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"How did rescue dogs become status symbols? Why are luxury brands losing their cachet? What's made F. Scott Fitzgerald's most famous observations obsolete? The answers are part of a new revolution that's radically reorganizing the way we view ourselves and others. Status was once easy to identify-fast cars, fancy shoes, sprawling estates, elite brands. But in place of Louboutins and Lamborghinis, the relevance of the rich, famous, and gauche is waning and a riveting revolution is underfoot. Why do dog owners boast about their rescues, but quietly apologize for their purebreds? Why do people brag about their grinding workweeks? Why are so many billionaires anxious to give (some of) their mone...
Anxiety. Addiction. Depression. We associate these words with the challenges of modern life. Rarely do we consider how these conditions shaped past generations. Using archival sources, testimonies, and her grandfather Walter Parker’s experiences, the author not only paints a vivid picture of life in an English Victorian village, but she also draws upon psychological theory to explore the lives of her working-class ancestors. What did your forebears inherit from their parents? Which psychological characteristics did your ancestors hand down? A Victorian’s Inheritance can help you find answers.
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This text offers a comprehensive and tightly focused account of the emergence and flourishing of British modern-life paintings at midcentury. Contemporary subjects were new and risky in the late 1840s and early 1850s; immensely popular and much debated by 1858; and already falling out of fashion by the mid-1860s. The book follows this story chronologically, moving from the anxious attempts by young artists such as William Powell Frith and William Holman Hunt to capture modern life in a visual language that conveyed both the literal and emotional truths of contemporary experience, through the new genre’s explosion into popularity in the later 1850s and early 1860s, and the critical debates (and changing fashions) that led to its diminishment by the end of that decade. The book will be of interest to scholars working in art history, British studies, visual culture, exhibition culture, museum studies, and the sociology of art.
Edited by Jane Desmarais and David Weir.
In the last twenty-five years, the concept of space has emerged as a productive lens through which historians of the long eighteenth century can examine the varied and mutable issues at play in the creation and reception of objects, images, spectacles, and the built environment. This collection of essays investigates the potentialities afforded by space in eighteenth-century art and visual culture. Rather than being defined by a particular school of art or the type of space invoked, it invites global difference and reflects scholarly engagement in the eighteenth-century artistic phenomena of Italy, Mexico, and India, as well as Britain and France in immediate, imperial, and transnational con...
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