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Between 776 BC and AD 395, the ancient Olympic Games were held every four years. Tracing the mythological and religious origins of the games, this history shows a detailed model of the sports complex and covers the sponsorship and training of the athletes.
For over one thousand years between 776 B.C. and A.D. 395, princes, statesmen, and famous athletes gathered every four years at Olympia in western Greece to compete for the olive crowns of the ancient Olympic Games. Judith Swaddling traces the mythological and religious origins of the games and describes the events, religious ceremony, and celebrations that were an essential part of the Olympic festival. The book also features a large, detailed model of the site of ancient Olympia, where, alongside religious and civic buildings, there grew an elaborate sports complex with a stadium for 40,000 spectators, indoor and outdoor training facilities, hot and cold baths, a swimming pool, and a race course. This fascinating description of Ancient Olympia and the Games is superbly illustrated with vases, sculpture and other works of art, views of the site and photographs of the unique model.
A professor of classics and visiting scholar at the Harvard Divinity school presents modern interpretations of traditional Greek and Roman myths that render classic themes accessible to a new generation of readers.
This collection of essays considers many aspects of Greek civil life and reveals how religion manifested itself in institutions, art and literature. Clarifies the more puzzling and elusive elements by tracing the attitudes that lay behind the manifold cults and customs.
This volume originates from an international conference (Oxford University, 2007). Texts address plaster casts and related themes from antiquity to the present day, and from Egypt to America, Mexico and New Zealand. They are of interest to classical archaeologists, art historians, the history of collecting, curators, conservators, collectors and artists. Articles explore the functions, status and reception of plaster casts in artists’ workshops and in private and public collections, as well as hands-on issues, such as the making, trading, display and conservation of plaster casts. Case-studies on artists’ use of material and technique include ancient Roman copyists, Renaissance sculptors...
How the interactions of non-elites influenced Athenian material culture and society The seventh century BC in ancient Greece is referred to as the Orientalizing period because of the strong presence of Near Eastern elements in art and culture. Conventional narratives argue that goods and knowledge flowed from East to West through cosmopolitan elites. Rejecting this explanation, Athens at the Margins proposes a new narrative of the origins behind the style and its significance, investigating how material culture shaped the ways people and communities thought of themselves. Athens and the region of Attica belonged to an interconnected Mediterranean, in which people, goods, and ideas moved in u...
Raised and educated in Rome, Juba II (48 BC- AD 23) was sent to uphold Roman interests in northwest Africa as ruler of the cliet kingdom of Mauretania. Together with his wife K'eopatra Selene, daughter of Marcus Anthonius and Kleopatra VII, he established a rich, multicultural environment at their capital, renamed Caesarea, where Egyptian, Hellenistic Greek and indigenous elements came together. Juba combined a reign of more than half a century with a career as a distinguished scholar and writer, producing an extensive collection of works and shaping Roman knowledge of the southern half of the known world, from the Atlantic coast of northwest Africa to India. This book explores the complex culture and legacy of the kingdom, with emphasis on Juba's scholarship and the world created by these two remarkable monarchs. This detailed and comprehensive study is not only the first examination in English of Juba's life and career, but the first critical analysis of the king both as an implementer of the Augustan political, artistic and intellectual programme and as a notable scholar.
The field of sports history is no longer a fledgling area of study. There is a great vitality in the field and it has matured dramatically over the past decade. Reflecting changes to traditional approaches, sport historians need now to engage with contemporary debates about history, to be encouraged to position themselves and their methodologies in relation to current epistemological issues, and to promote the importance of reflecting on the literary or poetic dimensions of producing history. These contemporary developments, along with a wealth of international research from a range of theoretical perspectives, provide the backdrop to the new Routledge Companion to Sports History. This book ...
Ancient Art Revisited develops new perspectives on ancient art by weaving together diverse strands within archaeology and art history, exploring it through recent developments in archaeological theory. In order to foster dialogue among various subfields, contributors are drawn from a wide range of domains. Classical archaeology, Aegean prehistory, Near Eastern archaeology, Egyptology, Pre-Columbian South America, and North America are brought together to explore ancient art from multiscalar perspectives and through the lenses of entanglement theory, network thinking, assemblage theory, and other recent theoretical developments. Representing a new wave in research on ancient art, considering both the proximal and distributed operations of artworks, Ancient Art Revisited provides broad and inclusive coverage of ancient art and offers a cohesive approach to a fragmented area of study. This book will be suitable for archaeologists, anthropologists, and art historians wishing to understand the latest thinking on ancient art.
Historical and technical considerations in provenancing and collecting Greek, Etruscan, and Roman bronzes.