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New edition of the acclaimed guidebook to Japan's most popular tourist destination.
"Bring the art and beauty of Japan to your garden with inspiration from Kyoto Gardens." —HGTV Gardens Featuring beautiful Japanese garden photography and insightful writing, Kyoto Gardens is a labor of love from master photographer Ben Simmons and Kyoto-based writer Judith Clancy. In their rocks and plants, empty spaces and intimate details—Kyoto's gardens manifest a unique ability to provoke thought and delight in equal measure. These varied landscapes meld the sensuality of nature with the disciplines of cosmology, poetry and meditation. Japanese aristocrats created these gardens to display not just wealth and power, but cultural sensitivity and an appreciation for transcendent beauty....
During the Cold War an unlikely coalition of poets, editors, and politicians converged in an attempt to discredit--if not destroy--the American modernist avant-garde. Ideologically diverse yet willing to bespeak their hatred of modern poetry through the rhetoric of anticommunism, these "anticommunist antimodernists," as Alan Filreis dubs them, joined associations such as the League for Sanity in Poetry to decry the modernist "conspiracy" against form and language. In Counter-revolution of the Word Filreis narrates the story of this movement and assesses its effect on American poetry and poetics. Although the antimodernists expressed their disapproval through ideological language, their hatre...
Conroy, a coal miner's son who apprenticed at age thirteen in a railroad shop, later migrated to factory cities and experienced the privation and labor struggles of the 1930s. As worker and writer he composed The Disinherited, one of the most important working-class novels of the thirties. As editor of a radical literary journal, The Anvil, he nurtured the early careers of Richard Wright, Nelson Algren, and Meridel LeSueur before his own literary work was eclipsed in the cold war years. Douglas Wixson draws upon a wealth of letters and manuscripts made available to him as Conroy's literary executor, as well as numerous interviews with Conroy and his former contributors and colleagues. Wixson explores the origins and development of worker-writing and the numerous "little magazines" it generated. He examines the differences between the midwestern and East Coast literary worlds and the milieu in which Conroy and others like him worked - the Depression, job layoffs, factory closings, homelessness, and migration.
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Outstanding poets and critics present cultural readings of the Objectivist poets, a group whose works have been largely unexamined.
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