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Where, the Mile End
Where, the Mile End is the debut collection by Irish poet Julie Morrissy. The book employs an energetic lyric that follows the speaker through cities in Europe, the US, and Canada, introducing a deft awareness of image, rhythm, and poetic realisation. A subtle vulnerability lurks in Morrissy's lyrical sensibility as she engages themes of transition and development in many forms, tracking patterns of emotional, physical, and geographical change. This is poetry with an edge, brimful of excitement, humour and curiosity. Morrissy builds an intimate world, linking the vitality of two continents, and tightly holding the reader to the snow, the streets, and the sensual memories embroidered throughout this collection. Where, the Mile End suggests a new way of being in the world, somewhere between the places we inhabit, the moments we remember, and the things we long for.
The Law is a White Dog
Published on the occasion of 'The Law is a White Dog' as part of Tulca Festival of Visual Arts 2020. Curated and edited by Sarah Browne, the book features a richly illustrated introductory essay which frames a wide range of newly commissioned writing, imagery and other original research by artists, poets, activists and lawyers.
Law and Literature: The Irish Case
Law and Literature: The Irish Case is a collection of fascinating essays by literary and legal scholars which explore the intersections between law and literature in Ireland from the eighteenth century to the present day. Sharing a concern for the cultural life of law and the legal life of culture, the contributors shine a light on the ways in which the legal and the literary have spoken to each other, of each other, and, at times, for each other, on the island of Ireland in the last three centuries. Several of the chapters discuss how texts and writers have found their ways into the law’s chambers and contributed to the development of jurisprudence. The essays in the collection also reveal the juridical and jurisprudential forces that have shaped the production and reception of Irish literary culture, revealing the law’s popular reception and its extra-legal afterlives. List of contributors: Rebecca Anne Barr, Max Barrett, Noreen Doody, Katherine Ebury, Adam Gearey, Tom Hickey, James Kelly, Colum Kenny, David Kenny, Heather Laird, Julie Morrissy, Gearóid O'Flaherty, Virginie Roche-Tiengo, Barry Sheils.
The Routledge Companion to Twenty-First-Century Irish Writing
This Companion brings together leading scholars in the field of Irish studies to explore the significance of twenty-first-century Irish writing and its flourishing popularity worldwide. Focusing on Irish writing published or performed in the 21st-century, this volume explores genres, modes, and styles of writing that are current, relevant, and distinctive in today’s classrooms. Examining a host of innovative, key writers, including Sally Rooney, Marion Keyes, Sebastian Barry, Paul Howard, Claire Kilroy, Micheal O’Siadhail, Donal Ryan, Marina Carr, Enda Walsh, Martin McDonagh, Colette Bryce, Leanne Quinn, Sinéad Morrissey, Paula Meehan, Ailbhe Ní Ghearbhuigh, and Doireann Ni Ghríofa. This text investigates the socio-cultural and theoretical contexts of their aesthetic achievements and innovations. Furthermore, The Routledge Companion to Twenty-First-Century Irish Writing traces the expansion of Irish writing, offering fresh insight to Irish identities across the boundaries of race, class, and gender. With its distinctive contemporary contexts and comprehensive scope, this multifaceted volume provides the first significant literary history of 21st century Irish literature.
Bounding Biomedicine
During the 1990s, unprecedented numbers of Americans turned to complementary and alternative medicine (CAM), an umbrella term encompassing health practices such as chiropractic, energy healing, herbal medicine, homeopathy, meditation, naturopathy, and traditional Chinese medicine. By 1997, nearly half the US population was seeking CAM in one form or another, spending at least $27 billion out-of-pocket annually on related products and services. As CAM rose in popularity over the decade, so did mainstream medicine's interest in understanding whether those practices actually worked, and how. Medical researchers devoted considerable effort to testing CAM interventions in clinical trials, and med...
Gender, Genre, and the Romantic Poets
This book offers new insights into the ambiguous masculinity within male romantic poetry, discussing the work of Byron, Wordsworth, Shelley, Keats and Coleridge, among others.
The Novels and Selected Plays of Thomas Holcroft Vol 5
Thomas Holcroft (1745–1809) was a key figure in the radical movement of the 1790s. This work is intended for scholars wanting to understand Britain and its literature in the 1790s.
Prosperity Drive
'A wonderful writer' Hilary Mantel All of life is laid bare in Prosperity Drive. A woman falls and remembers a moment decades earlier that changed the course of her life. A failed priest teaches children to swim at the YMCA. A teenage girl takes a spanner to the car of the young man who has driven her home. A honeymoon in Venice goes disastrously wrong. A man is reunited with his first love in an airport departure lounge. All of the characters begin their journeys on Prosperity Drive, appear and disappear, bump into each other in chance encounters, and join up again through love, marriage or memory in this mesmerising book.
When the Tree Falls
When the Tree Falls is Jane Clarke's second collection. These lyrically eloquent poems bear witness to the rhythms of birth and death, celebration and mourning, endurance and regrowth. An elegiac sequence, inspired by the loss of her father, moves gracefully through this second collection.
Irish Materialisms
Irish Materialisms: The Nonhuman and the Making of Colonial Ireland, 1690-1830, is the first book to apply recent trends in new materialist criticism to Ireland. It radically shifts familiar colonial stereotypes of the feminized, racialized cottier according to the Irish peasantry's subversive entanglement with nonhuman materiality. Each of the chapters engages a focused case study of an everyday object in colonial Ireland (coins, flax, spinning wheels, mud, and pigs) to examine how each object's unique materiality contributed to the colonial ideology of British paternalism and afforded creative Irish expression. The main argument of Irish Materialisms is its methodology: of reading literature through the agency of materiality and nonhuman narrative in order to gain a more egalitarian and varied understanding of colonial experience. Irish Materialisms proves that new materialism holds powerful postcolonial potential. Through an intimate understanding of the materiality Irish peasants handled on a daily basis, this book presents a new portrait of Irish character that reflects greater empowerment, resistance, and expression in the oppressed Irish than has been previously recognized.
