notebooks. These ideas also established the essential identity of his thinking, throughout (and over and above) the diversity of its manifesta...
Selected Political and Economic Writings
Born in 1879, Eugen Varga would become the most prominent Marxist economist in the Soviet Union – ‘Stalin’s economist’. This volume contains a wide and representative selection of his works, dating from his entry into the Hungarian Communist Party in 1919 through to his criticisms of John Maynard Keynes in the 1950s. It includes the entire text of his Economic Problems of the Proletarian Dictatorship, according to Lenin probably the best work on the collapse of the revolutionary government in Hungary. A detailed critical introduction by Varga’s biographer, André Mommen, supplies valuable background detail on the circumstances of Varga’s work, contextualising it in relation to political events and the development of orthodox economic theory in the USSR.
The Weight of the Printed Word
In The Weight of the Printed Word, Steve Wright explores the creation and use of documents as a key dimension in the activities of the Italian workerists during the 1960s and 1970s. From leaflets and newspapers to books, internal documents and workers’ enquiries; the operaisti deployed a wide variety of printed materials in their efforts to organise amongst new subjectivities of mass rebellion. As Wright demonstrates, the practice of working with print was a central part of what it meant to be a workerist or autonomist militant during these years: one that throws light both on the meaning of political engagement, as well as the challenges posed by the use of technologies of communication and by emergent social subjects.
Cultures of Uneven and Combined Development
Cultures of Uneven and Combined Development seeks to explore and develop Leon Trotsky’s concept of uneven and combined development. In particular, it aims to adapt the political and historical analysis which originated in Trotsky’s Russia for use within the contemporary field of world literature. As such, it draws together the work of scholars from both the field of international relations and the field of literature and the arts. This collection will therefore be of particular interest to anyone who is interested in new ways of understanding world literary texts, or interested in new ways of applying Trotsky’s revolutionary politics to the contemporary world order. Contributors: Alexander Anievas, Gail Day, James Christie, Kamran Matin, Kerem Nisancioglu, Luke Cooper, Michael Niblett, Neil Davidson, Nesrin Degirmencioglu, Robert Spencer, Steve Edwards.
Art and Labour
This book provides a new history of the changing relationship between art, craft and industry focusing on the transition from workshop to studio, apprentice to pupil, guild to gallery and artisan to artist. Responding to the question whether the artist is a relic of the feudal mode of production or is a commodity producer corresponding to the capitalist mode of cultural production, this inquiry reveals, instead, that the history of the formation of art as distinct from handicraft, commerce and industry can be traced back to the dissolution of the dual system of guild and court. This history needs to be revisited in order to rethink the categories of aesthetic labour, attractive labour, alienated labour, nonalienated labour and unwaged labour that shape the modern and contemporary politics of work in art.
Art History as Social Praxis
Art History as Social Praxis: The Collected Writings of David Craven brings together more than thirty essays that chart the development of Craven’s voice as an unorthodox Marxist who applied historical materialism to the study of modern art. This book demonstrates the range and versatility of David Craven’s praxis as a ‘democratic socialist’ art historian who assessed the essential role the visual arts play in imagining more just and equitable societies. The essays collected here reveal Craven’s lifelong commitment to exposing interstices between western and non-western cultures by researching the reciprocating influences between First- and Third-World artists, critics and historians.
Throwing the Dice of History with Marx
In this book Bajema seeks to use the greater emphasis on chance and the aleatory in recent Marxist theory to rethink major aspects of historical materialism, emphasising especially the plurality of historical time and space.
Daniel Bensaïd: From the Actuality of the Revolution to the Melancholic Wager
Daniel Bensaïd: From the Actuality of Revolution to the Melancholic Wager is the first systematic full-length study of Bensaïd’s renovation of Marxism. Bensaïd, a student leader during the May '68 revolt and founder of the Ligue communiste révolutionnaire, was an exemplar of a creative and open liberatory Marxism, leaving a vast oeuvre for a new generation of Marxists to explore. Much of Bensaïd’s writing remains untranslated into English, and Roso’s volume offers a comprehensive critical overview.
Raising the Red Flag
Raising the Red Flag explores the origins of the British Marxist movement from the creation of the Social Democratic Federation to the foundation of the Communist Party. It tells a story of rising class struggle, the founding of the Labour Party, the fight against World War One, the Russian Revolution, and the explosive year of 1919. The book also uses new archival sources to re-examine Marxist organisations such as the British Socialist Party, the Socialist Labour Party, and Sylvia Parkhurst’s Workers’ Socialist Federation. Above all, this is the story of men and women who fought to liberate the working class from capitalism through socialist revolution.
