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The Phantom of the Cinema
The first book to focus on the representation of character in film, encompassing the art cinema, popular movies, and documentaries.
Ambition numérique
The "Ambition numérique" ("digital ambition") report is the conclusion of an open debate with the French citizens in order to prepare the government's digital strategy. The report formulates 70 proposals divided in four parts : fairness and freedom in a common digital environment; a new form of public action: openness, innovation, participation; fostering French growth for an innovation-driven economy; solidarity, fairness, empowerment: the challenges of a digital society. During five months (october 2014 - february 2015), the Conseil National du Numérique (French Digital Council) animated a wide consultation on the "digital ambition" of France, in order to collect proposals and plans for ...
Reflection of Justice
United States Attorney Michelle Prescott was raped and murdered in her hotel room. After a lengthy investigation the FBI identified their suspect through DNA evidence recovered at the crime scene that also linked him to a series of similar crimes. David Barnes was arrested and is facing trial for capital murder. While preparing for trial, Defense Investigator Clint Wells finds that his client, abandoned at birth, may have a twin brother with a lengthy history of violent crimes. Are they brothers, and if so, which brother is the killer are just two of the questions Clint must answer in an investigation that takes him halfway across the continent and into the jungles of Central America in search of justice.
Play It Again, Sam
This title was originally published in 1998. Play It Again, Sam is a timely investigation of a topic that until now has received almost no critical attention in film and cultural studies: the cinematic remake. As cinema enters its second century, more remakes are appearing than ever before, and these writers consider the full range: Hollywood films that have been recycled by Hollywood, such as The Jazz Singer, Cape Fear, and Robin Hood; foreign films including Breathless; and Three Men and a Baby, which Hollywood has reworked for American audiences; and foreign films based on American works, among them Yugoslav director Emir Kusturica's Time of the Gypsies, which is a "makeover" of Coppola's...
Rapport d'activité du Conseil national du numérique 2017
Le rapport annuel 2017 du Conseil national du numérique résume de manière transparente et synthétique, les temps forts de l'activité au sein du Conseil national du numérique. Il livre ainsi les recommandations sur chacun des sujets sur lesquels les membres ont travaillé : la transformation numérique des PME, la libre circulation des données en Europe, la confiance dans la vie publique, la loyauté et la transparence des plateformes ou encore le chiffrement.
Descendants of Elisha Hulce
Contains the researched history of the Hulce surname in America and is designed to be the comprehensive genealolgy on the Hulces in America.
The Global Vampire
The media vampire has roots throughout the world, far beyond the shores of the usual Dracula-inspired Anglo-American archetypes. Depending on text and context, the vampire is a figure of anxiety and comfort, humor and fear, desire and revulsion. These dichotomies gesture the enduring prevalence of the vampire in mass culture; it can no longer articulate a single feeling or response, bound by time and geography, but is many things to many people. With a global perspective, this collection of essays offers something new and different: a much needed counter-narrative of the vampire's evolution in popular culture. Divided by geography, this text emphasizes the vampiric as a globetrotting citizen du monde rather than an isolated monster.
Screening the Operatic Stage
"From the early days of radio broadcast to today's recorded simulcasts and live online productions, opera houses have embraced technology as a way to reach new audiences. But how do these new forms of remediated opera extend, amplify, or undermine production values, and what does the audience gain or lose in the process? In Screening the Operatic Stage, Christopher Morris critically examines the cultural implications of opera's engagement with screen media. Foregrounding a playful exchange and self-awareness between stage and screen, Screening the Operatic Stage analyzes how opera sees itself on video. Morris uses the conceptual tools of media theory to understand the historical and contemporary screen cultures that have transmitted the opera house into living rooms, onto desktops and portable devices, and across networks of movie theaters. These screen cultures reveal how inherently "technological" opera is as a medium, begging the question of whether it can be understood independently of technology. Ultimately, Screening the Operatic Stage shows how the technologies of televisual representation employed in opera reinforce its audience's expectations for the genre"--
The Film Anthologies Index
A guide to some 600 film anthologies published since 1991. Lists anthologies alphabetically by editor, and an author index locates essays by authors in specific anthologies. Includes a general index connecting film titles and themes to books numbers, not page numbers. Annotation copyright by Book News, Inc., Portland, OR
