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After winning an Oscar for Spirited Away, the Japanese director Hayao Miyazaki's animated films were dubbed into many languages. Some of the films are saturated with religious themes distinctive to Japanese culture. How were these themes, or what Miyazaki describes as "animism," received abroad, especially considering that they are challenging to translate? This book examines how American and German audiences, grounded on Judeo-Christian traditions, responded to the animism in Miyazaki's Nausicaa of the Valley of the Wind (1984), My Neighbor Totoro (1988), Princess Mononoke (1997), Spirited Away (2001), and Ponyo on the Cliff by the Sea (2008). By a close reading of adaptations and film reviews, and a study of transitions in their verbal and visual approaches to animism, this book demonstrates that the American and German receptions transcended the conventional view of an antagonistic relationship between animism and Christianity. With the ability to change their shapes into forms easily accessible to other cultural arenas, the anime films make a significant contribution to inter-religious dialogue in the age of secularization.
This volume is a collection of articles which present the results of investigations into the grammar, semantics and pragmatics of deictic expressions in several languages. Special emphasis is placed on contrastive studies that take cognitive and cultural context into account. Both the empirical and theoretical studies focus on the ways in which spatial, temporal, personal and textual entities are conceptualised and referred to. The cognitive approach proves to be a promising perspective combining aspects of perception, reasoning and linguistic expression to reveal what seems to be at the very heart of deictics.
Dieser Sammelband beleuchtet die vielfältigen Facetten der Musik im Fernsehen. Namhafte Autoren aus Wissenschaft und Praxis diskutieren die Verwendung von Musik in unterschiedlichen Sendeformen – von der Castingshow bis zur Konzertaufzeichnung – und zeigen Hauptentwicklungslinien der visuellen und musikalischen Gestaltung auf.
André F. Nebe uses his humour structure analysis to make viewers' preferences and corresponding audiovisual offerings in films visible. Complex and multi-layered audiovisual (hypotactic) humour is used in the more successful films, while less successful films make simple (paratactic) humour offerings. The humour structure analysis offers insights into promising humour offerings and can also be used in the story development phase for writers, directors, producers and dramaturges.
This volume offers the first book-length academic investigation of Florian Henckel von Donnersmarck’s Oscar-winning film The Lives of Others (2006). The aim of this edited collection is twofold. On the one hand, it offers new insight into one of the most successful German films of the past two decades, placing The Lives of Others within its wider historical, political, aesthetic and industrial context. On the other, it offers this group of scholars, which includes many of the leading international figures in the field, opportunity to make a series of interventions on the state of contemporary German film and German film studies.
Das Buch beantwortet, woher ein Zuschauer wissen kann, wie sich eine Figur im Film fühlt, was sie denkt und was in ihrem Innersten vorgeht. Dabei wird zunächst beschrieben, welche Mechanismen wirken, wenn wir in unserem Alltag Menschen einschätzen, ihre Mimik interpretieren oder Empathie empfinden. Wirken im Film die selben Mechanismen? Welche Rolle spielen zusätzlich die filmischen Mittel: die Kamera, der Schnitt, die Musik, die Farben, das Produktionsdesign? Historische Aspekte werden dabei ebenso berücksichtigt wie kulturelle Unterschiede.
Exhaustive compendium by one of the world's foremost experts on the Swedish master covers Bergman's life, his cultural background, his entire artistic career and extensive annotated bibliographies of interviews and critical writings on Bergman.