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This beautiful new book by award-winning illustrator Julie Morstad captures a child's imaginative delight in the ordinariness of the world, from getting dressed, to having breakfast, to choosing ways to get to school. This is a modern version of classic books like Oh, What a Busy Day by Gyo Fujikawa and The Best Storybook Ever by Richard Scarry.
A playful and poignant exploration of the nature of time through the eyes of a child from acclaimed author/illustrator Julie Morstad. What is time? Is it the tick tick tock of a clock, numbers and words on a calendar? It's that, but so much more. Time is a seed waiting to grow, a flower blooming, a sunbeam moving across a room. Time is slow like a spider spinning her web or fast like a wave at the beach. Time is a wiggly tooth, or waiting for the school bell to ring, or reading a story . . . or three! But time is also morning for some and night for others, a fading sunset and a memory captured in a photo taken long ago. In this magical meditation on the nature of time, Julie Morstad shines a joyful light on a difficult-to-grasp concept for young readers and reminds older readers to see the wonders of our world, including children themselves, through the lens of time.
Sadie is a little girl with a big imagination. She has been a girl who lived under the sea and a boy raised by wolves. She has had adventures in wonderland and visited the world of fairytales. She whispers to the dresses in her closet and talks to birds in the treetops. She has wings that take her anywhere she wants to go, but that always bring her home again. She likes to make things -- boats out of boxes and castles out of cushions. But more than anything Sadie likes stories, because you can make them from nothing at all. For Sadie, the world is so full of wonderful possibilities ... This is Sadie, and this is her story.
ALL NEW DRAWINGS FROM A NOTED ILLUSTRATOR Julie Morstad has long excelled at illustration, often working in tandem with children's writers, but in The Wayside, the storytelling potential of her fantastical pictures is fully realized. Within these pages Morstad's worlds unite, maintaining their ethereal, almost fairy-tale beauty and yet also offering a loose overarching synthesis through thematic and visual commonalities. The work found herein combines the delicate line of Edward Gorey with the color palette of Marcel Dzama, and emerges as something utterly unique, a combination of the two with the spirit of Virginia Woolf. Dramatic, poetic, heavy with symbolism, Morstad's drawings speak for themselves, exploring femininity, identity, and personal mythologies that interested her in her first Drawn & Quarterly book, Milk Teeth.
december 29 and i woke to a morning that was quiet and white the first snow (just like magic) came on tip toes overnight Flowers blooming in sheets of snow make way for happy frogs dancing in the rain. Summer swims move over for autumn sweaters until the snow comes back again. In Julie Fogliano's skilled hand and illustrated by Julie Morstad's charming pictures, the seasons come to life in this gorgeous and comprehensive book of poetry.
Three new kittens are too many for a one-cat apartment, but Daddy finds a solution to the problem.
It's a cold, windy winter morning and a little girl has to walk a mile to catch the school bus. Along the way, she faces wire gates, dark shadowy woods, a bull grazing with the cattle and many other scary things. Will she be able to sing her way through the dark morning? Lilting rhyming text by Caroline Woodward and stunning artwork by Julie Morstad complement each other perfectly in this whimsical, nostalgic story, creating the look and feel of a classic picture book.
A GORGEOUS GEM, BACK IN PRINT The Vancouver artist Julie Morstad spins fairy tales infused with dreamlike innocence and a touch of the macabre, a universe populated by animals, flowers, peculiar objects, and disembodied heads. Milk Teeth was one of the first books in D+Q's petit livre art book series, and quickly sold out.
A little girl and her favorite dress dream of an extraordinary life. They enjoy simple pleasures together on a beautiful Greek island. They watch the sunset, do chores, and pick wildflowers on the way home. One day, the dress and the girl must leave the island and immigrate to the United States. Upon arrival, the girl is separated from the trunk carrying her favorite dress, and she fears her dress is lost forever. Many years later, the girl—now all grown up—spots the dress in a thrift store window. As the two are finally reunited, the memories of their times together come flooding back. While the girl can no longer wear the dress, it’s now perfect for her own daughter—and the new journey of a girl and her dress begins. Featuring lush illustrations, The Dress and the Girl is a stunning picture book about memory and the power of the items we hold most dear.
An affecting biography of the author of Anne of Green Gables is the first for young readers to include revelations about her last days and to encompass the complexity of a brilliant and sometimes troubled life. Once upon a time, there was a girl named Maud who adored stories. When she was fourteen years old, Maud wrote in her journal, “I love books. I hope when I grow up to be able to have lots of them.” Not only did Maud grow up to own lots of books, she wrote twenty-four of them herself as L. M. Montgomery, the world-renowned author of Anne of Green Gables. For many years, not a great deal was known about Maud’s personal life. Her childhood was spent with strict, undemonstrative grandparents, and her reflections on writing, her lifelong struggles with anxiety and depression, her “year of mad passion,” and her difficult married life remained locked away, buried deep within her unpublished personal journals. Through this revealing and deeply moving biography, kindred spirits of all ages who, like Maud, never gave up “the substance of things hoped for” will be captivated anew by the words of this remarkable woman.