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British Humour and the Second World War
This book skilfully brings together cutting-edge historical research by leading and emerging researchers in the field to investigate the utilisation of British humour both during the Second World War and its legacy in British popular culture. Lindsey Robb and Juliette Pattinson lead a cast of esteemed academics and early career scholars to address a wide variety of situations in which humour was generated and a diverse range of groups for whom it was important. By addressing the overarching topic of humour from a breadth of different perspectives (naval, intelligence, Conscientious Objectors, disfigured patients) and by adopting an original interpretative framework of home front sites (including the Channel Islands), this books opens up the possibility for a more variegated, richer analysis of Britain during the Second World War. By using the lens of humour to scrutinize the social and cultural history of Britain during the Second World War, it promises to add critical nuance to our understanding of the functioning of British wartime society. The result is a rich addition to existing literature of use to students and scholars studying the cultural history of war.
Behind enemy lines
Behind enemy lines is an examination of gender relations in wartime using the Special Operations Executive as a case study. Drawing on personal testimonies, in particular oral history and autobiography, as well as official records and film, it explores the extraordinary experiences of male and female agents who were recruited and trained by a British organisation and infiltrated into Nazi-Occupied France to encourage sabotage and subversion during the Second World War. With its original interpretation of a wealth of primary sources, it examines how these ordinary, law-abiding civilians were transformed into para-military secret agents, equipped with silent killing techniques and trained in u...
British Humour and the Second World War
This book skilfully brings together cutting-edge historical research by leading and emerging researchers in the field to investigate the utilisation of British humour both during the Second World War and its legacy in British popular culture. Linsey Robb and Juliette Pattinson lead a cast of esteemed academics and early career scholars to address a wide variety of situations in which humour was generated and a diverse range of groups for whom it was important. By addressing the overarching topic of humour from a breadth of different perspectives (naval, intelligence, Conscientious Objectors, medical artists) and by adopting an original interpretative framework of home front sites (including the Channel Islands), this books opens up the possibility for a more variegated, richer analysis of Britain during the Second World War. By using the lens of humour to scrutinize the social and cultural history of Britain during the Second World War, it promises to add critical nuance to our understanding of the functioning of British wartime society. The result is a rich addition to existing literature of use to students and scholars studying the cultural history of war.
British Cultural Memory and the Second World War
Few historical events have resonated as much in modern British culture as the Second World War. It has left a rich legacy in a range of media that continue to attract a wide audience: film, TV and radio, photography and the visual arts, journalism and propaganda, architecture, museums, music and literature. The enduring presence of the war in the public world is echoed in its ongoing centrality in many personal and family memories, with stories of the Second World War being recounted through the generations. This collection brings together recent historical work on the cultural memory of the war, examining its presence in family stories, in popular and material culture and in acts of commemoration in Britain between 1945 and the present.
Men, Masculinities and Male Culture in the Second World War
This edited collection brings together cutting-edge research on British masculinities and male culture, considering the myriad ways British men experienced, understood and remembered their exploits during the Second World War, as active combatants, prisoners and as civilian workers. It examines male identities, roles and representations in the armed forces, with particular focus on the RAF, army, volunteers for dangerous duties and prisoners of war, and on the home front, with case studies of reserved occupations and Bletchley Park, and examines the ways such roles have been remembered in post-war years in memoirs, film and memorials. As such this analysis of previously underexplored male experiences makes a major contribution to the historiography of Britain in the Second World War, as well as to socio-cultural history, cultural studies and gender studies.
Men in Reserve
Men in reserve provides the first nationwide study of the reserved occupations, bringing together a wide range of sources including new oral histories, autobiographies, archive, visual and film materials.
Women of War
'Women of War' examines the FANY as a case study of gender modernity using newspapers, memoirs, diaries, letters interviews, photographs and poetry. While these New Women challenged the limits of convention in terms of behaviour, dress and role, they were simulataneously deepy conservative, upholding imperialist, unionist and anti-feminist values.
British Cultural Memory and the Second World War
Few historical events have resonated as much in modern British culture as the Second World War. It has left a rich legacy in a range of media that continue to attract a wide audience: film, TV and radio, photography and the visual arts, journalism and propaganda, architecture, museums, music and literature. The enduring presence of the war in the public world is echoed in its ongoing centrality in many personal and family memories, with stories of the Second World War being recounted through the generations. This collection brings together recent historical work on the cultural memory of the war, examining its presence in family stories, in popular and material culture and in acts of commemoration in Britain between 1945 and the present.
Women of War
Women of war is an examination of gender modernity using the world's longest established women's military organisation, the First Aid Nursing Yeomanry. These New Women's adoption of martial uniform and military-style training, their inhabiting of public space, their deployment of innovative new technologies such as the motor car, the illustrated press, advertisements and cinematic film and their proactive involvement in the First World War illustrate why the Corps and its socially elite members are a particularly revealing case study of gender modernity. Bringing into dialogue both public and personal representations, it makes a major contribution to the social and cultural history of Britain in the early twentieth century and will appeal to undergraduates, postgraduates and scholars working in the fields of military history, animal studies, trans studies, dress history, sociology of the professions, nursing history and transport history.
The Betrayal
At the end of World War II the Allies faced a threefold challenge: how to punish perpetrators of appalling crimes for which the categories of 'genocide' and 'crimes against humanity' had to be coined; how to explain that these had been committed by Germany, of all nations; and how to reform Germans. The Allied answer to this conundrum was the application of historical reasoning to legal procedure. In the thirteen Nuremberg trials held between 1945 and 1949, and in corresponding cases elsewhere, a concerted effort was made to punish key perpetrators while at the same time providing a complex analysis of the Nazi state and German history. Building on a long debate about Germany's divergence fr...
