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The Rending and the Nest
A chilling yet redemptive post-apocalyptic debut that examines community, motherhood, faith, and the importance of telling one's own story. When 95 percent of the earth's population disappears for no apparent reason, Mira does what she can to create some semblance of a life: She cobbles together a haphazard community named Zion, scavenges the Piles for supplies they might need, and avoids loving anyone she can't afford to lose. She has everything under control. Almost. Four years after the Rending, Mira's best friend, Lana, announces her pregnancy, the first since everything changed and a new source of hope for Mira. But when Lana gives birth to an inanimate object--and other women of Zion f...
Tailings
In August of 2001, Kaethe Schwehn needed her own, personal Eden. She was a twenty-two-year-old trying to come to terms with a failed romance, the dissolution of her parents' marriage, and her own floundering faith. At first, Holden Village, a Lutheran retreat center nestled in the Cascade Mountains, seemed like a utopian locale: communal meals, consensus decision-making, and eco-friendly practices. But as the months wore on, the idyll faded and Kaethe was left with 354 inches of snow, one prowling cougar, sixty-five disgruntled villagers, and a pile of copper mine tailings 150 feet high. Her Eden was a toxic Superfund site. How do we navigate the space between who we are and who we would like to become, between the world as it is and world as we imagine it could be? Tailings is a lyrical memoir of intentional community told from the front lines, a passionate and awkward journey about embracing the "in-between" times of our lives with grace and hope.
Tailings
In August of 2001, Kaethe Schwehn needed her own, personal Eden. She was a twenty-two-year-old trying to come to terms with a failed romance, the dissolution of her parents' marriage, and her own floundering faith. At first, Holden Village, a Lutheran retreat center nestled in the Cascade Mountains, seemed like a utopian locale: communal meals, consensus decision-making, and eco-friendly practices. But as the months wore on, the idyll faded and Kaethe was left with 354 inches of snow, one prowling cougar, sixty-five disgruntled villagers, and a pile of copper mine tailings 150 feet high. Her Eden was a toxic Superfund site. How do we navigate the space between who we are and who we would like to become, between the world as it is and world as we imagine it could be? Tailings is a lyrical memoir of intentional community told from the front lines, a passionate and awkward journey about embracing the "in-between" times of our lives with grace and hope.
Claiming Our Callings
This volume shows how attention to vocation promotes the civic good promised by liberal arts education. The contributors claim their own academic callings and reflect on their practices for fostering students' ability to claim their vocations.
Not My Idea
People of color are eager for white people to deal with their racial ignorance. White people are desperate for an affirmative role in racial justice. Not My Idea: A Book About Whiteness helps with conversations the nation is, just now, finally starting to have.
City of Cannibals
In 1536 England, sixteen-year-old Dell runs away from her brutal father and life in a cave carrying only a hand-made puppet to travel to London, where she learns truths about her mother's death and the conflict between King Henry VIII and the Catholic Church.
Receiving the Day
Embrace time as a gift--not an obstacle Receiving the Day invites us to open the gift of time, to dwell in the freedom to rest and worship that God intends for us and for all creatures. In this book, Dorothy C. Bass shows how Christian practices for rest and worship continually welcome us into a way of life attuned to the love of God, neighbor, earth, and self. Bass does not aim to provide clear instructions for creating a schedule that solves all our puzzles about how to live in time. Rather, convinced that Christian faith bears great wisdom about time, Bass offers an account of the weekly practice of keeping sabbath, along with other practices by which Christians have sought to live faithfully in time. These practices have been lived by diverse communities of faith across centuries and cultures. Through them, we can learn to dwell more graciously, attentively, and faithfully within the hours and days we have. We can also learn to share the gift of time gladly and gratefully with others, in and for this world God loves.
Learning on Life’s Way
Born into a pack of religiously divided siblings with a devout mother and an agnostic father, Sponheim finds the triad of faith/unfaith/many faiths central in telling the tall tale of God. Through his half-century of teaching and writing, the doctrine of creation becomes decisive for Sponheim, featuring a God who has a "very big operation going in this world." Drawing on such diverse mentors as Soren Kierkegaard, Alfred North Whitehead, and feminist authors, he offers a deeply relational conception of the "tallness," the height, humankind seeks. In his own family he sees God's operation in such diverse worlds as music, science, and athletics. Personally, he has witnessed the saving work of the Creator in such worldly affairs as inner city social change programs, a domestic abuse project, and the National Alliance for the Mentally Ill. Without compromising a present-time "ethic of risk," he closes with an eschatological exploration, asking "What future would do, if it were true?" And "Is it true?"
The Temps
*Named a Best SFF Book of 2022 by Book Riot* They're underemployed. Underpaid. And trying to survive the end of the world while trapped inside an office complex. Who knew temp work could be this dangerous? Jacob Elliot doesn’t want a temporary job in the mailroom at Delphi Enterprises, but after two post-college years of unpaid internships and living in his parents’ basement, he needs the work. Then, on his first day, the unthinkable happens: toxic gas descends on a meeting in Delphi’s outdoor amphitheater, killing all the regular employees and leaving Jacob stranded inside the vast office complex. Wandering through Delphi headquarters, Jacob finds other survivors: Lauren, the disillus...
Entering the House of Awe
Poetry. "Readers familiar with Susanna Childress's Jagged with Love will recognize her distinctive voice in these poems: her nerve, her honest, quirky, irreverent, immediate and embodied yearning that rushes, wordy, right up to the ragged margins! In this second collection, new formal approaches bring breath and space to the lines, even delicacy sometimes, but these fine poems move with no less urgency because they are compelled by her signature quest for truthfulness. This search refuses perfectionism and mere aestheticism, yet admits beauty en route, as Childress claims, There needs to be no right word / There needs to be a wide hole / a whole mouth / where the right word / isn't" Julia Spicher Kasdorf."
