Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Magnetic Equator
An original, inventive--and visually stunning--exploration of place, identity, language, and experience from the acclaimed poet, novelist, and sound performer. GRIFFIN POETRY PRIZE WINNER QWF A.M. KLEIN PRIZE FOR POETRY FINALIST The poems in Kaie Kellough's third collection drift between South and North America. They seek their ancestry in Georgetown, Guyana, in the Amazon Rainforest, and in the Atlantic Ocean. They haunt the Canadian Prairie. They recall the 1980s in the suburbs of Calgary, and they reflect on the snowed-in, bricked-in boroughs of post-referendum Montréal. They puzzle their language together from the natural world and from the works of Caribbean and Canadian writers. They reassemble passages about seed catalogues, about origins, about finding a way in the world, about black ships sailing across to land. They struggle to explain a state of being hemisphered, of being present here while carrying a heartbeat from elsewhere, and they map the distances travelled.
Dominoes at the Crossroads
"Kaie Kellough is the author of the novel Accordéon (2016). Short stories taking place in Montreal, Paris, and the South American rainforest."--
Accordéon
"The Ministry of Culture wants to control the flying canoe. 'Accordéon' is the testimony of an anonymous witness. It is a satire in which fantasy and reality are enmeshed, and the past, the present, and the future exist simultaneously. Seeking to predetermine every detail of Québec culture, the Ministry institutes a vast surveillance program. It plants agents in offices, cafés, and daycares. It abducts citizens, interrogates them, and meticulously catalogues their testimony. When Accordéon's itinerant narrator is arrested on a street corner, their testimony discloeses a counterconspiracy in which the flying canoe will ascend to thwart the Ministry and decolonize Québec society." -- Page [4] of cover
Maple Leaf Rag
Maple Leaf Rag is a dynamic, jazz-infused riff on Canadian culture. With rhythm and edge, Kaie Kellough's verbal soundscape explores belonging, dislocation and relocation, and national identity from a black Canadian perspective. This collection of poems is both written word and musical score -- a dictated dub replete with references to African Canadian and African American culture (current and dated), Canadian history and politics, and characters ranging from dancers to piano players to boxers.
How a Poem Moves
How a Poem Moves is a collection of 35 short essays that walk readers through an array of contemporary poems. Sol is a dynamic teacher, and delivers essays that demonstrate poetry's range and pleasures through encounters with individual poems that span traditions, techniques, and ambitions.
Lettricity
None
The Junta of Happenstance
Personal, primordial, and pulsing with syncopated language, Tolu Oloruntoba's poetic debut, The Junta of Happenstance, is a compendium of dis-ease. This includes disease in the traditional sense, as informed by the poet's time as a physician, and dis-ease as a primer for family dysfunction, the (im)migrant experience, and urban / corporate anxiety. In the face of struggles against social injustice, Oloruntoba navigates the contemporary moment with empathy and intelligence, finding beauty in chaos, and strength in suffering. The Junta of Happenstance is an important and assured debut.
The Zea Mexican Diary, 7 Sept 1926-7 Sept 1986
In May of 1986 Edward Kamau Brathwaite learned that his wife, Doris, was dying of cancer and had only a short time to live. Responding as a poet, he began "helplessly & spasmodically" to record her passage in a diary. Zea Mexican is a collection of excerpts from this diary and other notes from this period of the Brathwaites' lives, and few who read this book will fail to be caught up in the depth of Edward Brathwaite's grief. Zea Mexican is a tribute to Doris Brathwaite and an exploration of the creative potency of love. (The title comes from the name Brathwaite gave Doris, who was originally from Guyana of part Amerindian descent.) Exposing the intimacy of his marriage, this book is the closest Brathwaite has ever come to an autobiographical statement. In examining his life with Doris he found the courage to reveal something of his own character. But, more than an autobiography, Zea Mexican is an extraordinary work of literature, much of it written in the expressive "nation language" of Jamaica and the Caribbean. Brathwaite filters his pain through his poetic gift, presenting it to the reader with all the poignancy poetry conveys.
Avant Canada
Avant Canada presents a rich collection of original essays and creative works on a representative array of avant-garde literary movements in Canada from the past fifty years. From the work of Leonard Cohen and bpNichol to that of Jordan Abel and Liz Howard, Avant Canada features twenty-eight of the best writers and critics in the field. The book proposes four dominant modes of avant-garde production: “Concrete Poetics,” which accentuates the visual and material aspects of language; “Language Writing,” which challenges the interconnection between words and things; “Identity Writing,” which interrogates the self and its sociopolitical position; and “Copyleft Poetics,” which und...
The Response of Weeds
Winner of the 2021 Gerald Lampert Memorial Award! Winner of the Stephan G. Stephansson Award for Poetry Winner of a 2021 High Plains Book Award for First Book! Finalist for the 2020 City of Calgary W.O. Mitchell Book Prize! A 2020 CBC Poetry Book of the Year! Finalist for a 2021 High Plains Book Award for Poetry Bertrand Bickersteth's debut poetry collection explores what it means to be black and Albertan through a variety of prisms: historical, biographical, and essentially, geographical. The Response of Weeds offers a much-needed window on often overlooked contributions to the province's character and provides personal perspectives on the question of black identity on the prairies. Through these rousing and evocative poems, Bickersteth uses language to call up the contours of the land itself, land that is at once mesmerizing as it is dismissively effacing. Such is black identity here on this paradoxical land, too.
