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The Patchwork Human
Life began about four billion years ago on our planet. Like an old patchwork quilt, evolution stitched the human being together from parts of ancient species now long extinct. Like any species, humans have hundreds or even thousands of traits that have been passed down through time. The evolutionary age of our different traits can be told from how widely distributed they are among today's living creatures. The book aims to explain some human traits and how we--as social, sexual, language-obsessed technological apes--evolved into our own modern species. Combining hard science with philosophical thought, this work aims to explain where humans have come from, and where we are going. Free of complicated jargon, it breaks down the concept of evolution starting with the human body's most basic component--our cells. Building from there, chapters explore which traits became inherited over evolutionary time, ultimately projecting what could be next for our species.
Sisters of the Brush
Although the women of the Union were often quite conservative politically, socially, and stylistically, says Garb, they believed that women had a special gift that would enhance France's cultural reputation and maintain the uplifting moral-cultural position that seemed in jeopardy at the turn of the century. Focusing on the developments that made the prominence of the organisation possible, Garb discusses the growth of the women's movement, educational reforms, institutional changes in the art world, and critical debates and contemporary scientific thought.
Edouard Vuillard
Edouard Vuillard (1868-1940), one of the most admired post-impressionist artists, is best-known for his small easel paintings and their charming portrayals of everyday life. However, a major part of his work during his early life was the painting of large decorative panels in the Parisian homes of wealthy private patrons, produced between 1892 and 1912. These panels - some fifty in total - have been little studied, due principally to the inaccessibility of many of them and the impossibility of their being included in exhibitions.
A Belle Epoque?
The Third Republic, known as the ‘belle époque’, was a period of lively, articulate and surprisingly radical feminist activity in France, borne out of the contradiction between the Republican ideals of liberty, equality and fraternity and the reality of intense and systematic gender discrimination. Yet, it also was a period of intense and varied artistic production, with women disproving the critical nearconsensus that art was a masculine activity by writing, painting, performing, sculpting, and even displaying an interest in the new "seventh art" of cinema. This book explores all these facets of the period, weaving them into a complex, multi-stranded argument about the importance of this rich period of French women’s history.
Sisters Or Citizens?
This book is a study of the responses of working women to the oppression they faced both as women and as workers in the nineteenth century.
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