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Tides of Fortune
THE SIXTH AND FINAL BOOK IN THE CAPTIVATING SERIES WHICH FOLLOWS THE LIVES OF BETH AND ALEX MACGREGOR, THEIR FAMILY AND FRIENDS. Alex, now believing Beth to be alive, leaves Scotland and heads south to keep the promise he made to her at Culloden, determined to be reunited with his wife regardless of the danger to himself. Meanwhile the Duke of Newcastle has realised that he cannot kill Beth, either publicly or privately, without attracting the enmity of powerful people, including the heir to the throne. He hits upon a way of being rid of her forever; transportation to Antigua as an indentured servant for life. By this deed he hopes that the terrible conditions on the sugar plantations will achieve the much-desired death of the woman who has defied him for so long. Things do not go according to plan and soon Beth finds her life going in a direction neither she nor Newcastle could have foreseen, which leads her to make a decision that could have a terrible impact on Alex as he attempts to discover her whereabouts. JOIN THE REBELLION AS BETH AND ALEX FIGHT TO SURVIVE AND BE REUNITED IN... THE JACOBITE CHRONICLES
Whimwhams
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The dream
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Daisy Chain
In 2009, the body of five-year-old Daisy Prospero was found in Shropshire woodland. Her killer has never been caught. Ten years on, Detective Chief Inspector Kath Fortune and her new Cold Case team are on the hunt to find the truth. With psychic Lane Petreus and tech expert Byron on board, the team must call on all their resources to close the case. Alongside the new investigation into his daughter's murder, Todd Prospero has his own mystery to solve. Who is the woman he finds in his garden in the middle of the night on the brink of death? A chain of secrets and lies leads the team to uncover connections that no-one could have imagined. Can the killer be brought to justice?
The Family Herald
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The New World
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Works
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Time in Romantic Theatre
The shift in temporal modalities of Romantic Theatre was the consequence of internal as well as external developments: internally, the playwright was liberated from the old imperative of “Unity of Time” and the expectation that the events of the play must not exceed the hours of a single day; externally, the new social and cultural conformance to the time-keeping schedules of labour and business that had become more urgent with the industrial revolution. In reviewing the theatre of the Romantic era, this monograph draws attention to the ways in which theatre reflected the pervasive impact of increased temporal urgency in social and cultural behaviour. The contribution this book makes to the study of drama in the early nineteenth century is a renewed emphasis on time as a prominent element in Romantic dramaturgy, and a reappraisal of the extensive experimentation on how time functioned.
