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Women in Pacific Northwest History
This new edition of Karen Blair’s popular anthology originally published in 1989 includes thirteen essays, eight of which are new. Together they suggest the wide spectrum of women’s experiences that make up a vital part of Northwest history.
Women in Pacific Northwest History
This new edition of Karen Blair's popular anthology originally published in 1989 includes thirteen essays, eight of which are new. Together they suggest the wide spectrum of women's experiences that make up a vital part of Northwest history Copyright © Libri GmbH. All rights reserved.
The Torchbearers
"Blair's meticulous research has produced a complex work that is both encyclopedic and lively." -- The Journal of American History "With its valuable bibliography, this book should be an essential purchase for most libraries." -- Choice "With its detailed examination of both local and national organizations, this volume is a valuable addition both to the growing literature on women's associations and to the development of nonprofit enterprise in the arts." -- ARNOVA News "... Blair's insistence on the significance of her subject and her skillfully researched treatment of it is welcome and useful." -- American Historical Review "Readers interested in women's history, American cultural hsitory...
Made in Newark
What does it mean to turn the public library or museum into a civic forum? Made in Newark describes a turbulent industrial city at the dawn of the twentieth century and the ways it inspired the library's outspoken director, John Cotton Dana, to collaborate with industrialists, social workers, educators, and New Women. This is the story of experimental exhibitions in the library and the founding of the Newark Museum Associationùa project in which cultural literacy was intertwined with civics and consumption. Local artisans demonstrated crafts, connecting the cultural institution to the department store, school, and factory, all of which invoked the ideal of municipal patriotism. Today, as cultural institutions reappraise their relevance, Made in Newark explores precedents for contemporary debates over the ways the library and museum engage communities, define heritage in a multicultural era, and add value to the economy.
Changing Education
Bundel met 17 artikelen over vrouwen in het onderwijs. Het boek combineert geschiedenis, theorie, filosofie en case-studies. Aandacht voor o.m.zwarte vrouwen, lesbische vrouwen, kleuterleidsters, vrouwelijke journalisten, bevalling en geboorte als vrouwenberoep, onderwijs als vrouwenberoep en feministisch lesgeven in de praktijk.
Women and Philanthropy in Education
This book illuminates the philanthropic impulse that has influenced women's education and its place in the broader history of philanthropy in America. Contributing to the history of women, education, and philanthropy, the book shows how voluntary activity and home-grown educational enterprise were as important as big donors in the development of philanthropy. The essays in Women and Philanthropy in Education are generally concerned with local rather than national effects of philanthropy, and the giving of time rather than monetary support. Many of the essays focus on the individual lives of female philanthropists (Olivia Sage, Martha Berry) and teachers (Tsuda Umeko, Catharine Beecher), offering personal portraits of philanthropy in the 19th and 20th centuries. These stories provide evidence of the key role played by women in the development of philanthropy and its importance to the education of women. Philanthropic and Nonprofit Studies -- Dwight F. Burlingame and David C. Hammack, editors
The Legacy of Elise Hall
The saxophone is a globally popular instrument, often closely associated with renowned players such as Charlie Parker, John Coltrane, or more recently, Kenny G. Less well known, however, is the historical presence of women saxophonists in the nineteenth century, shortly after the instrument’s invention. Elise Hall (1853–1924), a prominent wealthy socialite in Boston at the turn of the twentieth century, defied social norms by mastering the saxophone, an unconventional instrument for a woman of her time. Despite her career’s profound impact, Elise Hall remains relatively obscure in broader music communities. Her untiring work as an impresario, patron, and performer made a significant ma...
Design with Culture
Often viewed as nostalgic and inauthentic, the work of early preservationists has frequently been underrated by modern practitioners. Rather than considering early preservation within its historical context, many modern preservationists judge their predecessors' work by contemporary standards, ultimately negating their legacy. In Design with Culture: Claiming America's Landscape Heritage, Charles A. Birnbaum and Mary V. Hughes present an introduction along with eight essays by well-known landscape historians that effectively argue against this diminution. By revisiting planning studies, executed works, and critical writings from the years 1890-1950, these authors uncover the holistic steward...
A History of Collective Creation
Collective creation - the practice of collaboratively devising works of performance - rose to prominence not simply as a performance making method, but as an institutional model. By examining theatre practices in Europe and North America, this book explores collective creation's roots in the theatrical experiments of the early twentieth century.
