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Thinking Northern offers new approaches to the processes of identity formation which are taking place in the diverse fields of cultural, economic and social activity in contemporary Britain. The essays collected in this volume discuss the changing physiognomy of Northern England and provide a mosaic of recent thought and new critical thinking about the textures of regional identity in Britain. Looking at the historical origin of Northern identities and at current attitudes to them, the book explores the way received mental images about the North are re-deployed and re-contained in the ever-changing socio-cultural set-up of society in Northern England. The contributors address representation of Northernness in such diverse fields as the music scene, multicultural spaces, the heritage industries, new architecture, the arts, literature and film.
It has taken Liverpool almost half a century to come to terms with the musical, cultural and now economic legacy of the Beatles and popular music. At times the group was negatively associated with sex and drugs images surrounding rock music: deemed unacceptable by the city fathers, and unworthy of their support. Liverpudlian musicians believe that the musical legacy of the Beatles can be a burden, especially when the British music industry continues to brand the latest (white) male group to emerge from Liverpool as ’the next Beatles’. Furthermore, Liverpudlians of perhaps differing ethnicities find images of ’four white boys with guitars and drums’ not only problematic in a ’musica...
An overview of the art historical antecedents to virtual reality and the impact of virtual reality on contemporary conceptions of art. Although many people view virtual reality as a totally new phenomenon, it has its foundations in an unrecognized history of immersive images. Indeed, the search for illusionary visual space can be traced back to antiquity. In this book, Oliver Grau shows how virtual art fits into the art history of illusion and immersion. He describes the metamorphosis of the concepts of art and the image and relates those concepts to interactive art, interface design, agents, telepresence, and image evolution. Grau retells art history as media history, helping us to understa...
Bluecoat is a unique and much-loved Liverpool institution, its oldest city centre building. This book tells the fascinating story of its transformation from charity school to contemporary arts centre, the UK’s first. Its early 18th century origins shed light on the religious and maritime mercantile environment of the growing port, whose merchants supported the school. Echoes from then are revealed in themes explored by artists in the 20th century, including slavery and colonial legacies. The predominant focus is on an inclusive building for the arts, starting with colourful bohemian society, the Sandon, who established an artistic colony in 1907, hosting significant exhibitions by the Post...
A catalog of the first American exhibition of Rudolf Steiner's blackboard drawings at the University of California, Berkeley Art Museum. The drawings were created by the scholar and mystic during his lectures from 1919 to 1924, and were preserved in the form of color chalk on black paper. Each color illustration is accompanied by a quote from the l
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„Gleiches Glück für alle“ klingt in dieser Zeit utopisch, doch hat der Ausruf nach Glücksgerechtigkeit auch heute noch seine Berechtigung – zum Glück. In diesem Band gehen Bildende Künstler, Literaten und Wissenschaftler auf die Suche nach verschiedenen Vorstellungen vom persönlichen Glück, vom Glück der Anderen oder eben von der Gerechtigkeit des Glücks. Dabei wird deutlich, dass Wissenschaft und Kunst das Thema aus einem je eigenen Blickwinkel betrachten. Doch durch die Zusammenstellung der Beiträge entsteht ein neues Bild, das den Leser inspirieren soll, sich seine eigene Vorstellung vom Glück zu machen.
‘Did Rudolf Steiner dream these things? Did he dream them as they once occurred, at the beginning of all time? They are, for sure, far more astonishing than the demiurges and serpents and bulls found in other cosmogonies.’ – Jorge Luis Borges Rudolf Steiner, founder of anthroposophy, recorded his view of the world in many books, but also in over 5,000 lectures. Through the latter medium particularly, he explained his ideas on a wide range of subjects, including education, science, the social question, art, architecture, medicine and agriculture. Steiner spoke freely, using only minimal notes. But when explaining conceptually difficult subject matter, he frequently resorted to illustrat...
Offers an overview of more than 40 years of Stankowski's work. This book introduces the reader to the historical development of signs, beginning with the arrow and honing in on Stankowski's individual aesthetics and applications. It presents sketches, drawings, and graphic designs.