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Milton and the Natural World
Milton and the Natural World overturns prevailing critical assumptions by offering a fresh view of Paradise Lost, in which the representation of Eden's plants and animals is shown to be fully cognizant of the century's new, scientific natural history. The fabulous lore of the old science is wittily debunked, and the poem embraces new imaginative and symbolic possibilities for depicting the natural world, suggested by the speculations of Milton's scientific contemporaries including Robert Boyle, Thomas Browne and John Evelyn. Karen Edwards argues that Milton has represented the natural world in Paradise Lost, with its flowers and trees, insects and beasts, as a text alive with meaning and worthy of close reading.
"A Man Very Well Studyed"
This volume of essays on Thomas Browne aims to set the man and his works in new contexts. Drawing on new research into his reading, readers, biography, manuscripts, and politics, a new picture of Browne and his writing emerges, clarifying his relationship to seventeenth-century English and European culture.
Milton: Paradise Lost
This volume offers an accessible and stimulating introduction to one of the most influential texts of western literature. This guide highlights Milton's imaginative daring as he boldly revises the epic tradition, brilliantly elaborates upon Genesis, and shapes his ambitious narrative in order to retell the story of the Fall. The book considers the heretical dimensions of Paradise Lost and its theology, while situating Milton's great poem in its literary, religious, and political contexts. A concluding chapter addresses the influence of Milton's sublime poem as a source of creative inspiration for later writers, from the Restoration to the Romantics. Finally, the volume offers an extremely useful and updated guide to further reading, which students will find invaluable.
John Milton's Paradise Lost
Designed for students new to Milton's work, this sourcebook outlines the seventeenth-century contexts of its composition and examines a range of the key critical responses from across literary history. The guide also usefully reprints frequently studied passages of the poem, suggests further reading, and provides cross-references between the textual, contextual and critical material.
Reading Literary Animals
Reading Literary Animals explores the status and representation of animals in literature from the Middle Ages to the present day. Essays by leading scholars in the field examine various figurative, agential, imaginative, ethical, and affective aspects of literary encounters with animality, showing how practices of close reading provoke new ways of thinking about animals and the texts in which they appear. Through investigations of works by Shakespeare, Aphra Behn, William Wordsworth, Charles Dickens, Virginia Woolf, and Ted Hughes, among many others, Reading Literary Animals demonstrates the value of distinctively literary animal studies.
Air's Appearance
In Air’s Appearance, Jayne Elizabeth Lewis enlists her readers in pursuit of the elusive concept of atmosphere in literary works. She shows how diverse conceptions of air in the eighteenth century converged in British fiction, producing the modern literary sense of atmosphere and moving novelists to explore the threshold between material and immaterial worlds. Air’s Appearance links the emergence of literary atmosphere to changing ideas about air and the earth’s atmosphere in natural philosophy, as well as to the era’s theories of the supernatural and fascination with social manners—or, as they are now known, “airs.” Lewis thus offers a striking new interpretation of several st...
The Country of the Pointed Firs
A sharply observed, affectionate, and unsentimental portrait of life in a Maine fishing village, The Country of the Pointed Firs is Sarah Orne Jewett’s most enduring work, and commonly regarded as the finest example of American regionalist literature in the nineteenth century. It was originally published in four installments of the Atlantic Monthly in 1896; this Broadview Edition is based on the Atlantic serialization and also includes the four other stories set in Dunnet Landing. The critical introduction situates the text in its historical, cultural, and literary milieu, attending to its place in Jewett’s oeuvre and in her biography. Appendices include earlier “local color” writing by Jewett and others, Jewett’s letters, and contemporary reviews of the novel.
Ground-Work
How does soil, as an ecological element, shape culture? With the sixteenth-century shift in England from an agrarian economy to a trade economy, what changes do we see in representations of soil as reflected in the language and stories during that time? This collection brings focused scholarly attention to conceptions of soil in the early modern period, both as a symbol and as a feature of the physical world, aiming to correct faulty assumptions that cloud our understanding of early modern ecological thought: that natural resources were then poorly understood and recklessly managed, and that cultural practices developed in an adversarial relationship with natural processes. Moreover, these essays elucidate the links between humans and the lands they inhabit, both then and now.
