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While Harry Seidler is one of Australia’s most famous architects, little is known of his European-born contemporaries. The Other Moderns uncovers the work of Sydney’s forgotten émigré architects, interior designers, and furniture makers working from the 1930s to 1960s, and reveals their groundbreaking impact on modernist design. Highlighting the direct connections between Sydney and the European design centres of Vienna, Berlin, and Budapest, the book provides a new understanding of modernism. Profiling the work of architects like Henry Epstein and Hugo Stossel, along with Gerstl Furniture, The Other Moderns tells the story of the network of architects, designers, property developers, retailers, and photographers working together to bring a distinctly European style to mid-century Australia. Richly illustrated with rare photography, including stunning images from Austrian-born photographer Margaret Michaelis, and furniture from the collection of Hotel Hotel Canberra, the book explores the work of this unacknowledged group of style makers for the first time.
Combining the perspectives of political, social and cultural history, this book presents a holistic interpretation of the complex relationship between Indigenous and settler Australians during the mid 20th century. The author provides an insightful history of the changing nature of race relations in Australia.
"A history of the policy of Assimilation in Australia as applied to Aboriginal people and non-English speaking immigrants from the 1950s to the 1970s"--Provided by publisher.
This collection by trans and non-trans academics and artists from the United States, the UK, and continental Europe, examines how transgenderism can be conceptualized in a literary, biographical, and autobiographical framework, with emphasis on place, ethnicity and visibility. The volume covers the 1950s to the present day and examines autobiographical accounts and films featuring gender transition. Chapters focus on various stages of transitioning. Interviews with trans people are also provided.
In the 1950s, 60s and 70s architects like Harry Seidler, Robin Boyd, Ken Woolley, Michael Dysart and Graeme Gunn applied their talents to project homes, bringing high-end design to the suburbs. Backed by Pettit & Sevitt, Merchant Builders and other project builders, architects created small, deceptively simple houses which transformed the look of suburbia. Today, the distance between the architectural profession and suburban housing has never been greater, with Australia’s super-sized, energy-guzzling project homes the biggest in the world. With photographs by Max Dupain, David Moore, Wolfgang Sievers and Eric Sierins alongside original plans, Designer Suburbs explores the relationship between architects, builders and affordable housing since 1900 and the lessons we can learn from twentieth-century designer suburbs.
The first detailed study of the major programme of theatre-building in Britain between the 1950s and the 1980s, Modern Playhouses draws on a vast range of archival material to present the history of post-war theatre buildings as a history of ideas relating not only to performance but also to culture, citizenship, and the modern city.
Shows how Australian women have created their own sense of national and regional identity through their dress and in so doing puts a new slant on the history of Australian women's fashion in the twentieth century. This book argues that Australian women's fashions may be superficially derivative, but that there are patterns of dress.
The great powerhouse, which is the collection of internationally acclaimed designers of Australia and New Zealand, has finally been revealed. Collated by one of Australia's most prominent writers on architecture and design, Request Response Reaction is a
It is a major challenge to write the history of post-WWII architectural theory without boiling it down to a few defining paradigms. An impressive anthologising effort during the 1990s charted architectural theory mostly via the various theoretical frameworks employed, such as critical theory, critical regionalism, deconstructivism, and pragmatism. Yet the intellectual contours of what constitutes architectural theory have been constantly in flux. It is therefore paramount to ask what kind of knowledge has become important in the recent history of architectural theory and how the resulting figure of knowledge sets the conditions for the actual arguments made. The contributions in this volume focus on institutional, geographical, rhetorical, and other conditioning factors. They thus screen the unspoken rules of engagement that postwar architectural theory ascribed to.
This book reviews Dante Bini’s inventions and designs, focusing on his form-resistant Binishell and other pneumatic construction systems. Dante Bini’s double profile of architect and builder underpins the narrative of the entire book. It is used to analyse the evolution of the early reinforced-concrete Binishell patent into a variety of automated construction systems based on the use of air. Dante Bini has always been quite proactive in promoting his work and disseminating the results of his experimentations and achievements via journal articles, conference presentations and public talks; promotional brochures in multiple languages were also prepared to export and license his patents in ...