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Inventors, explorers, athletes, scientists, and mystics of the kinesthetic realm speak on the subject of sport, the environment, creative pursuits, religion, neuroscience, fear, flow, mortality, and discovery - one who walked on the moon, marginal characters who helped to make mountain biking mainstream, a B.A.S.E. jumper, a boulderer, Gidget, and those many others who would harness the power of play for oftentimes transformative ends. Who invented the bungee jump? What are the limits of human endurance, of speed up a mountain, or survival at sea? How did it all begin? What motivates those who go in search of the unknown? Where will it end, and what's the point of it anyway? "It's the spirit of innovation and anti-conformity and doing things differently," says Alexander Rufus-Isaacs, a founding member of England's Dangerous Sports Club (an experiment in weird adventures and alternative sporting events). "A manifestation of joy," "a Don Quixote adventure," "the most exhilarating moment that you'll ever feel in your life," and "a great step into the unknown," according to others.
The story of ethnographic collecting is one of cross-cultural encounters. This book focuses on collecting encounters in the Kamoro region of Papua from the earliest collections made in 1828 until 2011. Exploring the links between representation and collecting, the author focuses on the creative and pragmatic agency of Kamoro people in these collecting encounters. By considering objects as visualizations of social relations, and as enactments of personal, social or historical narrative, this book combines filling a gap in the literature on Kamoro culture with an interest in broader questions that surround the nature of ethnographic collecting, representation, patronage and objectification.
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The spectacular Lingsar festival is held annually at a village temple complex built above the most abundant water springs on the island of Lombok, near Bali. Participants come to the festival not only for the efficacy of its rites but also for its spiritual, social, and musical experience. A nexus of religious, political, artistic, and agrarian interests, the festival also serves to harmonize relations between indigenous Sasak Muslims and migrant Balinese Hindus. Ethnic tensions, however, lie beneath the surface of cooperative behavior, and struggles regularly erupt over which group--Balinese or Sasak--owns the past and dominates the present. Bridges to the Ancestors is a broad ethnographic ...
Women of the Place is a study of gender relations in the kastom communities of South Pentecost, Vanuatu. It considers kastom in these communities not as an eternal tradition, but rather as a way of life, an identity in relation, and in resistance to the forces of European development. The way in which Christian missions, the labour trade, and the development of Western political institutions had a divergent impact on women and men is explored. The relations between persons and things is highlighted in an examination of the myths and rituals of the life-cycle and of grade-taking. The significance of this ritual is located in the context of colonial history, particularly the impact of pacification on men. Finally, the book considers more generally kastom and gender in the post-colonial state.
Double flute, shoulder flute, and large standing slit drums with carved decorations are only a few of the unique musical instruments used in the islands of Vanuatu. In many ways, the people of this South Pacific archipelago live according to their traditional cultures and conduct their rituals and ceremonies as their great-grandfathers had. This book deals comprehensively with traditional musical instruments and their role and function in ceremonies on Vanuatu. Music, dance, and musical instruments are not only means to highlight certain moments in ceremonies, but help to set up an entire network of secrets. The field notes, personal opinions, and ideas that are documented in this book are the result of an intensive study of over 20 years on music in south Melanesia. This is the first reference book on the music of Vanuatu that constitutes an invaluable source for musicologists and anthropologists alike, and it will surprise general readers with its interesting and lively accounts. (Series: SoundCultureStudies / KlangKulturStudien - Vol. 7)
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