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This collection of essays offers a historical glimpse into the lives and happenings in Hertfordshire from the 13th century to the present. Topics range from graffiti evidence of medieval music. King James's connections with Hertfordshire, settlements in the Connecticut Valley, art traditions in the 19th century, and the history of Christ's Hospital. This compilation was designed to honor Lionel Munby, one of Hertfordshire's leading 20th-century historians.
Word and music studies is a relatively young discipline that has nonetheless generated a substantial amount of work. Recent studies in the field have embraced music in literature (word music, formal parallels to music in literature, verbal music), music and literarature (vocal music) and literature in music (programme music). Other positions have been defined in which song exists as an analysable category distinct from words and music and requiring its own grammar. Much of the literature has tended to focus on readings of the literary text, pushing theoretical and analytical concerns in music to one side, a trend that is as apparent among musicologists as among literary historians. The essays presented here from the third Liverpool Music Symposium seek accordingly to redress this situation. Contributors tackle the study of words and music from a number of standpoints, examining artists as diverse as Eminem, Patti Smith and Arnold Schoenberg.
Is business, for music, a regrettable necessity or a spur to creativity? In the 11 essays in this text the authors wrestle with this question from the perspective of their chosen area of research.
Using sketches and other documentary evidence, this study is an investigation of composition in Renaissance music. It sets out the indispensable background to an inquiry and into the fundamental processes of Renaissance composition.
Henry Beeching (1859–1919), Dean of Norwich, was a popular preacher, celebrated man of letters and journalist. This is the first full-length biography of this popular poet, professor of English, and a much loved priest.
Thomas Tallis spent more than fifty years composing music in the volatile world of Tudor England. Tallis is a clear, readable biography of a great Renaissance musician, which places the composer's music in its rich historical, cultural, and architectural context.
In this expansive cultural history, Andrew Gant traces English sacred music from the Latin chant of late antiquity to the great proliferation and diversification of styles seen in contemporary repertoires. The book explores church music in its great variety of forms and performance contexts: cathedral music and music performed at small country parishes, hymns sung in church and at gatherings, all the way up to today’s mixture and hybridization of the traditional and contemporary styles. Most of all, it illuminates how political battles and sweeping changes in worship affected the church music profession; how musicians, clergy, and worshipers responded; and how the repertory was reinvented many times over as a result. This work was first brought out by Profile Books in 2015. The author has contributed a new preface for our edition, offering reflections on English church music in its American contexts.
A Companion to the English Dominican Province offers an account of Dominican activities in England, Ireland, Scotland, and Wales from their arrival in 1221 until their dissolution at the Reformation. Over the three centuries covered in this volume, the Friars Preachers not only devoted themselves to the cure of souls via preaching and hearing confessions, but they also represented English kings on diplomatic missions, influenced politics and society, and contributed to cultural, intellectual, and religious life across the British Isles. Contributors include: Janet Burton, Alexander Collins, Eleanor J. Giraud, Anne-Julie Lafaye, J. Cornelia Linde, Nigel J. Morgan, Richard Oram, Andrew Reeves, Jens Röhrkasten, John T. Slotemaker, Karen Stöber, Steven Watts, and Jeffrey C. Witt.
This book explores the works and influence of the eighteenth-century British composer Charles Avison. Although he spent most of his life in the northern town of Newcastle upon Tyne, Avison went on to have a marked impact on the musical life of Britain during the second half of the eighteenth century. His concertos become part of the national concert repertory, while his critical treatise, An Essay on Musical Expression, shaped debates about musical aesthetics. This book provides the first sustained examination of Avison’s musical works and compositional techniques, and it traces how his music not only drew on influences from European composers but also reworked them and in turn, influenced...