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Aurier, Symbolism and the Visual Arts
This is the first fully comprehensive study on the 19th-century poet and art critic, Albert Aurier (1865-1892), in the context of his age. Focusing on Aurier's pivotal role in the development of French Symbolist art and aesthetics, the book explores his contribution to contemporary and subsequent perceptions of Symbolism in art during a period which saw the rise of art criticism as a genre in its own right. Taking Aurier's writings on lesser-known artists such as Henry de Groux, Eugène Carrière and Jean-Jacques Henner, as well as those on Impressionism, and Van Gogh and Gauguin, the study shows how Aurier laid the foundation for the interpretation of Modernist art.
Critical Exchange
This collection examines the development of art criticism across Russia and Western Europe in the eighteenth and nineteenth centuries. Art criticism articulated local ideas about functions of art but, more importantly, it also became one of the most responsive fields in which a larger, transnational European exchange of ideas about the role of critical discourse could take place. Art criticism of this period was also rich in rhetorical strategies and textual diversity. International contributors to this volume, who include art historians, cultural historians, and specialists in critical and philosophical discourse, examine the emergence of art critical discourse in a variety of cultural and geo-political contexts.
Art Periodical Culture in Late Imperial Russia (1898-1917)
Art Periodical Culture in Late Imperial Russia (1898-1917). Print Modernism in Transition offers a detailed exploration of the major Modernist art periodicals in late imperial Russia, the World of Art (Mir Iskusstva, 1899-1904), The Golden Fleece (Zolotoe runo, 1906-1909) and Apollo (Apollon, 1909-1917).
"Elizabeth Robins Pennell, Nineteenth-Century Pioneer of Modern Art Criticism "
Mining various archives and newspaper repositories, Elizabeth Robins Pennell, Nineteenth-Century Pioneer of Modern Art Criticism provides the first full-length study of a remarkable woman and heretofore neglected art critic. Pennell, a prolific 'New Art Critic', helped formulate and develop formalist methodology in Britain at the end of the nineteenth century, which she applied to her mostly anonymous or pseudonymous reviews published in numerous American and British newspapers and periodicals between 1883 and 1923. A bibliography of her art criticism is included as an appendix. In addition to advocating an advanced way in which to view art, Pennell used her platform to promote the work of ?new? artists, including ?ouard Manet and Edgar Degas, which had only recently been introduced to British audiences. In particular, Pennell championed the work of James McNeill Whistler for whom she, along with her husband, the artist Joseph Pennell, wrote a biography. Examination of her contributions to the late Victorian art world also highlights the pivotal role of criticism in the production and consumption of art in general, a point which is often ignored.
Systema Naturae 250 - The Linnaean Ark
The advent of relational databasing and data storage capacity, coupled with revolutionary advances in molecular sequencing technology and specimen imaging, have led to a taxonomic renaissance. Systema Naturae 250 - The Linnaean Ark maps the origins of this renaissance, beginning with Linnaeus, through his "apostles", via the great unsung hero Charl
Gothic Modern
How medieval Gothic art inspired a generation. Gothic Modern illuminates the pivotal discovery of medieval Gothic art for Edvard Munch, Käthe Kollwitz, and their artist contemporaries. It explores their deep attraction to the Gothic art of Europe's north and German lands via paintings, prints, and other artistic media to imagine a new Gothic modernity, unlocking a different energy of modern art and creative experiment beyond nation-centric stories. Juliet Simpson and Anna-Maria von Bonsdorff recreate a distant and tantalizing Gothic age. They present a reimagining of Gothic art between the 1870s and 1920s to create new visions of the artist, belonging, modern society, sexuality, spirituality, and identity. Dark or radiant, enchanted or uncanny, these sites of Gothic modernity inspired Munch's and Kollwitz's generation with urgent imaginaries for creating worlds.
Savage Tales
"An original study of Gauguin's writings, unfolding their central role in his artistic practice and negotiation of colonial identity. As a French artist who lived in Polynesia, Paul Gauguin (1848-1903) occupies a crucial position in histories of European primitivism. This is the first book devoted to his wide-ranging literary output, which included journalism, travel writing, art criticism, and essays on aesthetics, religion, and politics. It analyzes his original manuscripts, some of which are richly illustrated, reinstating them as an integral component of his art. The seemingly haphazard, collage-like structure of Gauguin's manuscripts enabled him to evoke the "primitive" culture that he ...
Aller(s)-Retour(s)
If the eighteenth century was the age of reason and enlightenment, the nineteenth century was undeniably the age of movement. This tumultuous period in French history bore witness to the rise and fall of countless political movements, from revolutions and “coups d’état”, to popular protests and the first workers’ strikes. It was an age of economic movements as France embraced the new world of finance and banking, and underwent its own industrial revolution. Social mobility increased as a dynamic commercial bourgeoisie began to challenge the system of aristocratic privilege that neither the 1789 Revolution nor the Napoleonic Empire had dismantled entirely. The era was one of artistic...
Routledge Library Editions: Social and Political Thought in the Nineteenth Century
This set reissues eight books that explore the social and political thought of the nineteenth century. The titles in this set, originally published between 1943 and 2001, examine several of the important figures of the time, including Jeremey Bentham and Thomas Carlyle, whilst also examining political movements and the emergence and growth of libertarian thought. This set will be of particular interest to students of social and political history.
