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Karin Boye is Sweden's greatest woman poet. Born in 1900, she was a poet of ideas, and wrote a powerful prophetic novel, Kallocain. Her involvement in the radical literary and artistic movement Clarté during the 1920s led to her interest in psychoanalysis, which influenced her literary work as well as her personal development during the latter years of her life. Intellectually and emotionally, she was far ahead of her time, and her controversial writings included the novel Crisis, in which she depicted the religious turmoil of her adolescence and her discovery of her own bisexuality. David McDuff's edition shows Karin Boye moving from youthful idealism to a desperate quest. In the early poe...
Malin Forst is a precocious, devout twenty-year-old woman attending a Stockholm teachers' college in the 1930s. Confounded by a sudden crisis of faith, Malin plunges into a depression and a paralysis of will. Oscillating between poetic prose, social realism, fragments of correspondence, and imagined dialogues between the forces of nature, Crisis telescopes Malin's distress out into metaphysical planes and back, as her mind stages struggles between black and white, Dionysian and Apollonian, and with an everyday existence that has become unbearably arduous. And then an intense infatuation with a classmate reorients everything.
This classic Swedish novel envisioned a future of drab terror. Seen through the eyes of idealistic scientist Leo Kall, Kallocain's depiction of a totalitarian world state is a montage of what novelist Karin Boye had seen or sensed in 1930s Russia and Germany. Its central idea grew from the rumors of truth drugs that ensured the subservience of every citizen to the state.
A pioneering work of dystopian fiction from one of Sweden's most acclaimed writers Written midway between Brave New World and Nineteen Eighty-Four, as the terrible events of the Second World War were unfolding, Kallocain depicts a totalitarian 'World State' which seeks to crush the individual entirely. In this desolate, paranoid landscape of 'police eyes' and 'police ears', the obedient citizen and middle-ranking scientist Leo Kall discovers a drug that will force anyone who takes it to tell the truth. But can private thought really be obliterated? Karin Boye's chilling novel of creeping alienation shows the dangers of acquiescence and the power of resistance, no matter how futile. Translated with an introduction by David McDuff
Provides a survey of women's writing in Sweden, from the beginnings of the struggle for emancipation in the 1850s to the present day. These writers are seen within the political, cultural and economic context of women's lives. Modern critical currents are also assessed and Swedish feminist criticism is considered alongside the French and American traditions.
Karin Maria Boye,1900-1941, var en svensk författare, poet och översättare som är mest känd för sin poesi, men skrev även ett flertal romaner, noveller och artiklar. Vi har här samlat dikter hämtade från Karin Boyes Moln -1922, Gömda land -1924, Härdarna -1927, För trädens skull -1935 och De sju dödssynderna och andra efterlämnade dikter -1941.
A comprehensive edition of one of America's greatest poets, this collection draws from her four published volumes, together with 50 uncollected works and translations of Octavio Paz, Max Jacob and others.
"One of the most comprehensive and intelligent postmodern critics of art and literature, Huyssen collects here a series of his essays on pomo . . . " —Village Voice Literary Supplement " . . . his work remains alert to the problematic relationship obtaining between marxisms and poststructuralisms." —American Literary History " . . . challenging and astute." —World Literature Today "Huyssen's level-headed account of this controversial constellation of critical voices brings welcome clarification to today's murky haze of cultural discussion and proves definitively that commentary from the tradition of the German Left has an indispensable role to play in contemporary criticism." —The German Quarterly " . . . we will certainly have, after reading this book, a deeper understanding of the forces that have led up to the present and of the possibilities still open to us." —Critical Texts " . . . a rich, multifaceted study." —The Year's Work in English Studies Huyssen argues that postmodernism cannot be regarded as a radical break with the past, as it is deeply indebted to that other trend within the culture of modernity—the historical avant-garde.
In a "feudal Europe seven centuries into post-Hitlerian society, Burdekin's novel explores the connection between gender and political power and anticipates modern feminist science fiction."--Cover.