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Las sociedades de la IV Sección de la Ley General de Sociedades
El fenómeno de las sociedades “informales” pervive en el tráfico con una difusión que supera a todos los demás tipos contemplados en la Ley General de Sociedades. Los hechos han demostrado que todos los esfuerzos del legislador por perseguir y sancionar a los participantes de las hoy conocidas como “atípicas” han sido infructuosos y que en los anales jurisprudenciales se puede encontrar “entre líneas” una cultura de irregularidad tácitamente consentida. Se constituyen en parte activa y pasiva de las relaciones jurídicas. Por ello recibimos con satisfacción y algunos reparos la modificación de la Sección IV de la mencionada Ley General de Sociedades. Nuestra aprobación...
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Schiedsgerichtsbarkeit und Ständiges Revisionsgericht des Mercosur
Die Autorin untersucht in ihrem Werk den Beitrag des Streitbeilegungsmechanismus des Mercosur zum regionalen Integrationsprozess in Südamerika. Ihre Darstellung bettet Schiedsgerichtsbarkeit und Ständiges Revisionsgericht in den besonderen integrationspolitischen und ökonomischen Hintergrund des Mercosur sowie in dessen institutionellen und rechtlichen Rahmen ein. Dabei wird sowohl die Umgrenzung der Handlungsmöglichkeiten der Streitbeilegungsorgane durch diesen Rahmen, als auch deren Einfluss auf Recht und Institutionen beschrieben. Unter vergleichender Bezugnahme auf europarechtliche und völkerrechtliche Vorbilder befasst sich die Arbeit mit den Verfahrensarten von Schiedsgerichtsbarkeit und Ständigem Revisionsgericht einschließlich dessen innovativen Verfahrens der Kooperation mit nationalen Gerichten. Die Autorin untersucht die gestalterische Einflussnahme der Rechtsprechung auf den Integrationsraum des Mercosur und beobachtet die richterliche Ausformung der Grundfreiheiten und deren Begrenzung. Wie der Europäische Gerichtshof nutzen auch die Schiedsgerichte und das Ständige Revisionsgericht ihre Möglichkeiten zum gestalterischen Wirken im Integrationsraum.
Manuel Ugarte
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The Things We've Seen
Written in three parts, War Trilogy is a dazzling and anarchic exploration of social relations which offers thought-provoking ideas on our perceptions of humanity, history, violence, art and science. The first part follows a writer who travels to the small, uninhabited island of San Simon, where he witnesses events which impel him on a journey across several continents, chasing the phantoms of nameless people devastated by violence. The second book is narrated by Kurt, the fourth astronaut who secretly accompanied Armstrong, Aldrin and Collins on their mythical first voyage to the moon. Now living in Miami, an ageing Kurt revisits the important chapters of his life: from serving in the Vietnam War to his memory of seeing earth from space. In the third part, a woman embarks on a walking tour of the Normandy coast with the goal of re-enacting, step by step, the memory of another trip taken years before. On her journey along the rugged coastline, she comes across a number of locals, but also thousands of refugees newly arrived on Europe's shores, whose stories she follows on the TV in her lodgings.
The Italian
An emblematic story of the shipwreck of the Arab Spring At his father's funeral, to the great consternation of all present, Abdel Nasser beats the imam who is celebrating the funeral rite. The narrator, a childhood friend of the protagonist, retraces the story of "the Italian" from his days as a free and rebellious adolescent spirit to the leader of a student movement and then affirmed journalist. Those were crucial years in Tunisia, years of great tension, change, and repression. Against this background full of revolutionary ferments stands the tormented love story between Abdel Nasser and Zeina, a brilliant and beautiful philosophy student. Their dreams will unfortunately end up being wrecked under the ruthless gears of a corrupt and chauvinist society. Abdel Nasser's transformation from a young idealist with high hopes to a successful, but disillusioned and tired journalist is masterfully narrated in a stream of stories, digressions and flashbacks in which the narrative tension is always high. Winner of the 2015 International Prize for Arabic Fiction
