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Dynasties
More than 150 works of the Tudor and Stuart monarchs and their coutiers.
Portraying Pregnancy
Published to accompany the exhibition held at the Foundling Museum, 24 January - 26 April 2020.
Marcus Gheeraerts II
Gheeraert's portrait of Elizabeth I is one of the most famous paintings of the 'Virgin Queen'. This book addresses the life and work of this innovative artist who painted some of the most important figures of his age, defining the public image of the monarchy under Elizabeth I and James I.
Rubens and Britain
Flemish artist Sir Peter Paul Rubens (1577-1640) was one of the most internationally admired painters in seventeenth-century Europe, whose patrons included the rulers of France, Spain, Mantua and the Netherlands. Demonstrating Rubens' fluidity and freedom of invention, this work exemplifies his role as diplomatic envoy to Britain.
Cornelius Johnson
Cornelius Johnson (1593-1661) was a sympathetic and expressive painter, and it is surprising that he has not previously been the subject of a focused study. The quality and diversity of this currently littleknown artist's work will be a revelation. He worked on every scale - from the miniature to the full-length and big group portrait. His works, while always recognisably by him, reveal his exceptional flexibility and underline his response to successive influences. Johnson's career coincided with one of the most dramatically and politically intense periods of British and Dutch history, as this book will explore, and he portrayed some of the most important figures of the era. His royal portr...
The Scandal of Images
In Elizabethan England, dramatists and painters were both achieving the greatest degree of artistic excellence yet witnessed, but they were also in a state of transition, vying for social status and patronage, as well as struggling against religious reformers' accusations of idolatry and eroticism. This interdisciplinary study brings to light the radical, inventive ways in which dramatists such as Shakespeare, Lyly, and Marston appropriated painting and subtly competed with painters to advance their own art and defend theater against Puritan attacks. They transformed painting into a provocative stage property and trope that enhanced the language of their scripts and the audience's imaginative participation in the drama. At the same time, they reflected a profound ambivalence towards painting by staging scenes with painters and pictures that emphasized the dangerous powers inherent in visual images and image-making.
The Country and the City Revisited
A revisionist interdisciplinary study of the transformation of England into an imperial power between 1550 and 1850.
A Companion to the Global Renaissance
A COMPANION TO THE GLOBAL RENAISSANCE An innovative collection of original essays providing an expansive picture of globalization across the early modern world, now in its second edition A Companion to the Global Renaissance: Literature and Culture in the Era of Expansion, 1500–1700, Second Edition provides readers with a deeper and more nuanced understanding of both macro and micro perspectives on the commercial and cross-cultural interactions of the sixteenth and seventeenth centuries. Covering a uniquely broad range of literary and cultural materials, historical contexts, and geographical regions, the Companion’s varied chapters offer interdisciplinary perspectives on the implications...
The Suffolk Collection
This book tells the story of a collection of paintings that belonged to the earls of Suffolk and Berkshire prior to being gifted to the nation in 1974. The paintings date from the late 16th century to the late 19th century and are made up of family portraits, royal portraits and old masters. The collection contains significant, early, full-length English portraits which depict a fascinating family history in the Jacobean times and key personalities of that period. This lavishly illustrated book includes full catalogue entries for all the items in the collection. It explores the Suffolk Collection from a number of points of view - with contributions from leading specialists in their field - and reassesses the identities of the sitters, considers the artists, their context, the society and family history at the different times, as well as discussing in detail the costume represented and the physical condition of the paintings. Together, the chapters provide a fascinating insight into the collection and its history.
Japanese Ghost Stories
The dead wreak revenge on the living, paintings come alive, spectral brides possess mortal men and a priest devours human flesh in these chilling Japanese ghost stories retold by a master of the supernatural. Lafcadio Hearn drew on the phantoms and ghouls of traditional Japanese folklore - including the headless 'rokuro-kubi', the monstrous goblins 'jikininki' or the faceless 'mujina' who stalk lonely neighbourhoods - and infused them with his own memories of his haunted childhood in nineteenth-century Ireland to create these terrifying tales of striking and eerie power. Today they are regarded in Japan as classics in their own right. Edited with an introduction by Paul Murray
