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Fashion Game Changers traces radical innovations in Western fashion design from the beginning of the 20th century to the present. Challenging the traditional silhouettes of their day, fashion designers such as Madeleine Vionnet and Cristóbal Balenciaga began to liberate the female body from the close-fitting hourglass forms which dominated European and American fashion, instead enveloping bodies in more autonomous garments which often took inspiration from beyond the West. As the century progressed, new generations of avant-garde designers from Rei Kawakubo to Martin Margiela further developed the ideas instigated by their predecessors to defy established notions of femininity in dress, creating space between body and garment. This way, a new relationship between body and dress emerged for the 21st century. With over 200 images and commentaries from an international range of leading fashion curators and historians, this beautifully illustrated book showcases some of the most revolutionary silhouettes and innovative designs of over 100 years of fashion.
In this catalogue, the Brussels designer reveals what inspires her: the Garden of Eden and Japanese-inspired kimonos, as well as Art Nouveau and the works of famous painters. She talks about her encounters and her collaborations with high-flying artisans. She describes the creative process for her sophisticated, luxury pieces. The codes of her Maison are implicitly revealed because, as with every Maison de Couture, a unique DNA runs through her three decades of creation.0'Garden of Lace' offers an astonishing encounter between two key moments for lace, which has had the world's crème de la crème at its fingertips for the last 200 years. For the last 30 years in Brussels, Carine Gilson has been creating couture lingerie that combines silk and lace.00Exhibition: Mode- en Kantmuseum, Brussels, Belgium (10.07.2019-19.04.2020).
Published on the occasion of a major solo exhibition of Thomas Demand’s work at Belgium museum M Leuven in October 2020, this book focuses on Demand’s relationship to architecture and his engagement with architects over almost fifteen years. The starting point is his ongoing series ‘Model Studies’, in which the concept of the model itself is key, and includes rarely show projects such as Black Label (2009), Embassy (2007), and Nagelhaus (2008).
The Driver’s Guide is a practical guide for repository managers and institutions who want to build their own repository.
"Most people throw away foam, but like a child I see the diamond in a stone." - Suzanne Jongmans "Flemish art back to the future." - Washington Post. "Modern Vermeer." - Elsevier The traditions of sculpture and costume design meet contemporary sustainability in the serene, old-master inspired photographs of interdiscipliary artist Suzanne Jongmans. For each image she designs a costume, then converts the three-dimensional images to the flat surface. She uses simple packaging materials such as bubble wrap and foam rubber to make elaborate renaissance costumes, offering a de facto commentary on the world of mass consumption. Her portraits are both beautiful and thought-provoking. AUTHOR: Suzann...
The first complete monograph on Olivier Theyskens surveys his twenty-year career and documents the highly anticipated return of his eponymous label. Olivier Theyskens’s refined sensibilities earned him international acclaim as the dark prince of late 1990s couture. From his first saturnine collections, to his new vision for Rochas, to his patterns and textiles at Nina Ricci, to his years designing for Theyskens’ Theory, the designer has proved himself a master of couture, semi-couture, and prêt-à-porter. Celebrated for his fine tailoring, romantic silhouettes, and gothic palette, Theyskens transforms each house he helms. This distinctive volume charts the twenty-year development of an ...
Fashion theories and histories -- Fashion practices : from the museum to the workplace and beyond -- Fashion, body and identity -- Fashion and place -- Fashion and print media : literature and magazines -- Fashion and film -- Television and new media -- The future of fashion and its challenges.
Digital technology has made culture more accessible than ever before. Texts, audio, pictures and video can easily be produced, disseminated, used and remixed using devices that are increasingly user-friendly and affordable. However, along with this technological democratization comes a paradoxical flipside: the norms regulating culture's use - copyright and related rights - have become increasingly restrictive. This book brings together essays by academics, librarians, entrepreneurs, activists and policy makers, who were all part of the EU-funded Communia project. Together the authors argue that the Public Domain - that is, the informational works owned by all of us, be that literature, musi...
Martin Margiela's pioneering and timeless designs made for the luxury house of Hermès between 1997 and 2003 are the stars of this book, highlighting this period in the iconic and enigmatic Belgian designer's career. The first edition was published to accompany an exhibition in the Modemuseum Antwerp. The new edition, accompanying the exhibition in Paris, includes images from the Antwerp exhibition, and more extensive essays by Rebecca Arnold, Kaat Debo and Sarah Mower, and a foreword by Suzy Menkes.This key period between 20th- and 21st-century fashion is evoked through interviews with Margiela's closest collaborators. Never-before-published material from the Maison Martin Margiela archives, numerous striking and exquisitely refined images from Le Monde d'Hermès, as well as new photographic material tell the story of Margiela's supreme wardrobe for Hermès.
The big, colorful canvases of the Belgian artist Ben Sledsens (b. 1991) are fanciful and festive. The influence of grandmasters such as Matisse, Rousseau, and Bruegel are not far away in his work, but he translates the classic genres in painting--portraits, still lifes, interiors, and landscapes--into the visual language of his own utopian universe. Inspired by nature, Sledsen's work grows organically, without clean lines or preconceived plans. The result seems to be a snapshot of the ordinary, but invariably special and poetic.