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Volume 6, Tome I: Kierkegaard and His German Contemporaries - Philosophy
This volume explores in detail Kierkegaard's various relations to his German contemporaries. Kierkegaard read German fluently and made extensive use of the writings of German-speaking authors. Apart from his contemporary Danish sources, the German sources were probably the most important in the development of his thought generally. This volume represents source-work research dedicated to tracing Kierkegaard's readings and use of the various German-speaking authors in the different fields in a way that is as clearly documented as possible. The volume has been divided into three tomes reflecting Kierkegaard's main areas of interest with regard to the German-speaking sources, namely, philosophy...
A History of Hegelianism in Golden Age Denmark, Tome II
This is the second volume in a three-volume work dedicated to exploring the influence of G.W.F. Hegel’s philosophical thinking in Golden Age Denmark. The work demonstrates that the largely overlooked tradition of Danish Hegelianism played a profound and indeed constitutive role in many spheres of the Golden Age culture. This second tome treats the most intensive period in the history of the Danish Hegel reception, namely, the years from 1837 to 1841. The main figure in this period is the theologian Hans Martensen who made Hegel’s philosophy a sensation among the students at the University of Copenhagen in the late 1830s. This period also includes the publication of Johan Ludvig Heiberg’s Hegelian journal, Perseus, and Frederik Christian Sibbern’s monumental review of it, which represented the most extensive treatment of Hegel’s philosophy in the Danish language at the time. During this period Hegel’s philosophy flourished in unlikely genres such as drama and lyric poetry. During these years Hegelianism enjoyed an unprecedented success in Denmark until it gradually began to be perceived as a dangerous trend.
A History of Hegelianism in Golden Age Denmark, Tome III
This is the third volume of a three-volume work dedicated to exploring the influence of G.W.F. Hegel’s philosophical thinking in Golden Age Denmark. The work demonstrates that the largely overlooked tradition of Danish Hegelianism played a profound and indeed constitutive role in many spheres of the Golden Age culture. This third tome covers the most exciting and dynamic time in the Danish Hegel reception from 1842 to 1855. This heterogeneous period saw the emergence of several new figures, many of whom were associated with the left-Hegelian school. This period is best known for the publication of the pseudonymous works of Søren Kierkegaard. The present tome places these famous works in the context of other contemporary Danish discussions about Hegel’s philosophy. It shows that many of Kierkegaard’s criticisms had been raised by other Danish thinkers before him and that a large part of his polemical campaign was aimed at the leading figures of the previous periods of the Danish Hegel reception, namely, Johan Ludvig Heiberg and Hans Martensen.
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Lessings Nathan der Weise
The play is a fervent plea for religious tolerance.
A Companion to Kierkegaard
A COMPANION TO KIERKEGAARD “‘Companions’ to important thinkers help readers focus on the main drift of their texts with the help of a dig into their origin and some account of their reception. This one digs deeper, and over a wider terrain, than most. But it does more. Besides guiding us to the staples of theology and philosophy in Kierkegaard’s background, it also looks forward to a future, as if Kierkegaard, too, might be taken by the arm and told that here was something that should interest him (about politics, social life, psychology, education, literary theory, deconstruction, theatre). It is as much a sign of the extraordinary richness of Kierkegaard’s literary palette as of ...
All for Nothing
Hamlet as performed by philosophers, with supporting roles played by Kant, Nietzsche, and others. A specter is haunting philosophy—the specter of Hamlet. Why is this? Wherefore? What should we do? Entering from stage left: the philosopher's Hamlet. The philosopher's Hamlet is a conceptual character, played by philosophers rather than actors. He performs not in the theater but within the space of philosophical positions. In All for Nothing, Andrew Cutrofello critically examines the performance history of this unique role. The philosopher's Hamlet personifies negativity. In Shakespeare's play, Hamlet's speech and action are characteristically negative; he is the melancholy Dane. Most would a...
The Palgrave Handbook of German Idealism and Existentialism
This Handbook explores the complex relations between two great schools of continental philosophy: German idealism and existentialism. While the existentialists are commonly thought to have rejected idealism as overly abstract and neglectful of the concrete experience of the individual, the chapters in this collection reveal that the German idealists in fact anticipated many key existentialist ideas. A radically new vision of the history of continental philosophy is thereby established, one that understands existentialism as a continuous development from German idealism. Key Features Operates at both the macro-level and micro-level, treating both the two schools of thought and the individual ...
