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Catalog of an exhibition held at the Museum of Modern Art, New York, Sept. 15, 2010-May 2, 2011.
This collection of the writings of Daniel O’Connor, edited and introduced by David Jasper, is a treasure trove for all interested in the Church in India in the twentieth century.
The book examines individual and collective visions for the material world of children, from utopian dreams for the citizens of the future to the dark realities of political conflict and exploitation. Surveying more than 100 years of toys, clothing, playgrounds, schools, children's hospitals, nurseries, furniture, posters, animation and books, this richly illustrated catalogue illuminates how progressive design has enhanced the physical, intellectual, and emotional development of children and, conversely, how models of children's play have informed experimental aesthetics and imaginative design thinking.
1926/28- contains statistical tabulations relative to the public schools of the state (Division of Research and Statistics).
Relentless tells the story of the rise of Cork ladies football between 2005 and 2016. Having never won a senior title in the sport in 2004, by 2016 the team had won ten All-Ireland titles in eleven years. Mary White takes the reader behind the scenes and shows what made the Cork ladies footballers one of the most successful teams ever in the history of Irish sport. The book was shortlisted for the 2015 Setanta Ireland Sports Book of the Year. This edition contains a new afterword from the author, bringing the story up to the present day. 'It would have been disastrous if the best team in Irish sport had passed into history without their story being told. Luckily for them and for us, Mary White was there taking notes right from the beginning and can give an outsider's view with an insider's knowledge. It's not often that happens. A great insight into a truly great team.' – Malachy Clerkin, The Irish Times
'Vivid . . . the history Maud Blair brings alive is significant in its detail' Beverley Naidoo, acclaimed author of Journey to Jo’burg What does it mean to grow up with an African mother and European father in racially segregated 1950s Rhodesia? For Maud Blair it meant being sent, aged four, to a ‘Coloured’ boarding school run by Christian nuns. It meant being taught in English rather than her native language, which she was encouraged to forget. It meant only seeing her family for two weeks during the school’s Christmas holiday, where Maud longed for the sense of belonging she once had. Labelled as neither African nor European, Maud tries to make sense of her mixed identity in the mi...
1926/28- contains statistical tabulations relative to the public shcools of the state (Division of Research adn Statistics).
For this updated critical edition of Romeo and Juliet, Hester Lees-Jeffries has written a completely new introduction. It draws on recent research in theatre to set Romeo and Juliet in its mid-1590s context, making connections with other plays by Shakespeare and other literature of the period, as well as with the social and cultural contexts of the day, with discussions of London and Italy, dancing and duelling, marriage, gender and sexuality. It includes detailed discussion of the play in performance from the Restoration to the present day, with a particular focus on film (including global cinema), music and dance, and also explores other adaptations and afterlives, including young-adult fiction. The edition retains the commentary and Textual Analysis of the previous editor, G. Blakemore Evans; the Textual Analysis is prefaced with a short note contextualising its conclusions in the light of more recent research.
Towards the end of the 1980s it looked as if television had displaced cinema as the photographic medium for bringing Shakespeare to the modern audience. In recent years there has been a renaissance of Shakespearian cinema, including Kenneth Branagh's Henry V and Much Ado About Nothing, Franco Zeffirelli's Hamlet, Peter Greenaway's Prospero's Books and Christine Edzard's As You Like It. In this volume a range of writers study the best known and most entertaining film, television and video versions of Shakespeare's plays. Particular attention is given to the work of Olivier, Zeffirelli and Kurosawa, and to the BBC Television series. In addition the volume includes a survey of previous scholarship and an invaluable filmography.