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Nigerian playwright DIPO KALEJAIYE relates an educator and writer’s experience of living in Nigeria and the United States in his latest memoir, Some Memories of California. The book charts the author’s formative years as a lecturer in Nigeria and leaves readers with no doubt as to how the geographical, spiritual, political, and cultural aspects of his West African homeland prepared him for the amazing sojourn he undertakes upon his arrival in California, USA. Suffused with humor and grit, this is a purely personal tale that pushes to the forefront the African immigrant’s experience in the United States. Kalejaiye’s African background as a young lecturer, artist and family man is cleverly pitted against the American experience that seems to challenge and define his role as a fledgling but ambitious playwright who overcomes the odds to triumph in the end. Without equivocation, this book should serve as an informative read for lovers of memoirs exploring wit and adroitness to make peculiar humane concerns accessible to readers.
This volume brings together fifteen scholars from Africa, Europe and the United States to explore how Africa is represented in and through the performing arts and cinema. Essays include discussions of Lorraine Hansberry’s A Raisin in the Sun, American influences on Nollywood, Nigerian video films, the representation of women in cinema, African dance in the diaspora, children’s music, and media portrayals of savagery from pop cinema through news reports of Ferguson, Missouri. Using a variety of methodologies and approaches, the contributors consider how African societies and cultures have been represented to themselves, to the continent at large, and in the diaspora. The volume represents an extended dialogue between African scholars and artists about the challenges of representing themselves and their respective societies within and without Africa. Many of the contributors are scholar-practitioners, offering practical guides on how to approach these performance and media forms as artists. As such, this book will serve as both model and building block for the next generation of representors, students, and audiences.
There are a total of nine contributors to this Anthology. All are immigrants from Africa to America, except two people; Cyril Obi and Chinwe Azubike, who live and work in Europe. The collection thus is a reflection of sundry temperaments in poetic art. Non of the writers is indeed writing for the first time. They have all had poems and other forms of writings published in some form of media. However, non also has as yet become towering. Their poems are rich in personal and collective experiences and artistic devices. While some are urbane, some still exhume the rural qualities of African life and yet others achieve a blend of both the urban and the rural. In all, the poems are interesting and the annotations make an understanding of the collection a lot easier.
En axant sa recherche sur le théâtre ouest-africain anglophone du XXe siècle, l'auteur de ce livre s'est assigné une tâche ambitieuse : relater l'histoire d'un siècle d'invention théâtrale en Afrique. Plongées dans un univers en crise ininterrompue, les sociétés ouest-africaines étudiées (Nigeria, Ghana et Sierra Leone), colonies britanniques pendant la première moitié du XXe siècle, accédèrent à l'indépendance entre 1957 et 1961. Cet ouvrage, fruit de longues années passées en Afrique et de contacts étroits avec les littératures du Ghana, du Nigeria et de Sierra Leone, interroge une trentaine de dramaturges et environ cent cinquante pièces de théâtre, pour y déco...
Black African Literature in English, 1987-1991 is the continuation of the 1982-1986 and earlier volumes compiled by Bernth Lindfors, and lists all the important works produced on Anglophone black African literature published between 1987 and 1991. Containing almost 9,000 entries - some of which are annotated to identify the authors discussed - it covers books and periodical articles, as well as providing selective coverage of other relevant sources of informed commentary. Also included are a very substantial number of articles which have appeared in African newspapers and magazines.
The authoritative source for information on the people, places, and events of the African Diaspora, spanning five continents and five centuries. The field of African Diaspora studies is rapidly growing. Until now there was no single, authoritative source for information on this broad, complex discipline. Drawing on the work of over 300 scholars, this encyclopedia fills that void. Now the researcher, from high school level up, can go to a single reference for information on the historical, political, economic, and cultural relations between people of African descent and the rest of the world community. Five hundred years of relocation and dislocation, of assimilation and separation have produced a rich tapestry of history and culture into which are woven people, places, and events. This authoritative, accessible work picks out the strands of the tapestry, telling the story of diverse peoples, separated by time and distance, but retaining a commonality of origin and experience. Organized in A–Z sections covering global topics, country of origin, and destination country, the work is designed for easy use by all.
"Encyclopedia of the African Diaspora spans global history, tracing the movements that created the African Diaspora and the ways that African peoples have recreated themselves all over the world. Emphasizing the recurring themes of dispersal, re-creation, and transformation, the encyclopedia offers vivid coverage of Diaspora communities, locations, peoples, culture and the arts, historical events, organizations, and theories and concepts developed by the scholars who have made this field of inquiry so rich and evocative."--pub. desc.
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