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Slavery and the Cultures of Abolition
Slavery as depicted in literature and culture is examined in this wide-ranging collection. On 25 March 1807, the bill for the abolition of the Slave Trade within the British colonies was passed by an overwhelming majority in the House of Commons, becoming law from 1 May. This new collection of essays marks this crucialbut conflicted historical moment and its troublesome legacies. They discuss the literary and cultural manifestations of slavery, abolition and emancipation from the eighteenth century to the present day, addressing such subjects and issues as: the relationship between Christian and Islamic forms of slavery and the polemical and scholarly debates these have occasioned; the visua...
After the Fall
Noemi Marin analyzes famous writers from the area as critical intellectuals and exiles in order to explore the role of rhetoric and identity in writers' own experiences during the long history of communism. Along with examinations of discursive relationships among power, culture and resistance in works by George Konrad, Andrei Codrescu, and Siavenka Drakulic before and after the fall of communism, Marin proposes specific dimensions for a rhetoric of exile pertinent to communist Eastern and Central Europe. After the Fall shows how critical works on identity, culture, and communist history by the writers studied aid in reconstituting a rhetoric of dissidence, identity, and legitimation in the public discourse of a changing Europe. The book offers a unique perspective on the complex contexts of political transition, in which competing public discourse on freedom and democracy intersect with totalitarian regimes, unsettled societies, and issues of resistance.
The Limits of the Human
In this book, Felicity Nussbaum examines literary and cultural representations of human difference in England and its empire during the long eighteenth century. With a special focus on women's writing, Nussbaum analyzes canonical and lesser-known novels and plays from the Restoration to abolition. She considers a range of anomalies (defects, disease, and disability) as they intermingle with ideas of femininity, masculinity, and race to define 'normalcy' as national identity. Incorporating writings by Behn, Burney, and the Bluestockings, as well as Southerne, Shaftesbury, Johnson, Sterne, and Equiano, Nussbaum treats a range of disabilities - being mute, blind, lame - and physical oddities such as eunuchism and giantism as they are inflected by emerging notions of a racial femininity and masculinity. She shows that these corporeal features, perceived as aberrant and extraordinary, combine in the popular imagination to reveal a repertory of differences located between the extremes of splendid and horrid novelty.
Race, Romanticism, and the Atlantic
In highlighting the crucial contributions of diasporic people to British cultural production, this important collection defamiliarizes prevailing descriptions of Romanticism as the expression of a national character or culture. The contributors approach the period from the perspective of the Atlantic maritime economy, making a strong case for viewing British Romanticism as the effect of myriad economic and cultural exchanges occurring throughout a circum-Atlantic world driven by an insatiable hunger for sugar and slaves. Typically taken for granted, the material contributions of slaves, sailors, and servants shaped Romanticism both in spite of and because of the severe conditions they experi...
Post-Nationalist American Studies
Post-Nationalist American Studies seeks to revise the cultural nationalism and celebratory American exceptionalism that tended to dominate American studies in the Cold War era, adopting a less insular, more transnational approach to the subject.
Documenting Trauma in Comics
Why are so many contemporary comics and graphic narratives written as memoirs or documentaries of traumatic events? Is there a specific relationship between the comics form and the documentation and reportage of trauma? How do the interpretive demands made on comics readers shape their relationships with traumatic events? And how does comics’ documentation of traumatic pasts operate across national borders and in different cultural, political, and politicised contexts? The sixteen chapters and three comics included in Documenting Trauma in Comics set out to answer exactly these questions. Drawing on a range of historically and geographically expansive examples, the contributors bring their different perspectives to bear on the tangled and often fraught intersections between trauma studies, comics studies, and theories of documentary practices and processes. The result is a collection that shows how comics is not simply related to trauma, but a generative force that has become central to its remembrance, documentation, and study.
The Avant-Postman
The Avant-Postman explores a broad range of innovative postwar writing in France, Britain, and the United States. Taking James Joyce’s "revolution of the word" in Ulysses and Finnegans Wake as a joint starting point, David Vichnar draws genealogical lines through the work of more than fifty writers up to the present, including Alain Robbe-Grillet, B. S. Johnson, William Burroughs, Christine Brooke-Rose, Georges Perec, Kathy Acker, Iain Sinclair, Hélène Cixous, Alan Moore, David Foster Wallace, and many others. Centering the exploration around five writing strategies employed by Joyce—narrative parallax, stylistic metempsychosis, concrete writing, forgery, and neologising the logos—the book reveals the striking continuities and developments from Joyce’s day to our own.
The Cambridge Companion to Twenty-First Century American Fiction
This volume explores the most exciting trends in 21st century US fiction's genres, themes, and concepts.
The Trickster Comes West
In the past, scholars have looked at narratives of the African diaspora only to discover how these memoirs, poems, and fictions related to the West. The Trickster Comes West: Pan-African Influence in Early Black Diasporan Narratives explores relationships among African American, Afro-Caribbean, and Afro-British narratives of slavery and of New World and British oppression and what African influences brought to these diasporic expressions. Using an interdisciplinary method that combines history, literary theory, cultural studies, anthropology, folklore, and philosophy, the book examines the work of Pan-African trickster icons, such as Leuk (Rabbit), Golo (Monkey), Bouki (Hyena), Mbe (Tortoise...
Coerced and Free Migration
This volume is an innovative history of major worldwide population movements, free and forced, from around 1500 to the early 20th century. It explores the shifting levels of freedom under which migrants traveled, and compares the experiences of migrants (and their descendants) who arrived under drastically different labor regimes.--Alison Games "Georgetown University"
