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An apocalyptic vision of planetary self-destruction provided the context for many late twentieth-century narratives. Women writers from Quebec and English Canada, including Margaret Atwood, Madeleine Ouellette-Michalska, Madeleine Gagnon, Betsy Warland, Marie-Claire Blais, and Nicole Brossard, redefined their relationship to time and narrative in order to tell a different, perhaps more hopeful, story. Using "archaeology" as a trope and a methodology, Karen McPherson's "critical excavations" of these women's writings pose questions about loss and mourning, survival and witnessing, devastation and writing, remembering and imagining.
"This collection offers unpublished poems by Nicole Brossard, extensive fragments of a conversation with her, and essays that critically appreciate many of her more than twenty collections of poetry, nine novels, and countless works of theory and commentary."--BOOK JACKET.
Collected descendants of John Allen who came to the United Stated from Ireland and settled in Pennsylvania.
Poetry. The luminous poems in Karen McPherson's SKEIN OF LIGHT pull and gather toward horizons of reflection. In language that repeatedly reveals what it can and cannot do, the poet maps landscapes of memory where sharp-edged questions disturb the stillness. The personal and human are deftly threaded through a natural world made legible in flights of birds, bending grasses, rock striations. And through this open work, the reader steps into a place both familiar and unknown. "'In everything / there is an underside, an other hand, / something to which we are not listening, ' writes Karen McPherson and whether the poet is writing of dreamscape or landscape, McPherson's gorgeous meditative poems...
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