Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This Little Art
Part-essay and part-memoir, 'This Little Art' is a manifesto for the practice of literary translation.
The Art of Love
The Art of Love tells the stories of the most fascinating couples of the art world, exploring the passionate, challenging and loving relationships behind some of the world’s greatest works of art. From Frida Kahlo and Diego Rivera to Joseph Cornell and Yayoi Kusama, Josef and Anni Albers to Gilbert & George – Kate Bryan delves into the formation, and sometimes breakdown, of each romance, documenting their highs and lows and revealing just how powerful love can be in the creative process. Whether long-lasting, peaceful collaborations, or short-lived tumultuous affairs, The Art of Love opens the door on some of the greatest love stories of the twentieth century. The relationships: Francois...
Farm
None
Hark! A Vagrant
"Hark! A Vagrant" takes readers on a romp through history and literature--with dignity for few and cookies for all--with comic strips about famous authors, their characters, and political and historical figures, all drawn in Kate Beaton's pared-down, excitable style. This collection features favorite stories as well as new, previously unpublished content. Whether she's writing about Nikola Tesla, Napoleon, or Nancy Drew, Beaton brings a refined sense of the absurd to every situation.
Bright Stars
In Bright Stars, Kate Bryan examines the short lives and long legacies of artists who died before their time. In this personal, persuasive and evocative book, Kate introduces some of the most inspiring people in art and examines the myriad ways that death can affect the course of art history.
A Year in Japan
New York City-based writer and illustrator Williamson shares discoveries about Japan and its culture based on a recent year spent in Kyoto as a postgraduate student. The text combines the author's colorful illustrations with brief descriptions presented in a script-style text. The end result is a charming, journal-like publication in which Williams
Drawing and Painting
Bursting with practical techniques, engaging artist profiles and inspirational galleries, Drawing and Painting combines an authoritative approach with a contemporary aesthetic guaranteed to appeal to all artists. The book's up-to-date approach is a far cry from the dry instructions and dated artwork that feature in more traditional art books. In contrast to other, project-orientated titles, Drawing and Painting places the emphasis on the techniques themselves, encompassing drawing, sketching and a range of painting styles. From pen and ink to oils and acrylics, specially commissioned photography and artwork accompanies step-by-step techniques, while profiles of contemporary artists provide insight into various working methods, materials and techniques. Acknowledging the growing interest in digital tools as a medium, information is provided throughout the book on how effects can be created using Smart Pens, tablets and apps.
The Art of Kate Greenaway
Kate Greenaway's world is one of innocence, beauty and childhood. Her quaintly dressed children with their adult expressions were an overnight success in the 19th century and enjoy great popularity today. This is the first book to collect together in colour such a large selection of Kate Greenaway's work.
The Little Magritte
None
The Making of Women Artists in Victorian England
When women were admitted to the Royal Academy Schools in 1860, female art students gained a foothold in the most conservative art institution in England. The Royal Female College of Art, the South Kensington Schools and the Slade School of Fine Art also produced increasing numbers of women artists. Their entry into a male-dominated art world altered the perspective of other artists and the public. They came from disparate levels of society--Princess Louise, the fourth daughter of Queen Victoria, studied sculpture at the National Art Training School--yet they all shared ambition, talent and courage. Analyzing their education and careers, this book argues that the women who attended the art schools during the 1860s and 1870s--including Kate Greenaway, Elizabeth Butler, Helen Allingham, Evelyn De Morgan and Henrietta Rae--produced work that would accommodate yet subtly challenge the orthodoxies of the fine art establishment. Without their contributions, Victorian art would be not simply the poorer but hardly recognizable to us today.
