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Well, you really don't know the painter William "Bill" Alexander? His biography reads like a novel and is for this book extensively probably researched for the first time! He was a charming "fox" who survived two world wars and lived years in North America with his VW bus as a traveling artist. He wanted to do something good for people. His life was a big adventure, his end was dramatic. Born in Berlin 1915 and later emigrated to North America, he became famous as a TV painter with own television show. Only 30 minutes Alexander needed for a complete oil painting, and he also taught his students. Thanks to the brillant "Alexander painting technique" that he developed himself, anyone can paint like this. And his method is still used and taught by teachers around the globe today. But the worldwide fame for this absolutely ingenious technique went to another: His student Bob Ross. Urgently overdue to remember this warmhearted artist. Let's accompany William "Bill" Alexander on his exciting journey.
Mehrere Monate Entwicklungsarbeit waren nötig für dieses außergewöhnliche magische Trick-Prinzip, mit dem wahrhaft märchenhafte und überaus starke visuelle Effekte möglich sind. In diesem Zauber-Seminarheft präsentiere ich drei traumhafte magische Effekte: Keine komplizierten Griffe sind nötig, kein langes Einstudieren. Der Künstler kann sich voll und ganz auf die Präsentation konzentrieren und das Publikum begeistern! .
This book shows how to work with stories and narrative approaches in almost all fields of action of a company, and demonstrates the added value resulting from a holistic narrative perspective. The authors take thereby a practice-based perspective from the viewpoint of managing directors, the C-suite, organizational developers, corporate communicators and advisers with a rich description of the methods and implementation. By the employment of these narrative methods, leadership styles, communication, knowledge and change management can be planned in such a way that on the one hand the identity-core of the enterprise remains always apparent and on the other, the organization can develop in an agile fashion into the future.
Re: Direction is an extraordinary resource for practitioners and students on directing. It provides a collection of ground-breaking interviews, primary sources and essays on 20th century directing theories and practices around the world. Helpfully organized into four key areas of the subject, the book explores: * theories of directing * the boundaries of the director's role * the limits of categorization * the history of the theatre and performance art. Exceptionally useful and thought-provoking introductory essays by editors Schneider and Cody guide you through the wealth of materials included here. Re: Direction is the kind of book anyone interested in theatre history should own, and which will prove an indispensable toolkit for a lifetime of study.
Includes entries for maps and atlases.
The first general study in English of, arguably, the most important German dramatist after Brecht.
No Hamlets is the first critical account of the role of Shakespeare in the intellectual tradition of the political right in Germany from the founding of the Empire in 1871 to the "Bonn Republic" of the Cold War era. In this sustained study, Andreas Hofele begins with Friedrich Nietzsche and follows the rightist engagement with Shakespeare to the poet Stefan George and his circle, including Ernst Kantorowicz, and the literary efforts of the young Joseph Goebbels during the Weimar Republic, continuing with the Shakespeare debate in the Third Reich and its aftermath in the controversy over "inner emigration" and concluding with Carl Schmitt's Shakespeare writings of the 1950s. Central to this e...