You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Such esteemed writers as Willa Cather, Katherine Mansfield, Edith Wharton, and Virginia Woolf can be counted among the women writing about World War I. But more ordinary writers were also compelled to write about the war, revisiting their often extraordinary wartime experiences - as nurses, ambulance drivers, munitions workers, and more. In Women Writers and the Great War, Dorothy Goldman, Jane Gledhill, and Judith Hattaway explore the literary, social, and psychological themes that emerge from the writings on the war by women from all walks of life. Diaries, letters, newspaper and magazine pieces, short stories, and novels document their powerful and complex response to what remains one of ...
The incursions of women into areas from which they had been traditionally excluded, together with the literary representations of their attempts to negotiate, subvert and appropriate these forbidden spaces, is the underlying theme that unites this collection of essays. Here scholars from Australia, Greece, Great Britain, Spain, Switzerland and the United States reconsider the well-entrenched assumptions associated with the public/private distinction, working with the notions of public and private spheres while testing their currency and exploring their blurred edges. The essays cover and uncover a rich variety of spaces, from the slums and court-rooms of London to the American wilderness, fr...
During an era of separate spheres for men and women, Margaret Macdonald used her nurse's training to gain access to the military and a life of work, travel, and adventure. In 1906, she was one of the first two nurses to receive a permanent appointment to the Canadian Army Medical Corps. She became matron-in-chief of Canada's overseas nursing service during World War I with the rank of major - the first such appointment for a woman in the British Empire. Macdonald also served as a nurse in the military during the Spanish-American and Boer Wars and in Panama during the construction of the canal. Margaret Macdonald traces the life and work of this extraordinary woman from rural Nova Scotia whose sense of duty and ambition found an outlet in the imperialism of Great Britain and the US. Susan Mann weaves the threads of character, ideology, and opportunity into a vivid portrait of Macdonald and her impact on the professionalization of military nursing.
The First World War was the first modern, total war, one requiring the mobilisation of both civilians and combatants. Particularly in Europe, the main theatre of the conflict, this war demanded the active participation of both men and women. Women and the First World War provides an introduction to the experiences and contributions of women during this important turning point in history. In addition to exploring women’s relationship to the war in each of the main protagonist states, the book also looks at the wide-ranging effects of the war on women in Africa Asia, Australia, New Zealand, and North America. Topical in its approach, the book highlights: the heated public debates about women...
This book deals with an aspect of the Great War that has been largely overlooked: the war reportage written based on British and American authors’ experiences at the Western Front. It focuses on how the liminal experience of the First World War was portrayed in a series of works of literary journalism at different stages of the conflict, from the summer of 1914 to the Armistice in November 1918. Sara Prieto explores a number of representative texts written by a series of civilian eyewitness who have been passed over in earlier studies of literature and journalism in the Great War. The texts under discussion are situated in the ‘liminal zone’, as they were written in the middle of a transitional period, half-way between two radically different literary styles: the romantic and idealising ante bellum tradition, and the cynical and disillusioned modernist school of writing. They are also the product of the various stages of a physical and moral journey which took several authors into the fantastic albeit nightmarish world of the Western Front, where their understanding of reality was transformed beyond anything they could have anticipated.
The course of events of the Great War has been told many times, spurred by an endless desire to understand 'the war to end all wars'. However, this book moves beyond military narrative to offer a much fuller analysis of of the conflict's strategic, political, economic, social and cultural impact. Starting with the context and origins of the war, including assasination, misunderstanding and differing national war aims, it then covers the treacherous course of the conflict and its social consequences for both soldiers and civilians, for science and technology, for national politics and for pan-European revolution. The war left a long-term legacy for victors and vanquished alike. It created new frontiers, changed the balance of power and influenced the arts, national memory and political thought. The reach of this acount is global, showing how a conflict among European powers came to involve their colonial empires, and embraced Japan, China, the Ottoman Empire, Latin America and the United States.
Covering a range of topics, settings and styles, the book offers the first comprehensive study of short fiction from the First World War.
Sarah Cole examines the rich literary and cultural history of masculine intimacy in the twentieth century. Cole approaches this complex and neglected topic from many perspectives - as a reflection of the exceptional social power wielded by the institutions that housed and structured male bonds; as a matter of closeted and thwarted homoerotics; as part of the story of the First World War. Cole shows that the terrain of masculine fellowship provides an important context for understanding key literary features of the modernist period. She foregrounds such crucial themes as the over-determined relations between imperial wanderers in Conrad's tales, the broken friendships that permeate Forster's fictions, Lawrence's desperate urge to make culture out of blood brotherhood and the intense bereavement of the war poet. Cole argues that these dramas of compelling and often tortured male friendship have helped to define a particular spirit and voice within the literary canon.
Gender and the Great War provides a global, thematic approach to a century of scholarship on the war, masculinity and femininity, and it constitutes the most up-to-date survey of the topic by well-known scholars in the field.
The Encyclopedia of American Journalism explores the distinctions found in print media, radio, television, and the internet. This work seeks to document the role of these different forms of journalism in the formation of America's understanding and reaction to political campaigns, war, peace, protest, slavery, consumer rights, civil rights, immigration, unionism, feminism, environmentalism, globalization, and more. This work also explores the intersections between journalism and other phenomena in American Society, such as law, crime, business, and consumption. The evolution of journalism's ethical standards is discussed, as well as the important libel and defamation trials that have influenced journalistic practice, its legal protection, and legal responsibilities. Topics covered include: Associations and Organizations; Historical Overview and Practice; Individuals; Journalism in American History; Laws, Acts, and Legislation; Print, Broadcast, Newsgroups, and Corporations; Technologies.