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Grasping Emotions
Emotions have increasingly attracted the attention of the sciences and academia. The topic is all the more timely since we have witnessed a global trend towards highly emotionalized discourses across societies and religions. Discourses are less guided by rational arguments and “facts”. Instead, narratives, sometimes manipulative, influence the thoughts and activi-ties of our societies. In this context, the authoritative texts of the monotheistic religions are experiencing a renaissance. Tanach, Bible and Qur’an do not only “emotionalize”, they also offer ancient concepts of emotions which affect the present. This book brings the interdependencies of antiquity and (post)modernity in...
The Epic World
Reconceptualizing the epic genre and opening it up to a world of storytelling, The Epic World makes a timely and bold intervention toward understanding the human propensity to aestheticize and normalize mass deployments of power and violence. The collection broadly considers three kinds of epic literature: conventional celebratory tales of conquest that glorify heroism, especially male heroism; anti-epics or stories of conquest from the perspectives of the dispossessed, the oppressed, the despised, and the murdered; and heroic stories utilized for imperialist or nationalist purposes. The Epic World illustrates global patterns of epic storytelling, such as the durability of stories tied to re...
The Shape of Stories
How were narratives composed in the ancient Near East? What patterns and principles, constraints and considerations guided the shaping of cuneiform stories? The study of narrative structures has emerged as a promising approach to the textual heritage of the cuneiform world. Engaging with practically any ancient text—whether literary, historical, or religious—requires some understanding of the narrative forms that shaped their content. This volume gives researchers the tools to better understand those form, illustrating each approach to narrative analysis with a case study from the cultures of the ancient Near East: Sumerian, Babylonian, Assyrian, and Hittite.
Social Orders and Social Landscapes
Social Orders and Social Landscapes marks a new direction in research for Eurasian archaeology that focuses on how people lived in their local environment and interacted with their near and distant neighbours, rather than on overarching comparisons of archaeological culture complexes. Stemming from the 2005 University of Chicago Eurasian Archaeology Conference, the papers collected here reflect this new research agenda, though the way in which each author addressed the theme of the conference, and thus the book, was strikingly varied. This diversity arises out of the field’s intellectual flux driven by the principled engagement of the rich analytical traditions of the Soviet/CIS, Anglo-Ame...
Ancient Western Asia Beyond the Paradigm of Collapse and Regeneration (1200-900 BCE)
New results and interpretations challenging the notion of a uniform, macroregional collapse throughout the Late Bronze Age Eastern Mediterranean Ancient Western Asia Beyond the Paradigm of Collapse and Regeneration (1200–900 BCE) presents select essays originating in a two-year research collaboration between New York University and Paris Sciences et Lettres. The contributions here offer new results and interpretations of the processes and outcomes of the transition from the Late Bronze Age to the Iron Age in three broad regions: Anatolia, northern Mesopotamia, and the Levant. Together, these challenge the notion of a uniform, macroregional collapse throughout the Eastern Mediterranean, fol...
The Origins of Monsters
It has often been claimed that "monsters"--supernatural creatures with bodies composed from multiple species--play a significant part in the thought and imagery of all people from all times. The Origins of Monsters advances an alternative view. Composite figurations are intriguingly rare and isolated in the art of the prehistoric era. Instead it was with the rise of cities, elites, and cosmopolitan trade networks that "monsters" became widespread features of visual production in the ancient world. Showing how these fantastic images originated and how they were transmitted, David Wengrow identifies patterns in the records of human image-making and embarks on a search for connections between m...
"The Scaffolding of Our Thoughts"
Francesca Rochberg has for more than thirty-five years been a leading figure in the study of ancient science. Her foundational insights on the concepts of “science,” “canon,” “celestial divination,” “knowledge,” “gods,” and “nature” in cuneiform cultures have demanded continual contemplation on the tenets and assumptions that underlie the fields of Assyriology and the History of Science. “The Scaffolding of Our Thoughts” honors this luminary with twenty essays, each reflecting on aspects of her work. Following an initial appraisal of ancient “science” by Sir Geoffrey Lloyd, the contributions in the first half explore practices of knowledge in Assyriological sources. The second half of the volume focuses specifically on astronomical and astrological spheres of knowledge in the Ancient Mediterranean. "This excellent Festschrift, dedicated to Francesca Rochberg, offers fascinating insight into the world of ancient magic and divination." -Lena-Sofia Tiemeyer, Journal for the Study of the Old Testament 43.5 (2019)
Material Eucharist
This work surveys and identifies the most important liturgical and theological texts from the biblical, Patristic, medieval, Reformation, and modern periods in order to understand how the Eucharist has shaped, and been shaped by, texts, ritual, and doctrine.
Gilgamesh
A poem for the ages, freshly and accessibly translated by an international rising star, bringing together scholarly precision and poetic grace Gilgamesh is a Babylonian epic from three thousand years ago, which tells of King Gilgamesh’s deep love for the wild man Enkidu and his pursuit of immortality when Enkidu dies. It is a story about love between men, loss and grief, the confrontation with death, the destruction of nature, insomnia and restlessness, finding peace in one’s community, the voice of women, the folly of gods, heroes, and monsters—and more. Millennia after its composition, Gilgamesh continues to speak to us in myriad ways. Translating directly from the Akkadian, Sophus Helle offers a literary translation that reproduces the original epic’s poetic effects, including its succinct clarity and enchanting cadence. An introduction and five accompanying essays unpack the history and main themes of the epic, guiding readers to a deeper appreciation of this ancient masterpiece.
