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This book begins with an abbreviated background on the origins and development of European Modernism. This is followed by attention to a transitional phase moving art's center from Paris to New York. Next is examination of various phases of Contemporary Art as it evolved in this country. The coverage is broad - inclusive of Black, Hispanic, Native American, Asian American and Caucasian artists of both sexes and of every age group. The story is told against a background of socio-political events/affairs. There is a wealth of information augmented by selected visual matter that is listed with links for e-readers, greatly enhancing the portability of this art book. This feature allows readers to browse further and to learn via textual matter and visual/audio tapes. Targeted audiences include college students, artists, and general readers.
For the past thirty years Judy Pfaff's challenging and imaginative installations have set the pace during a dynamic and changing period in contemporary art. This richly illustrated book offers the first thorough look at the career of this influential artist who helped bring the revolutionary liveliness of the late 20th century to the walls and spaces of galleries and museums.
In his third book, Strauss delves into the mysterious process whereby an idea is born in the mind and materialized through the hand in the expression of an artwork. How exactly does this happen? It's a question so basic, an act so fundamental to art-making, that it has rarely received attention. It makes an ideal topic for Strauss, a writer with an exceptional ability to animate art's philosophical dimensions in a clear, persuasive manner. During this time when craft and the direct manipulation of materials by the artist appear to be in eclipse, Strauss comes to their defense in a spirited cri de coeur.Featuring over 35 illustrations, the book examines a wide variety of media and individual ...
The Next Thing: Art in the Twenty-first Century is a highly visual collection of essays about the future of art and the art of the future. This anthology brings together writings by world-renown theorists, artists, critics, novelists and philosophers, all of them engaged in current discussions about new and emerging artistic trends and sensibilities. From “post-human” installations, to transgenic experimentations, from tele-presence performance, to nano design, digital-fiction, virtual urbanism or “guerilla art”, new tendencies, are redefining both the boundaries of Meaning and what it means to be Human. The essays comprising The Next Thing identify the impact of these new trends and...
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Selections of writing by the influential art critic and curator Kellie Jones reveal her role in bringing attention to the work of African American, African, Latin American, and women artists.
Introduction: Scott Burton's Queer Postminimalism -- Street and Stage: Early Experiments -- Imitate Ordinary Life: Self-Works, Literalist Theater, and Being Otherwise in Public, 1969-70 -- Languages of the Body: Theatrical, Feminist, and Scientific Foundations, 1970-71 -- Performance and Its Uses -- The Emotional Nature of the Number of Inches between Them: Behavior Tableaux, 1972-80 -- Acting Out: Queer Reactions and Reveals, 1973-76 -- Pragmatic Structures: Sculpture and the Performance of Furniture, 1972-79 -- Conclusion: Homocentric and Demotic.
Artist Irene Rice Pereira was a significant figure in the New York art world of the 1930s and 1940s, who shared an interest in Jungianism with the better-known Abstract Expressionists and with various women artists and writers seeking "archetypal" imagery. Yet her artistic philosophy and innovative imagery elude easy classification with her artistic contemporaries. In consequence, her work is rarely included in studies of the period and is almost unknown to the general public. This first intellectual history of the artist and her work seeks to change that. Karen A. Bearor thoroughly re-creates the artistic and philosophical milieu that nourished Pereira’s work. She examines the options ava...
This unique volume details the art of ritual in Jewish ceremony and how those customs relate to the rise of spirituality in the United States.
Diego Rivera, Dorothea Lange, Adolfo Pérez Esquivel: Art and activism have long been intertwined, and the political fallout has resulted in an artistic canon riddled with historical holes. One of the most glaring omissions from most listings of American art masters is Ad Reinhardt (1913–67). An artist who had significant ties to the American Communist movement and leftist political organizations, Reinhardt and his contributions to modern art have been largely pushed out of the spotlight for political reasons. But in this unprecedented in-depth study of Reinhardt’s life and work, Michael Corris returns the artist to his rightful place in the history of modern art and culture. A pioneerin...