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Katyn and the Soviet Massacre of 1940
The Soviet massacre of Polish prisoners of war at Katyn and in other camps in 1940 was one of the most notorious incidents of the Second World War. The truth about the massacres was long suppressed, both by the Soviet Union, and also by the United States and Britain who wished to hold together their wartime alliance with the Soviet Union. This informative book examines the details of this often overlooked event, shedding light on what took place especially in relation to the massacres at locations other than Katyn itself. It discusses how the truth about the killings was hidden, how it gradually came to light and why the memory of the massacres has long affected Polish-Russian relations.
Station 43
Audley End House in Essex - or Station 43 as it was known during the Second World War - was used as the principal training school for SOE's Polish Section between 1942 and 1944. Polish agents at the stately home undertook a series of arduous training courses in guerilla warfare before being parachuted into occupied Europe. In 1943, Audley End was placed exclusively under polish control, a situation unique within SOE. The training was tough and the success rate low, but a total of 527 agents passed through Audley End between 1942 and 1944. Ian Valentine has consulted a wide range of primary sources and interviewed Polish instructors and former agents who trained at Audley End to write the def...
We Learn Nothing
A New York Times political cartoonist and writer presents a collection of his most popular essays and drawings about life and government hypocrisy, exploring the darkly comic aspects of such topics as falling in love with unlikeable people, managing a friend with outspoken political views and reacting to a long acquaintance's sex-change operation. By the creator of The Pain--When Will It End?
Agent Zo
'Deeply researched and written with verve... thoughtful as well as action packed' The Times 'Gripping, moving and important' Simon Sebag Montefiore 'Clare Mulley tells the tale of the remarkable Elzbieta Zawacka with flare, passion and insight' James Holland 'Agent Zo is a triumph. Absolutely essential reading' Hallie Rubenhold This is the incredible story of Elzbieta Zawacka, the WW2 female resistance fighter known as Agent Zo, told here for the very first time. Agent Zo was the only woman to reach London from Warsaw during the Second World War as an emissary of the Polish Home Army command, and then in Britain she became the only woman to join the Polish elite Special Forces, known as the ...
The Mystery of the Katyn Massacre
In April 1943, German authorities claimed that they had found the bodies of more than 4,000 Polish prisoners of war buried near Katyn, in the Western Soviet Union. The Polish exile government in London agreed with the Germans. In January, 1944, Soviet authorities issued a report claiming that the Germans had murdered the Polish POWs. In 1990-92 Soviet, then Russian authorities agreed that the Soviets were indeed the guilty party. But by 2010 serious evidence had been discovered that cast doubt on Soviet guilt. There has never been an objective, thorough study of this mystery - until now. All mainstream accounts blame the USSR - Stalin - for the deaths, while all the evidence points in the opposite direction. Grover Furr has identified, obtained, and studied all the evidence, and has also studied all the supposedly "authoritative" scholarly accounts of Katyn, with skill and - what is most important - with objectivity. In this book he lays out the evidence and solves this mystery for once and for all.
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
