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Cultural Theory
Cultural Theory: An Anthology is a collection of the essential readings that have shaped and defined the field of contemporary cultural theory Features a historically diverse and methodologically concise collection of readings including rare essays such as Pierre Bourdieu’s “Forms of Capital” (1986), Gilles Deleuze “Postscript on Societies of Control” (1992), and Fredric Jameson’s “Reification and Utopia in Mass Culture” (1979) Offers a radical new approach to teaching and studying cultural theory with material arranged around the central areas of inquiry in contemporary cultural study —the status and significance of culture itself, power, ideology, temporality, space and scale, and subjectivity Section introductions, designed to assist the student reader, provide an overview of each piece, explaining the context in which it was written and offering a brief intellectual biography of the author A large annotated bibliography of primary and secondary works for each author and topic promotes further research and discussion Features a useful glossary of critical terms
After Globalization
AFTER GLOBALIZATION “Relentlessly, remorselessly, endlessly, we are told there is no alternative to globalization, whether our lecturers are bourgeois economists, progressive journalists, or imaginative litterateurs. Eric Cazdyn and Imre Szeman dare to go beyond the standard thinking of the day and query the very heart of mobile capital and its impact on daily life. Their alternative vision breathes new life into our sense of evolution and inevitability.” Toby Miller, author of Globalization and Sport and Global Hollywood “Cazdyn and Szeman begin with the idea that the current economic crisis has historicized globalization, turning it from a process that looked as inevitable as, say, g...
The Politics of Private Property
Located at the intersections of law and culture, The Politics of Private Propertyprovides a fresh perspective on the functions of private property within U.S. cultural discourse by establishing a long historical arch from the early nineteenth to the twenty-first century. The study challenges the assumption of an unquestioned cultural consensus in the United States on the subject of individual property rights, instead mobilizing property as an analytical category to examine how social and political debates generate competing and contested claims to ownership. The property narratives arising out of political conflicts, the book suggests, serve to naturalize the unequal social and economic structures and legitimize the hegemonic order, which however remains to be shifting and subject to challenges. Analyzing the property narratives at the heart of the U.S. American self-conception, The Politics of Private Property addresses the gap between the ideal of the U.S. as a universal middle-class society, characterized by a wide diffusion of property ownership, and the actual social reality which is defined by unequal dissemination of wealth and race-based structures of exclusion.
Untimely Deaths in Renaissance Drama
In the decades before history was institutionalized as a scholarly discipline, historical writing was practiced variously by poets, record keepers, lawyers, sermonizers, mythologizers, and philosophers. In this welter of competing forms of historical thought, early modern drama often operated as a site in which claims about the nature of historical change could be treated in a frequently conflicting manner. To explore this arena of competing forms of historical explanation, Untimely Deaths in Renaissance Drama focuses on the problem of narrative abruption in a selection of historically minded early modern plays as they rely on various strategies to make sense of biography and fatality. Arguing that narrative forms fail in the face of untimely death, Andrew Griffin shows that the disruption appears as a matter of trauma, making the untimely death both a point of narrative conflict and a social problem. Exploring the formula that early modern dramatists used to make sense of life and death, this book draws on the wider context of this period's culture of historical writing.
Contemporary Literary and Cultural Theory
Contemporary Literary and Cultural Theory: The Johns Hopkins Guide is a clear, accessible, and detailed overview of the most important thinkers and topics in the field. Written by specialists from across disciplines, its entries cover contemporary theory from Adorno to ?i?ek, providing an informative and reliable introduction to a vast, challenging area of inquiry. Materials include newly commissioned articles along with essays drawn from The Johns Hopkins Guide to Literary Theory and Criticism, known as the definitive resource for students and scholars of literary theory and for philosophical reflection on literature and culture.
Decolonizing the English Literary Curriculum
Leading scholars illustrate the necessity and advantages of reforming the English Literary Curriculum from decolonial perspectives.
Cultural Studies Methodology and Political Strategy
This book is an intervention into cultural studies' theoretical and methodological foundations. It addresses a crisis in conjunctural analysis: that there is no theorized method for conjunctural analysis as it pertains to recognizing a conjunctural shift or the emergence of an organic crisis. This crisis is connected to the belief that the definition of the conjuncture is ambiguous in Gramsci’s work, but using a broader range of primary, secondary, and also untranslated sources on the conjuncture, Carley demonstrates that Gramsci has decisively settled that ambiguity. Through a philological approach to Gramsci’s original texts, this book alters the debate around conjunctural analysis and offers means to reinterpret cultural studies and its relationship to its founding thinkers.
The Future Is Present
A critical history of the pioneering art and technology group Mobile Image and their prescient work in communications, networking, and information systems. In The Future Is Present, Philip Glahn and Cary Levine tell the fascinating history of the visionary art group Mobile Image—founded by Kit Galloway and Sherrie Rabinowitz in 1977—which appropriated emerging technologies, from satellites to electronic message platforms. Based in Los Angeles, this under-studied collective worked amid urban crisis, a techno-boom, consolidating media power, and ascendant neoliberal politics. Mobile Image challenged fundamental conventions of the public sphere, democracy, communication, and political parti...
Moral Figures
In the early twentieth century, people in the southwestern Pacific nation of Vanuatu experienced rapid population decline, while in the early twenty-first century, they experienced rapid population growth. From colonial governance to postcolonial sovereignty, Moral Figures shows that despite attempts to govern population size and birth, reproduction in Vanuatu continues to exceed bureaucratic economization through Ni-Vanuatu insistence on Indigenous relationalities. Through Alexandra Widmer’s examination of how reproduction is made public, she demonstrates how population sciences have a naturalized focus on women’s fertility and privileged issues of wage labour over women’s land access...
The Diasporic Condition
Lebanese Capitalism and the Emergence of a Transnational Mode of Existence -- On Being Propelled into the World: Existential Mobility and the Migratory Illusio -- Diasporic Anisogamy -- From Ambivalent to Fragmented Subjects -- On Diasporic Lenticularity -- Lenticular Realities and Anisogamic Intensifications -- The Lebanese Transnational Diasporic Family -- Diaspora and Sexuality: A Case Study -- Diasporic Jouissance and Perverse Anisogamy: Negotiated Being in the Streets of Beirut.
