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No Place For Heroes: (The Unbarrening Trilogy, 1)
Nick Shamus has lived his entire life in the slums of Horner and has chosen to spend it as a lying, cheating, conniving thief. Unbeknownst to Nick, his life is about to be turned upside down when he discovers that he’s blessed with enchanting abilities. Unfortunately for Nick, this also makes him a wanted man. Ester Rayther, a mercenary, hasn't had the best run of luck lately. Her dad is dead, and she's out of a job. Looking to start anew, Ester ventures to the independent state of Seaport, where she meets the mysterious Berend Finch—a man looking to uncover a twenty-year-old conspiracy that could be the death of her. Notorious for all the wrong reasons, Weston Fairchild has spent the la...
The Phantom Tollbooth
This beautiful HarperCollins Children's Modern Classics edition is perfect for every bookshelf.
The Oxford Handbook of the British Musical
The first comprehensive academic survey of British musical theatre from its origins, The Oxford Handbook of the British Musical offers both a historical account of musical theatre from 1728 and a range of in-depth critical analyses of key works and productions that illustrate its aesthetic values and sociocultural meanings.
Hit Records, 1950-1975
With entries for almost 6000 popular songs that were featured on the Top 40 charts during the fifties, sixties, and early seventies, this reference volume will whisk you back to the early days of rock and roll. Every song is listed, title and variants are given, and there are two long indexes that allow the user to find every song written by a given composer or recorded by a given artist.
Theatre Australia (Un)limited
Theatre Australia (Un)limited tells a truly national story of the structures of post-war Australian theatre: its artists, companies, financial and policy underpinnings. It gives an inclusive analysis of three ‘waves’ of Australian theatrical activity after 1953, and the types of organisations which grew up to support and maintain them. Subsidy, repertoire patterns, finances and administration, theatre buildings, companies, festivals and notable productions of the commercial, mainstream and alternative Australian theatre are examined state by state, and changes to governmental policy analysed. Theatrical forms comprise not only spoken-word drama, but also music theatre, comedy, theatre-restaurant, circus, puppetry, community theatre in several forms and new mixed-media genres: physical theatre, circus, visual theatre and contemporary performance. Theatre Australia (Un)limited is the first comprehensive overview of the fortunes of Australian theatre as a national enterprise, providing the industrial analysis of the ‘three waves’ essential for the understanding of the New Wave and of contemporary drama.
The Trauma of Doctrine
The Trauma of Doctrine is a theological investigation into the effects of abuse trauma upon the experience of Christian faith, the psychological mechanics of these effects, their resonances with Christian Scripture, and neglected research-informed strategies for cultivating post-traumatic resilience. Paul Maxwell examines the effect that the Calvinist belief can have upon the traumatized Christian who negatively internalizes its superlative doctrines of divine control and human moral corruption, and charts a way toward meaningful spiritual recovery.
The New York Times Almanac 2002
The New York Times Almanac 2002 is the almanac of record. Drawing on the resources of the world's premier news organization. it provides readers with a wealth of data about the United States and the wort n a readable and more easily accessible form than other fad finders. Un-rivaled in scope and unsurpassed in comprehensiveness. The New York Times Almanac pays careful attention to significant issues. topics. and developments of the day and sets them in historical context. It gives the stories-and the stories behind the stories. The New York Times Almanac is the first choice for students. journalists, and researchers-for anyone who needs timely. accurate information about the United States ...
Lyrical Satirical Harold Rome
Harold Rome was a composer and lyricist on Broadway, starting with Pins and Needles in 1937. His biggest hits included Call Me Mister, Wish You Were Here, Fanny, Destry Rides Again, and I Can Get It for You Wholesale and he continued on Broadway through 1965 with The Zulu and the Zayda. His early career, after two Yale degrees, featured songs of "social significance," lyrics for the common man filled with satire. His later works were songs well adapted to the book musicals of the day, and his words and music became more lyrical. Rome worked with Moss Hart, George S. Kaufman, Jerome Weidman, Joshua Logan, David Merrick and others, and wrote songs for such stars as Pearl Bailey, Ezio Pinza, Walter Slezak and Barbra Streisand (among many). Politically involved, and left-wing, he attracted the attention of conservative organizations and the FBI. His song writing contributed to the home front efforts for World War II, as a civilian and then as a corporal in the Army. Showing yet another side, his paintings were critically praised and he amassed an impressive collection of African art.
So You Want to Sing Musical Theatre
From television shows like Glee and Smash to the phenomenon of the Broadway show Hamilton, musical theatre has never been more popular. In So You Want to Sing Musical Theatre, Updated and Expanded Edition, Broadway vocal coach Amanda Flynn provides an in-depth look at the skills needed to successfully sing and teach this repertoire. Fully updated to meet the current needs of the profession, this new edition covers a vast array of topics with even deeper discussion: musical theatre history; repertoire; genres used in productions; basic singing voice science; vocal health; audio equipment and microphones; vocal production of musical theatre sounds; acting, dancing, and other movement; working with kids; and auditioning at all levels. The book also includes profiles of Broadway singers that explores their training, methods of vocal upkeep, and advice for singers and teachers. The So You Want to Sing series is produced in partnership with the National Association of Teachers of Singing. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.
