You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Finalist, Berru Award in Mem-o-ry of Ruth and Bernie Weinflash, National Jewish Book Awards Winner of the 2018 Stan and Tom Wick Poetry Prize Ellen Bass, Judge "A compelling book about origins--of ancestry, memory, and language"--Ellen Bass The Many Names for Mother is an exploration of intergenerational motherhood; its poems reach toward the future even as they reflect on the past. This evocative collection hovers around history, trauma, and absence--from ancestral histories of anti-Semitic discrimination in the former Soviet Union to the poet's travels, while pregnant with her son, to death camp sites in Poland. As a descendant of Holocaust survivors, Dasbach ponders how the weight of her ...
"Don't Touch the Bones, this remarkable second collection by Julia Kolchinsky Dasbach, shows its author hard at work to transform the experience of cultural losses-of lands, language, and legacy-into a poetry of remembrance, homage, and power. . . . Her poems rake the oracle bones of her family's flight from persecution, reading in their fissures a dialogic language both of sorrow and determination. -Garrett Hongo, author of Coral Road"--
Julia Kolchinsky Dasbach's The Bear Who Ate the Stars, winner of the 2014 Split Lip Uppercut Chapbook Awards, is a collection of poems that bite like sharpened nails and enlighten with historical, spiritual and political accounts. In the words of poet Michael Meyerhofer (Blue Collar Eulogies, Damnatio Memoriae), "There's a wonderful range to Julia Kolchinsky Dasbach's poems, rendered all the more remarkable by their consistent depth and polish. These poems feel meticulously crafted, despite a certain primal, sometimes sensual quality often falsely seen as antithetical to intellectual poetry. These poems smell of stars and campfires, a deeper sense of story, a mythological thread running, river-like, all the way back to the dawn of time."
Displaying a sure sense of craft and a sharp facility for linking personal experience to the public realms of history and politics, Jehanne Dubrow’s Red Army Red chronicles the coming of age of a child of American diplomats in Eastern Europe in the 1980s. In the last moments of the Cold War, Poland—the setting for many of the poems—lurches fitfully from a society characterized by hardship and deprivation toward a free-market economy. The contradictions and turmoil generated by this transition are the context in which an adolescent girl awakens to her sexuality. With wit and subtlety, Dubrow makes apparent the parallels between the body and the body politic, between the fulfillment of individual and collective desires.
Original poetry by Russian-American poet Olga Livshin, alongside her translations of Russian poetry by Anna Akhmatova (1889-1966) and Vladimir Gandelsman (b.1948). Foreword by Ilya Kaminsky. "A Life Replaced" is the fourth book from Poets & Traitors Press.
The spring 2024 Greensboro Review features our annual Robert Watson Literary Prize winners, Mark Spero's "Pig Therapist" for poetry and Daniel S.C. Sutter's "Mantis" for fiction. This 115th issue is dedicated to Fred Chappell (1936 - 2024), with a special tribute essay from Angela Davis-Gardner, as well as new work by Josh Bell, Elizabeth Fergason, Susan Finch, Jared Green, Benjamin S. Grossberg, Caitlyn Klum, Julia Kolchinsky Dasbach, Nik Moore, Ugochukwu Damian Okpara, Weijia Pan, Suphil Lee Park, Martha Paz-Soldan, Edmund Sandoval, Jacob Schepers, Max Seifert, Michael Waters, Leah Yacknin-Dawson, and C. Dale Young.
Poetry. Latinx Studies. MOTHER/LAND is focused on the intersection of motherhood and immigration and its effects on a speaker's relationship to place, others and self. It investigates the mutual and compounding complications of these two shifts in identity while examining legacy, history, ancestry, land, home, and language. The collection is heavily focused on the latter, including formal experimentation with hybridity and polyvocality, combining English and Portuguese, interrogating translation and transforming traditional repeating poetic forms. These poems from the perspective of an immigrant mother of an American child create a complex picture of the beauty, danger and parental love the speaker finds and the legacy she brings to her reluctant new motherland.
None
The Death of a Migrant Worker is a gift and monument of words to my parents. It is a way of saying 'these people passed through this way' and here's what they did.