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The Self of the City
"The Self of the City shows Macedonio's work to be a highly systematic effort to "save the city" from the ills of modernity. Responding directly to the context of early twentieth-century Buenos Aires, Macedonio rejects modern culture as inherently paradoxical and pernicious, hinging on the unsustainable fallacy of Descartes' autonomous self."
Modernity for the Masses
A provocative examination of how the discourse and practice of modern architecture was transformed by its encounter with large populations and the volatile politics of twentieth-century Argentina.
The Ruins of the New Argentina
A history explaining how Peronism emerged in relation to both the earthquake that devastated San Juan, Argentina, in 1944, and the massive rebuilding project that followed.
Country Homes
None
Gaudí
An introduction by Daniel Giralt-Miracle, commissioner for the International year of Gaudi 2002, opens this book presenting the complete work of the brilliant architect Gaudi. It includes preliminary sketches and chapters about glasshouses, chimneys, 'trencadis' work, ceramic, doors, animals, etc... A 'must have' book.
Revista Del Rio de La Plata
A journal dealing with financial, economic and shipping affairs.
Dignifying Argentina
During the mid-twentieth century, Latin American countries witnessed unprecedented struggles over the terms of national sovereignty, civic participation, and social justice. Nowhere was this more visible than in Peronist Argentina (1946-1955), where Juan and Eva Per—n led the region's largest populist movement in pursuit of new political hopes and material desires. Eduardo Elena considers this transformative moment from a fresh perspective by exploring the intersection of populism and mass consumption. He argues that Peronist actors redefined national citizenship around expansive promises of a vida digna (dignified life), which encompassed not only the satisfaction of basic wants, but also...
Concrete Dreams
In Concrete Dreams Nicholas D’Avella examines the changing social and economic lives of buildings in the context of a construction boom following Argentina's political and economic crisis of 2001. D’Avella tells the stories of small-scale investors who turned to real estate as an alternative to a financial system they no longer trusted, of architects who struggled to maintain artistic values and political commitments in the face of the ongoing commodification of their work, and of residents-turned-activists who worked to protect their neighborhoods and city from being overtaken by new development. Such forms of everyday engagement with buildings, he argues, produce divergent forms of value that persist in tension with hegemonic forms of value. In the dreams attached to built environments and the material forms in which those dreams are articulated—from charts and graphs to architectural drawings, urban planning codes, and tango lyrics—D’Avella finds a blueprint for building livable futures in which people can survive alongside and even push back against the hegemony of capitalism.
