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Food for Thought
- The global food crisis according to photographer Kadir van Lohuizen - Award-winning photographer traveled to Kenya, the US, China, the United Arab Emirates and the Netherlands - Never before has the global food industry been documented in such detail - With unique infographics and facts and figures that map out the food crisis in great detail - By the same World Press Photo winning photographer as After Us the Deluge ISBN 9789401473590 When he discovered that his home country, the Netherlands, was the second largest food exporter in the world after the US, photographer Kadir van Lohuizen was interested to learn more. He wanted to discover the world behind our food production. Where is our ...
After Us the Deluge
- The disastrous consequences of rising sea levels in six regions around the world are captured in photographs that are both beautiful and disturbing - With contributions from experts such as Marjan Minnesma (Netherlands), Jeff Goodell (USA), Dorthe Dahl-Jenssen (Greenland, Arctic), Henk Ovink and others In After Us The Deluge, Dutch photographer Kadir van Lohuizen, co-founder of the photo agency NOOR Images, shows the consequences of rising sea levels for mankind. He traveled to six different regions in the world (Greenland, US, Bangladesh, the Netherlands, UK, and the Pacific) and captured the effects of global warming. The resulting photo essay is thought-provoking, illuminating, and aesthetically impactful. Each chapter includes a contribution from a local expert that addresses the specific problems in their region.
Black Passport
The archetype of the war correspondent is freighted with an outsize heroic mythos to which world-renowned conflict photographer Stanley Greene is no stranger. Black Passport is his autobiographical monograph-cum-scrapbook, and it transports the viewer behind the news as Greene reflects upon his career, oscillating between the relative safety of life in the West and the traumas of wars abroad. This glimpse of the polarities that have comprised Greene's life raises essential questions about the role of the photojournalist, as well as concerns about its repercussions: what motivates someone to willingly confront death and misery? To do work that risks one's life? Is it political engagement, or a sense of commitment to telling difficult stories? Or does being a war photographer simply satisfy a yearning for adventure? Black Passport offers an experience that is both exceptionally personal and ostensibly objective. Built around Greene's narrating monologue, the book's 26 short, nonsequential "scenes" are each illustrated by a portfolio of his work.
Hellbangers Hb
The Hellbangers are the "enfants terribles" of a sleepy, diamonds rich country. Photographer Pep Bonet (1974, Mallorca) has been following Overthrust, a heavy metal band from Botswana, Africa, and shows us a growing, exciting and thoroughly organic heavy metal community. Ten years ago, one group existed. Today there are more than ten - and their fans are growing every year. The inhabitants of Botswana portrayed in this book are tattooed, loudly and proudly dress in leather, and play heavy death metal music. Imagine the DIY ingenuity of their 'costume creation' involving harvested animal skulls and other natural elements. With names like Demon and Gunsmoke, it would be easy though to think th...
Darfur
Even by conservative estimates, the situation in the Darfur region of the Sudan is grave. There are 3.5 million people who are hungry, 2.5 million who have been displaced by violence, and 400,000 individuals who have died since the crisis began in 2003. The international community has failed to take steps to protect civilians, or to influence the Sudanese government to intervene. The spread of violence, rape, and hate-fueled killings across the border into Chad is simply the latest atrocity. Call it war. Call it genocide. Call it famine. There is no single word to describe the plight of these people. They face all of these horrors at once. In answer, Proof: Media for Social Justice, Amnesty ...
Witnessing You
Researcher and designer Caroline Nevejan focuses on the implications of technology on society. The artistic research explores new values for the (meta) design of participatory systems in which people accept responsibility for their words and deeds and negotiate trust and truth in a networked world. Artists are Kadir van Lohuizen, Debra Solomon, Ronald Ophuis, Zoro Feigl, Afaina de Jong, Chin-Lien Chen & Chris Vermaas, Anna Carlgren, Merlijn Twaalfhoven, Martin Butler, Karen Lancel & Hermen Maat, Jodi, Luna Maurer & Andreas Zangger and Angelo Vermeulen.
Child Soldiers
Photographs by: Ghaith Abdul-Ahad, Lynsey Addario, Martin Adler, Richard Butler, Francesco Cito, Gary Calton, Chris de Bode, Donna De Cesare, Miquel Dewever Plana, Tiane Doan na Champassak, Colin Finlay, Riccardo Gangale, Cedric Gerbehaye, Jan Grarup, Tim A. Hetherington, Rhodri Jones, Bob Koenig, Roger Lemoyne, Zed Nelson, Peter Mantello, Heather McClintock, Olivier Pin Fat, Giacomo Pirozzi, Q. Sakamaki, Marcelo Salinas, Dominic Sansoni, Guy Tillim, Sven Torfinn, Ami Vitale, Vincent van de Wijngaard, Tomas van Houtryve, Kadir van Lohuizen, Alvaro Ybarra-Zavala, Francesco Zizola Essay by: Jo Becker, Jimmi Briggs, Dick Durbin, Emmanuel Jal, Michael Wessells "I would like to give you a message...
The New Climate War
One of The Observer’s ‘Thirty books to help us understand the world’ Shortlisted for the Financial Times and McKinsey Business Book of the Year Award Recycle. Fly less. Eat less meat. These are some of the ways that we’ve been told we can save the planet. But are individuals really to blame for the climate crisis? Seventy-one per cent of global emissions come from the same hundred companies, but fossil-fuel companies have taken no responsibility themselves. Instead, they have waged a thirty-year campaign to blame individuals for climate change. The result has been disastrous for our planet. In The New Climate War, renowned scientist Michael E. Mann argues that all is not lost. He draws the battle lines between the people and the polluters — fossil-fuel companies, right-wing plutocrats, and petro-states — and outlines a plan for forcing our governments and corporations to wake up and make real change.
Marvel
None
Telling Tales
Published on the occasion of an exhibition held at the McNay Art Museum, San Antonio, Texas, September 28, 2016-January 8, 2017.
