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The Harlem Renaissance was a watershed moment for racial uplift, poetic innovation, sexual liberation, and female empowerment. Aphrodite’s Daughters introduces us to three amazing women who were at the forefront of all these developments, poetic iconoclasts who pioneered new and candidly erotic forms of female self-expression. Maureen Honey paints a vivid portrait of three African American women—Angelina Weld Grimké, Gwendolyn B. Bennett, and Mae V. Cowdery—who came from very different backgrounds but converged in late 1920s Harlem to leave a major mark on the literary landscape. She examines the varied ways these poets articulated female sexual desire, ranging from Grimké’s invoca...
In The Language of the Heart, Trysh Travis explores the rich cultural history of Alcoholics Anonymous (AA) and its offshoots and the larger "recovery movement" that has grown out of them. Moving from AA's beginnings in the mid-1930s as a men's fellowship that met in church basements to the thoroughly commercialized addiction treatment centers of today, Travis chronicles the development of recovery and examines its relationship to the broad American tradition of self-help, highlighting the roles that gender, mysticism, and bibliotherapy have played in that development.
In this fascinating history of alcohol in postwar American culture, Lori Rotskoff draws on short stories, advertisements, medical writings, and Hollywood films to investigate how gender norms and ideologies of marriage intersected with scientific and popular ideas about drinking and alcoholism. After the repeal of Prohibition in 1933, recreational drinking became increasingly accepted among white, suburban, middle-class men and women. But excessive or habitual drinking plagued many families. How did people view the "problem drinkers" in their midst? How did husbands and wives learn to cope within an "alcoholic marriage"? And how was drinking linked to broader social concerns during the Great...
The Age of Innocence marks the pinnacle of Edith Wharton’s career as one of the finest American novelists of her era. The narrative follows Newland Archer, of upper-crust 1870s New York, whose passion for the mysterious Countess Ellen Olenska leads him to question the very foundations of his way of life. Written in the aftermath of World War I, the novel explores the psychological and cultural paradoxes of desire in a world undergoing unprecedented transformations. This edition includes a critical introduction and a range of appendices that contextualize the novel in terms of its modernist themes and tensions.
Using an interdisciplinary approach, Kelman underscores the role that common people have played in shaping the city and portrays the Mississippi as an active participant in New Orlean's history."--BOOK JACKET.
This book examines the long history of cowboy Christians in the American West, focusing on the cowboy church movement of the present day and closely related ministries in racetrack and rodeo settings. Marie W. Dallam demonstrates that the cowboy church's antecedents and influences include muscular Christianity, the Jesus movement, and new paradigm church methodology.
In this innovative book, Stephen P. Rice offers a new understanding of class formation in America during the several decades before the Civil War. This was the period in the nation's early industrial development when travel by steamboat became commonplace, when the railroad altered concepts of space and time, and when Americans experienced the beginnings of factory production. These disorienting changes raised a host of questions about what machinery would accomplish. Would it promote equality or widen the distance between rich and poor? Among the most contentious questions were those focusing on the social consequences of mechanization: while machine enthusiasts touted the extent to which m...
Proceedings of the Oxford Symposium on Food and Cooking 2008 on the subject of Vegetables.
The Blossom Which We Are traces the emergence of a distinctly modern form of human vulnerability—our intimate dependence on the fragile and time-bound cultural frameworks that we inhabit—as it manifests in the realm of the novel. Nir Evron juxtaposes seminal works from diverse national literatures to demonstrate that the trope of cultural extinction offers key insights into the emotional and ideological work performed by the realist novel. With an analysis that ranges from the works of Maria Edgeworth and Walter Scott, Edith Wharton's Age of Innocence and Joseph Roth's Radetzky March and Yaakov Shabtai's Past Continuous, and finally to the current state of the humanities, this book seeks to recover literary criticism's humanistic mission, bringing the best that has been thought and said to bear on urgent contemporary concerns.
Circe Sturm takes a bold and original approach to one of the most highly charged and important issues in the United States today: race and national identity. Focusing on the Oklahoma Cherokee, she examines how Cherokee identity is socially and politically constructed, and how that process is embedded in ideas of blood, color, and race. Not quite a century ago, blood degree varied among Cherokee citizens from full blood to 1/256, but today the range is far greater--from full blood to 1/2048. This trend raises questions about the symbolic significance of blood and the degree to which blood connections can stretch and still carry a sense of legitimacy. It also raises questions about how much racial blending can occur before Cherokees cease to be identified as a distinct people and what danger is posed to Cherokee sovereignty if the federal government continues to identify Cherokees and other Native Americans on a racial basis. Combining contemporary ethnography and ethnohistory, Sturm's sophisticated and insightful analysis probes the intersection of race and national identity, the process of nation formation, and the dangers in linking racial and national identities.