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Reed and Bush Warblers
Bradypterus, Locustella, Hippolais, Cettia.
The Rise and Fall of Weimar Democracy
In this definitive analysis of the Weimar Republic, Hans Mommsen surveys the political, social, and economic development of Germany between the end of World War I and the appointment of Adolf Hitler as chancellor in 1933. His assessment of the German experiment with democracy challenges many long-held assumptions about the course and character of German history. Mommsen argues persuasively that the rise of totalitarianism in Germany was not inevitable but was the result of a confluence of specific domestic and international forces. As long as France and Britain exerted pressure on the new Germany after World War I, the radical Right hesitated to overthrow the constitution. But as international scrutiny decreased with the recognition of the legitimacy of the Weimar regime, totalitarian elements were able to gain the upper hand. At the same time, the world economic crisis of the early 1930s, with its social and political ramifications, further destabilized German democracy. This translation of the original German edition (published in 1989) brings the work to an English-speaking audience for the first time. European History
Ten Thousand Birds
A beautifully illustrated history of modern ornithology Ten Thousand Birds provides a thoroughly engaging and authoritative history of modern ornithology, tracing how the study of birds has been shaped by a succession of visionary and often-controversial personalities, and by the unique social and scientific contexts in which these extraordinary individuals worked. This beautifully illustrated book opens in the middle of the nineteenth century when ornithology was a museum-based discipline focused almost exclusively on the anatomy, taxonomy, and classification of dead birds. It describes how in the early 1900s pioneering individuals such as Erwin Stresemann, Ernst Mayr, and Julian Huxley rec...
Picturing Animals in Britain, 1750-1850
From fine art paintings by such artists as Stubbs and Landseer to zoological illustrations and popular prints, a vast array of animal images was created in Britain during the century from 1750 to 1850. This highly original book investigates the rich meanings of these visual representations as well as the ways in which animals were actually used and abused. What Diana Donald discovers in this fascinating study is a deep and unresolved ambivalence that lies at the heart of human attitudes toward animals. The author brings to light dichotomies in human thinking about animals throughout this key period: awestruck with the beauty and spirit of wild animals, people nevertheless desired to capture and tame them; the belief that other species are inferior was firmly held, yet at the same time animals in stories and fables were given human attributes; though laws against animal cruelty were introduced, the overworking of horses and the allure of sport hunting persisted. Animals are central in cultural history, Donald concludes, and compelling questions about them--then and now--remain unanswered.
Biologists in the Age of Totalitarianism
This fascinating volume resulted from one man’s frustration with the series of whitewashed obituaries and laudations he had to endure in his long career in West Germany. These were often of biologists who had worked in the Third Reich, a period generally skipped over in such eulogies. Dr Eugeniusz Nowak, born in Poland in 1933, therefore decided to do some historical research of his own. His series of controversial ‘alternative’ biographies of mainly German biologists in various journals soon grew into a successful book, with German, Russian and Polish editions. Now at last translated into English, this revised and updated volume contains over 40 brief lives, illustrated by 113 often d...
The Last of Its Kind
How an iconic bird’s final days exposed the reality of human-caused extinction The great auk is one of the most tragic and documented examples of extinction. A flightless bird that bred primarily on the remote islands of the North Atlantic, the last of its kind were killed in Iceland in 1844. Gísli Pálsson draws on firsthand accounts from the Icelanders who hunted the last great auks to bring to life a bygone age of Victorian scientific exploration while offering vital insights into the extinction of species. Pálsson vividly recounts how British ornithologists John Wolley and Alfred Newton set out for Iceland to collect specimens only to discover that the great auks were already gone. A...
German Foreign Policy, 1918-1945
Christoph Kimmich's German Foreign Policy, 1918-1945: A Guide to Current Research and Resources is a comprehensive guide to archival resources and published materials on the foreign policy of Weimar and Nazi Germany. It catalogues the archives, libraries, and research institutes, both public and private, that house important collections, especially in Germany but also elsewhere in Europe and in the United States, and describes their holdings, terms of access and use, and guides and inventories available. German Foreign Policy, 1918-1945 also includes a substantial annotated bibliography of published sources, ranging from documentary series to significant contemporary accounts, from memoirs t...
Science and Visual Culture in Great Britain in the Long Nineteenth Century
This volume consists of a collection of primary sources throwing light on the various aspects of interplay between zoology and visual culture in nineteenth-century Britain. Scientific illustration, both in specialist studies and in works intended for a broader lay readership, are included. These sources throw light on the difficulties of both authors and illustrators in conceptualising their subjects in visual forms, given the great extension of knowledge of the natural world and the technical complexities of image-making in the pre-photographic era. The study examines the impact of zoological knowledge and theories on imaginative art, and explores the aestheticisation and appropriation of nature, especially in relation to bird imagery in painting, illustration and the decorative arts. Finally, the collection examines the presentation of zoology and palæozoology to the general public, for both education and entertainment purposes. This title will be of great interest to students of the History of Science and Art History.
The Red Canary
The creation of Dolly the sheep in the 1990s was for many people the start of a new era: the age of genetically modified animals. However, the idea was not new for in the 1920s an amateur scientist, Hans Duncker, decided to genetically engineer a red canary. Though his experiments failed, they paved the way for others to succeed when it was recognised that the canary needed to be both a product of nature and nurture. This highly original narrative, of huge contemporary relevance, reveals how the obsession with turning the wild canary from green to red heralded the exciting but controversial developments in genetic manipulation.
