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This is a different sort of anorexia book. My Hungry Hell is not simply about recovery. Journeying back into the mindset of her 24-year-old self, Kate seeks to relive the experience of anorexia and, with the help of those suffering from the disease now, to explain its cruel contradictions.
Fanny Burney (1752-1840) is best known as the author of Evelina, one of the most engaging novels of the eighteenth century. But for much of her long life, she was also an incomparable diarist, the first 'royal reporter', witnessing both the madness of George 111 and the young Queen Victoria's coronation. To read the journals she kept from the age of sixteen is to step back into Georgian England, meeting Dr Johnson, Garrick and Reynolds, drinking tea with the Bluestockings, taking the waters at Bath, being chased round the gardens of Kew Palace by the King. Born in King's Lynn, the daughter of the fashionable music teacher and critic Charles Burney, even as a child Fanny was surrounded by cel...
Frances Burney (1752–1840) was the most successful female novelist of the eighteenth century. Her first novel Evelina was a publishing sensation; her follow-up novels Cecilia and Camilla were regarded as among the best fiction of the time and were much admired by Jane Austen. Burney's life was equally remarkable: a protegee of Samuel Johnson, lady-in-waiting at the court of George III, later wife of an emigre aristocrat and stranded in France during the Napoleonic Wars, she lived on into the reign of Queen Victoria. Her journals and letters are now widely read as a rich source of information about the Court, social conditions and cultural changes over her long lifetime. This Companion is the first volume to cover all her works, including her novels, plays, journals and letters, in a comprehensive and accessible way. It also includes discussion of her critical reputation, and a guide to further reading.
Based on the work of Joseph Campbell and using excerpts from the journals of such people as Jane Addams, Langston Hughes, Octavio Paz, Samuel Johnson, Mary Kingsley, and Kathleen Norris, Charting a Hero's Journey is a guide to the writing of a journal for college students engaged in study abroad, off-campus study, and/or service-learning. The book may be used as a text for academic courses in fields such as intercultural studies, service-learning, and English literature or composition, and may be adapted for use in freshman or senior seminars that focus on student development and education in the college years.
It's late August, 1592. Sir Robert Carey, cousin to Queen Elizabeth from the wrong side of Henry VIII's blanket, remains at his post on the Borders at Carlisle. He has at last been confirmed by his monarch as Deputy Warden and is still deeply in love with Lady Elizabeth Widdrington while despising her elderly, abusive husband (will the man never die?). Carey remains estranged from his dour but lethal henchman, Henry Dodd, after Carey decided, much to Dodd's bafflement, to take the high road during an incident at Dick of Dryhope's tower and 'honourably and skillfully avoided the bloody-pitched battle'. The King's courts are full of sycophants, former lovers bent on revenge, a would-be assassin, a toothdrawer (and philosopher, too) who all gather in Edinburgh, where a great debate on the differences between the Ptolemaic and the Copernican systems, and a demonstration of the planets will be staged. Then a clash of spheres mirroring the same at the human level ensues...
A unique celebration of silence—in art, literature, nature, and spirituality—and an exploration of its ability to bring inner peace, widen our perspectives, and inspire the human spirit in spite of the noise of contemporary life. Silence is habitually overlooked—after all, throughout our lives, it has to compete with the cacophony of the outside world and our near-constant interior dialogue that judges, analyzes, compares, and questions. But, if we can get past this barrage, there lies a quiet place that’s well worth discovering. The Lost Art of Silence encourages us to embrace this pursuit and allow the warm light of silence to glow. Invoking the wisdom of many of the greatest writers, thinkers, contemplatives, historians, musicians, and artists, Sarah Anderson reveals the sublime nature of quiet that’s all too often undervalued. Throughout, she shares her own penetrating insights into the potential for silence to transform us. This celebration of silence invites us to widen our perspective and shows its power to inspire the human spirit in spite of the distracting noise of contemporary life.
In the late seventeenth and early eighteenth centuries, cultural, economic, and political changes, as well as increased geographic mobility, placed strains upon British society. But by cultivating friendships and alliances, women worked to socially cohere Britain and its colonies. In the first book-length historical study of female friendship and alliance for the early modern period, Amanda Herbert draws on a series of interlocking microhistorical studies to demonstrate the vitality and importance of bonds formed between British women in the long eighteenth century. She shows that while these alliances were central to women’s lives, they were also instrumental in building the British Atlantic world.
After his hair-raising adventures in London, Sir Robert Carey has finally tracked down Queen Elizabeth, who is about to make a state visit to Oxford. But instead of giving the Courtier his much-needed warrant and fee for being Deputy Warden of the West March with Scotland, Her Majesty orders him to investigate the most dangerous cold case of her reign – the mysterious 1560 death of Amy Dudley(née Robsart), unloved wife of Robert Dudley, Earl of Leicester. Some thirty years back, the late Dudley was Elizabeth's favorite suitor and potential husband. Amy died at Cumnor Place, close at hand. The Queen has since been one of the most obvious suspects in arranging Amy's murder. This makes Carey...
This Broadview edition pairs two of Frances Burney’s linked comedies. They both present the character of Lady Smatter, a “femme savante” whose lineage may be traced back to Molière; they both centre on the misfortunes of the “elle” figure, the dispossessed heiress and wife who appears frequently in Burney’s fiction; and they both criticize a culture of misogyny that breeds suspicion and resentment. The Witlings, lighter and more comic, derives from late seventeenth-century conventions; The Woman-Hater, more melodramatic, both expresses and warns against the excessive sensibility of romanticism. Together, these two plays constitute a miniature history of English drama from the Restoration to the French Revolution and beyond. This edition contains a valuable selection of appendices, including: Burney’s “Epilogue to Gerilda”; letters and diary entries; contemporary writings on comedy; and Burney’s cast-list for The Woman-Hater.
Contains the reports of state departments and officials for the preceding fiscal biennium.