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Preliminary Material -- Introduction -- Key Challenges for the Scholar of Live Poetry -- Towards a Definition of Live Poetry -- Analysing Live Poetry -- Audiotext -- Body Communication -- Contextualising the Performance -- Jackie Hagan's “Coffee or Tea?”: A Sample Analysis -- Checklist for the Analysis of Live Poetry Performances -- Conclusion -- Bibliography -- Table of Figures -- Index.
Resorting to life narratives as a comprehensive umbrella term and embracing hemispheric American studies paradigms, this edited volume explores the interrelations between life narratives, the social world, creativity, and different forms of media to narrate and (re)present the self to see in which way these expressions offer (new) means of (self-) representation within cultural productions from the Americas. Creativity in the context of life narratives nourishes the act of narrating and propels among others the desire to link individual life stories with larger stories of social embeddedness, conditioning, and transformation thus pushing new forms of historiography and other forms of nonfict...
This volume examines innovative intersections of life-writing and experimental fiction in the 20th and 21st centuries, bringing together scholars and practicing biographers from several disciplines (Modern Languages, English and Comparative Literature, Creative Writing). It covers a broad range of biographical, autobiographical, and hybrid practices in a variety of national literatures, among them many recent works: texts that test the ground between fact and fiction, that are marked by impressionist, self-reflexive and intermedial methods, by their recourse to myth, folklore, poetry, or drama as they tell a historical character’s story. Between them, the essays shed light on the broad range of auto/biographical experimentation in modern Europe and will appeal to readers with an interest in the history and politics of form in life-writing: in the ways in which departures from traditional generic paradigms are intricately linked with specific views of subjectivity, with questions of personal, communal, and national identity. The Introduction of this book is open access under a CC BY 4.0 license via link.springer.com.
Eight books and over two thousand years ago the story of Verdan began with The Fourth Age. The promise of peace continues to prove elusive and once again the world calls upon Celecia and Dakoran to safeguard their future. Mriccon has returned from a realm of the gods with the realization that the world is about to enter The Fifth Age. There's only one problem...The Fifth Age is not supposed to exist. Terek's dreams are shattered and all he has left are schemes of vengeance and a plan that may yet doom all life on Verdan. Once again, the Rising Circle surfaces with a plan so subversive that it is both reviled and embraced by those in power. The Fifth Age will take the reader from a prison in Emdon to the palace in Seahaven to the swamps of Kyrotha and to no less than three godly realms. The heroes of the world will suffer losses along the way, but will move forward with grim determination toward a cataclysmic conclusion that will help shape not only the future of Verdan, but of the entire universe.
The sprawling story of a Czech-American family's determined struggle and unforgettable odyssey - from the hunger and hardship of Eastern Europe, across the cold and gray Atlantic in steerage, and on into America's growing cities and isolated farms. The Novaks survive and grow through love and loss, peace and war, epidemic and Depression, in a strange and wondrous new land far from home - a young and raw America immersed in the restless throes of change. JOURNEY is a great, new family saga of turmoil, heartbreak, and humor - with characters as vivid and colorful as the rich American landscape of the last hundred years.
South Asia is one of the most vulnerable areas of an increasingly disaster-impacted world, with cyclones, earthquakes, floods and droughts causing several casualties and disrupting lives and livelihoods every year. Yet the impacts of disasters are not equally distributed across the peoples of the region.Women and men experience disaster differently, and their needs in the aftermath of disaster often differ. Bringing together perspectives from academics, emergency response specialists and development practitioners, the volume investigates to what extent and in what ways gender affects the course of post-disaster reconstruction. Conversely, it also explores in what ways gender politics may be ...
Trauma and the Mediated Self: Contemporary Life Writing Across Media examines twenty-first century representations of trauma in life writing across several media, including printed-word memoir, graphic memoir, autodocumentary, and autobiographical video games. Through careful analysis, Loredana Bercuci uncovers the medium-specific demands for the representation of trauma in life writing in the context of the contemporary memoir boom. She broadly argues that for a trauma representation to be considered successful, each medium adapts its own means to adhere to a certain definition of trauma and in this manner a particular piece of life writing is accepted as a successful and reliable representation of trauma. The representation of trauma in these autobiographical media has created a new trauma aesthetics that is defined by a cautious (re)engagement with the real.
This book explores 21st-century uses of the second- and third-person perspective in Anglophone autobiographical narratives by canonical male writers. Through detailed readings of contemporary autobiographical works by Paul Auster, Julian Barnes, J.M. Coetzee, and Salman Rushdie, the study demonstrates the multiple aesthetic, rhetorical, and un/ethical implications of the choice of narrative perspective as well as the uncommon step of articulating the self from a perspective which is not I. Drawing on (rhetorical) narratology and autobiography theory, the book engages with questions and tensions of subjectivity and relationality, the interplay of distance and proximity resulting from the narr...
The first part of this book deals with Britain’s imperial age, its militants and its critics. The selection of works generates a large field of debate explored using traditional or innovative approaches. The 19th century is presented as a time for writers (J. E. Aylmer, E. Marryat Norris, G. A. Henty, Conan Doyle) who tell stories of Europeans venturing forth into “uncivilised” regions of the world where they meet other races. But writers of a different outlook are also considered. Before the twilight of Empire, women were born in England (Virginia Woolf) and in Ireland (Elizabeth Bowen) who would use the ductile means of literature to narrate journeys into the female self, instead of ...