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Hearings
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Employees of Permanent Missions to the United Nations
List of persons accepted by the Dept. of State as entitled to the benefits of the provisions of the International Organizations Immunities Act.
The Letters of Queen Victoria
This nine-volume selection from the letters of Queen Victoria was commissioned by Edward VII, and published between 1907 and 1932.
Human-Computer Interaction
This book constitutes the thoroughly refereed proceedings of the 7th Iberoamerican Workshop on Human-Computer Interaction, HCI-Collab 2021, held in Sao Paulo, Brazil, in September 2021.* The 15 full and 4 short papers presented in this volume were carefully reviewed and selected from 68 submissions. The papers deal with topics such as emotional interfaces, usability, video games, computational thinking, collaborative systems, IoT, software engineering, ICT in education, augmented and mixed virtual reality for education, gamification, emotional Interfaces, adaptive instruction systems, accessibility, use of video games in education, artificial Intelligence in HCI, among others. *The workshop was held virtually due to the COVID-19 pandemic.
An Instrument of Peace
This book presents a meticulously-researched biography on Guillermo Belt Ramírez, one of Cuba’s most important diplomats of the 20th century. As Ambassador, Belt represented his homeland in the United States and the Soviet Union as the Cold War turned wartime allies into enemies. He also represented a generation of diplomats who, after bearing witness to the horrors of war, had the resolve to join to create the United Nations and regional organizations such as the Organization of American States. Belt’s success in the diplomatic and political spheres were met with the pain and hardship of exile. Thanks to his faith, the love of his family, and an unwavering sense of patriotism, Belt per...
Iphigenia
Winner, Harvey L. Johnson Award, Southwest Council on Latin American Studies, 1994 "...I didn't want to tell you the truth for anything in the world, because it seemed very humiliating to me..." The truth is that Iphigenia is bored and, more than bored, buried alive in her grandmother's house in Caracas, Venezuela. After the excitement of being a beautiful, unchaperoned young woman in Paris, her father's death has sent her back to a forgotten homeland, where rigid decorum governs. Two men—the married man she adores and the wealthy fiancé she abhors—offer her escape from her prison. Which of these impossible suitors will she choose? Iphigenia was first published in 1924 in Venezuela, where it hit patriarchal society like a bomb. Teresa de la Parra was accused of undermining the morals of young women with this tale of a passionate woman who lacks the money to establish herself in the liberated, bohemian society she craves. Yet readers have kept the novel alive for decades, and this first English translation now introduces its heroine to a wider audience.
The Plantation in the Postslavery Imagination
In a provocative new approach toward understanding transnational literary cultures, this study examines the specter of the plantation, that physical place most vividly associated with slavery in the Americas. For Elizabeth Russ, the plantation is not merely a literal location, but also a vexing rhetorical, ideological, and psychological trope through which intersecting histories of the New World are told. Through a series of precise, in-depth readings, Russ analyzes the discourse of the plantation through a number of suggestive pairings: male and female perspectives; U.S. and Spanish American traditions; and continental alongside island societies. To chart comparative elements in the develop...
Women Opera Composers
The history of women in the opera is a grand story. Women were singers and patrons, of course, but from opera's beginnings in Renaissance Italy, they were also opera composers and librettists. At first it was exclusively for the nobility. In the 19th century, with the emergence of the middle class and the rise of nationalism, there were more public theaters and opera seemed to be everywhere. This meant more opportunities for composers, though men predominated. This book focuses on the women, from the 16th century to today, who had successful careers in opera, many of them well known in their time.
