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Post-9/11 fiction reflects how the September 11, 2001, attacks have influenced our concept of public space, from urban behavior patterns to architecture and urban movement. It also suggests a need for remapping the real and imagined spaces where we live and work. Through close readings of novels from both sides of the Atlantic, this analysis of the literary 21st century metropolis explores the fictional post-9/11 city as a global space not defined or contained by its physical limits.
A revealing insight into the links between globalization and the technological advances in communication brought about by the telegraph network.
“The effects of 9/11 ramify through a network of conduits and pathways, including the examples of expressive culture this volume explores; and the registration of those effects will likewise be felt in an array of documents and texts. The cultural, literary, and mass mediated effects of 9/11 encompass the globe and the chapters in this volume assume a transnational and international range of vantage points. The topics examined include the representation of Islam and Moslems in a number of texts and genres, the political and psychological dilemmas faced by characters in a number of literary works, and the refraction of current psycho-cultural-political tensions in forms of expressive cultur...
Trump Fiction:Essays on Donald Trump in Literature, Film, and Television examines depictions of Donald Trump and his fictional avatars in literature, film, and television, including works that took up the subject of Trump before his successful presidential campaign (in terms that often uncannily prefigure his presidency) as well as those that have appeared since he took office. Covering a range of texts and approaches, the essays in this collection analyze the place Trump has assumed in literary and popular culture. By investigating how authors including Bret Easton Ellis, Amy Waldman, Thomas Pynchon, Howard Jacobson, Mark Doten, Olivia Laing, and Salman Rushdie, along with films and television programs like The Fresh Prince of Bel-Air, Sesame Street, Sex and the City, Two Weeks Notice, Our Cartoon President, and Pose have approached and shaped the discourse surrounding Trump, the contributors collectively demonstrate the ways these cultural artifacts serve as sites through which the culture both resists and abets Trump and his rise to power.
In over fifteen years, the cultural and artistic response to 9/11 has been wide-ranging in form and function. As the turbulent post-9/11 years have unfolded – years that have been shaped and characterized by the War on Terror, the Patriot Act, the Wars in Afghanistan and Iraq, 7/7, Abu Ghraib and Guantánamo Bay – these texts have been commemorative and heroic, have attempted to work through collective and individual traumas, and have struggled with trying to represent the “terrorist other.” Many of these earlier domestic, heroic and traumatic works have so often been read as limitations in narrative. This collection, however, challenges the language of limitation and provides re-rea...
Charting the intersection of aesthetic representation and the material conditions of urban space, The City Since 9/11 posits that the contemporary metropolis provides a significant context for reassessing theoretical concerns related to narrative, identity, home, and personal precarity. In the years since the September 11 attacks, writers and filmmakers have explored urban spaces as contested sites—shaped by the prevailing discourses of neoliberalism, homeland security, and the war on terror, but also haunted by an absence in the landscape that registers loss and prefigures future menace. In works of literature, film, and television, the city emerges as a paradoxical space of permanence an...
Taking its cue from Perry Miller’s 1956 classic of American literary criticism, The Raven and the Whale: The War of Words and Wits in the Era of Poe and Melville, Caroline Chamberlin Hellman’s new book examines ways in which contemporary multi-ethnic writers of the United States have responded to nineteenth- and early twentieth century texts historically central to the American literary canon. Each chapter of Children of the Raven and the Whale looks down the roads American literature ultimately traveled, examining pairs and constellations of texts in conversation. In their rewritings and layerings of new stories over older ones, contemporary writers forge ahead in their interrogations o...
This book proposes a new approach to the literary representations of London by means of correlating geocriticism, spatial literary studies and memory studies in order to investigate the interplay between reality and fiction in mapping the urban imaginary. It conducts an analysis of depictions of London in British literature published between 1975 and 2005, exploring the literary representations of the real urban restructurings prompted by the rebuilding projects in war and poverty-stricken districts of London, the remapping of the metropolis by immigrants, gentrification and the displacement of communities, as well as the urban dissolution caused by terrorism. The selected works of fiction written by Peter Ackroyd, Penelope Lively, Zadie Smith, Andrea Levy, J.G. Ballard, Michael Moorcock, Doris Lessing and Ian McEwan provide a record of the city in times of de/reconstruction, emphasizing the structure of London as a palimpsest, which becomes a central image. The book contributes to the development of the subject field by introducing a number of original concepts which connect geocriticism and memory studies.
This volume offers a critical exploration of the many ways in which transcodification acts at the intersection of literature, art, history, and social and cultural artifacts to foster instances of recognition in the US. Recognition covers a wealth of meanings: from the mere acknowledgement of existence, validity or legality, or appreciation of something as valuable, to the identification of something as known or familiar. Accordingly, this volume deals with different struggles for recognition. One focus of the volume is the assessment of artistic achievement in relation to a so-called original, with essays concerned with cultural codes and with the role that translation, adaptation, and cros...
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