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Focusing on the concepts of popular consent, representation, limit, and resistance to tyranny as essential features of modern theories of parliamentary democracy, Monahan shows a continuity in use of these concepts across the alleged divide between the Mi
"The first chapter introduces the debate over freedom between republicans and liberals. It also sketches the framework I employ throughout the book to analyse and compare republican freedom and the pure negative conception of liberal freedom. The chapter ultimately shows how the book is structured so as to demonstrate how the conceptual dispute results in the republican dilemma, which is also introduced in the chapter"--
Walter Pater's European Imagination addresses Pater's literary cosmopolitanism as the first in-depth study of his fiction in dialogue with European literature. Pater's short pieces of fiction, the so-called 'imaginary portraits', trace the development of the European self over a period of some two thousand years. They include elements of travelogue and art criticism, together with discourses on myth, history, and philosophy. Examining Pater's methods of composition, use of narrative voice, and construction of character, the book draws on all of Pater's oeuvre and includes discussions of a range of his unpublished manuscripts, essays, and reviews. It engages with Pater's dialogue with the vis...
Respect for animals has always been a part of human consciousness. Poets, thinkers, philosophers, scientists and statesmen have long celebrated our compassion towards Earth's other beasts.Awe for the Tiger, Love for the Lamb compiles the most significant statements of sensibility to animals in the history of thought. From the myths of the ancient world to the Middle Ages to Darwin and beyond, Preece captures the most telling and fascinating accounts of humankind's relationship to the wild world, placing them in historical context. Jung called it an unconscious identity with animals, while Wordsworth saw it as the primal sympathy which having been must ever be. Linking the diverse chords of h...
Jules Michelet, one of France’s most influential historians and a founder of modern historical practice, was a passionate viewer and relentless interpreter of the visual arts. In this book, Michèle Hannoosh examines the crucial role that art writing played in Michelet’s work and shows how it decisively influenced his theory of history and his view of the practice of the historian. The visual arts were at the very center of Michelet’s conception of historiography. He filled his private notes, public lectures, and printed books with discussions of artworks, which, for him, embodied the character of particular historical moments. Michelet believed that painting, sculpture, architecture, ...
The Death of Scripture and the Rise of Biblical Studies examines the creation of the academic Bible. Beginning with the fragmentation of biblical interpretation in the centuries after the Reformation, Michael Legaspi shows how the weakening of scriptural authority in the Western churches altered the role of biblical interpretation. Focusing on renowned German scholar Johann David Michaelis (1717-1791), Legaspi explores the ways in which critics reconceived the role of the Bible. This book offers a new account of the origins of biblical studies, illuminating the relation of the Bible to churchly readers, theological interpreters, academic critics, and people in between. It explains why, in an age of religious resurgence, modern biblical criticism may no longer be in a position to serve as the Bible's disciplinary gatekeeper.
Of the many treatises written in Italy during the Counter-Reformation, none is more illustrative of the intellectual fermentation of the period than Comanini's work on the purpose of painting, Il Figino overo del fine della Pittura (1591). Although the importance of Il Figino has long been recognized, the text has remained largely inaccessible to many scholars throughout the world. This first complete English translation will make the work available to those readers for the first time. In Il Figino, Comanini addresses all of the most hotly debated aesthetic issues of the time, drawing on an array of classical, medieval and Renaissance sources, including Plato, Aristotle, Horace, Mazzoni, Tasso and Paleotti. The editor and translator provide copious notes which clarify Comanini's aesthetic and theological references, as well as a lucid introduction that places the issues and debates in context. Comanini's impressive erudition makes his treatise an excellent barometer of the state of scholarship in the Counter-Reformation era. This translation is a long-overdue addition to the field of Renaissance studies.
The doctrine of the imago Dei, that human beings are created in the “image and likeness of God,” is an endlessly fascinating topic. Not only is it a central doctrine to Christian life and practice but also touches, perhaps even helps to form, every other doctrine of the Christian faith in one way or another. We do not think about God, in a Christian sense, as any other than the God who creates humanity in God’s image. However, many of the details of this claim and what it means for human beings are left undefined by Hebrew and Christian Scriptures and it is not even mentioned in the creeds. This space leaves room for exploration. So the quest for what it means for human beings to be made in the image and likeness of God has never ceased to occupy theologians, clerics, and the laity alike. In this Companion, Peppiatt charts the developments of the doctrine through the ages, summarizing each position and perspective up to the modern day. This volume offers a compact but rich overview of the various ways in which this doctrine has been and is understood as well as pointing readers to further questions for consideration.
Mark Nepo—the #1 New York Times bestselling author and popular spiritual teacher—“has given us not only a much-needed message of hope and inspiration, but a practical guide on how to build a better tomorrow, together” (Arianna Huffington, founder of HuffPost). This poignant and timely meditation on the importance of community, demonstrates how we can live more enriching lives by cultivating connectedness. At once a moving meditation and an empowering guide, More Together Than Alone is a compelling testament to the power of community and why it’s so essential in our lives, now more than ever. Mark Nepo draws from historical events, spiritual leaders, and the natural world to show ho...
In this volume, Emily A. Fenichel offers an in-depth investigation of the religious motivations behind Michelangelo's sculpture and graphic works in his late period. Taking the criticism of the Last Judgment as its point of departure, she argues that much of Michelangelo's late oeuvre was engaged in solving the religious and artistic problems presented by the Counter-Reformation. Buffeted by critiques of the Last Judgment, which claimed that he valued art over religion, Michelangelo searched for new religious iconographies and techniques both publicly and privately. Fenichel here suggests a new and different understanding of the artist in his late career. In contrast to the received view of Michelangelo as solitary, intractable, and temperamental, she brings a more nuanced characterization of the artist. The late Michelangelo, Fenichel demonstrates, was a man interested in collaboration, penance, meditation, and experimentation, which enabled his transformation into a new type of religious artist for a new era.