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Queer People
Exploring canonical and non-canonical literature, scurrilous pamphlets and court cases, music, religion and politics, consumer culture and sexual subcultures, these essays concern the lives and representations of homosexuals in the long eighteenth century
Excitable Imaginations
Excitable Imaginations offers a new approach to the history of pornography. Looking beyond a counter-canon of bawdy literature, Kathleen Lubey identifies a vigilant attentiveness to sex across a wide spectrum of literary and philosophical texts in eighteenth-century Britain. Esteemed public modes of writing such as nationalist poetry, moral fiction, and empirical philosophy, as well as scandalous and obscene writing, persistently narrate erotic experiences—desire, voyeurism, seduction, orgasm. The recurring turn to sexuality in literature and philosophy, she argues, allowed authors to recommend with great urgency how the risqué delights of reading might excite the imagination to ever grea...
Speech, Print and Decorum in Britain, 1600--1750
Filling an important gap in the history of print and reading, Elspeth Jajdelska offers a new account of the changing relationship between speech, rank and writing from 1600 to 1750. Jajdelska draws on anthropological findings to shed light on the different ways that speech was understood to relate to writing across the period, bringing together status and speech, literary and verbal decorum, readership, the material text and performance. Jajdelska's ambitious array of sources includes letters, diaries, paratexts and genres from cookery books to philosophical discourses. She looks at authors ranging from John Donne to Jonathan Swift, alongside the writings of anonymous merchants, apothecaries...
Handbook of the British Novel in the Long Eighteenth Century
The handbook offers a comprehensive introduction to the British novel in the long eighteenth century, when this genre emerged to develop into the period’s most versatile and popular literary form. Part I features six systematic chapters that discuss literary, intellectual, socio-economic, and political contexts, providing innovative approaches to issues such as sense and sentiment, gender considerations, formal characteristics, economic history, enlightened and radical concepts of citizenship and human rights, ecological ramifications, and Britain’s growing global involvement. Part II presents twenty-five analytical chapters that attend to individual novels, some canonical and others recently recovered. These analyses engage the debates outlined in the systematic chapters, undertaking in-depth readings that both contextualize the works and draw on relevant criticism, literary theory, and cultural perspectives. The handbook’s breadth and depth, clear presentation, and lucid language make it attractive and accessible to scholar and student alike.
Lacework or Mirror? Diary Poetics of Frances Burney, Dorothy Wordsworth and Mary Shelley
Lacework or Mirror? Diary Poetics of Frances Burney, Dorothy Wordsworth and Mary Shelley sets out to determine whether each of the diaries by three female writers – namely, Frances Burney, Dorothy Wordsworth, and Mary Shelley – approximates the Philippe-Lejeunean concept of the diary as lacework or the more sweeping view, typical of the broadly conceived autobiography, which Georges Gusdorf famously likened to the mirror. The author explores Burney’s, Wordsworth’s and Shelley’s attempts at concealing the gaps between their narrating and narrated ‘I’s, as well as examining their diary lacunae, especially helpful for illustrating the gradual emergence of the diarists’ individua...
On the move
This volume brings together a selection of the papers and round tables delivered at the 39th AEDEAN Conference, held at the University of Deusto in November 2015. The essays in On the Move: Glancing Backwards to Build a Future in English Studies often begin with typically-academic gestures such as retrieving a classic text and finding new ways of studying its genre or characterization; or remarking how certain ungrammatical constructions have gone frequently unnoticed —even in well-known texts— for various reasons; or entangling oneself in contentions about the adequacy of dissecting a literary text or linguistic problem by using innovative analytical tools. In all cases, though, there i...
Memoirs of a Coxcomb
Published in 1751, John Cleland’s second novel (after the notorious Memoirs of a Woman of Pleasure) is a witty and complex portrait of aristocratic British society in the mid-eighteenth century. Its young protagonist, Sir William Delamore, meets, falls in love with, and pursues the mysterious heiress Lydia. Rather than a conventional romance, however, the novel is an acerbic social satire, and Sir William an unreliable narrator and incomplete hero. In its experiments with narrative form and its sophisticated examination of masculine identity, Memoirs of a Coxcomb is an important marker in the development of the eighteenth-century novel. This Broadview edition includes a critical introduction that places Memoirs in the context of Cleland’s life and literary career. Also included is a broad selection of appendices, including Tobias Smollett’s review of the novel, selections from Cleland’s criticism, three texts by Lady Mary Wortley Montagu, and contemporary documents on masculinity (particularly the figures of the coxcomb and the fop) and prostitution.
Representing Public Credit
Public credit was controversial in seventeenth- and eighteenth-century England. It entailed new ways of thinking about the individual in relation to the State and was for many reasons a site of cultural negotiation and debate. At the same time, it required commitment from participants in order to function. Some of the debates relating to public credit, whose success was tied up in the way it was represented, find their way into contemporary fiction – in particular the eighteenth-century novel. This book reads eighteenth-century fiction alongside works of political economy in order to offer a new perspective on credible commitment and the rise of a credit economy facilitated by public credi...
Censorship
Censorship: A World Encyclopedia presents a comprehensive view of censorship, from Ancient Egypt to those modern societies that claim to have abolished the practice. For each country in the world, the history of censorship is described and placed in context, and the media censored are examined: art, cyberspace, literature, music, the press, popular culture, radio, television, and the theatre, not to mention the censorship of language, the most fundamental censorship of all. Also included are surveys of major controversies and chronicles of resistance. Censorship will be an essential reference work for students of the many subjects touched by censorship and for all those who are interested in the history of and contemporary fate of freedom of expression.
Anti-Pamela and Shamela
Published together for the first time, Eliza Haywood’s Anti-Pamela and Henry Fielding’s An Apology for the Life of Mrs. Shamela Andrews are the two most important responses to Samuel Richardson’s novel Pamela. Anti-Pamela comments on Richardson’s representations of work, virtue, and gender, while also questioning the generic expectations of the novel that Pamela establishes, and it provides a vivid portrayal of the material realities of life for a woman in eighteenth-century London. Fielding’s Shamela punctures both the figure Richardson established for himself as an author and Pamela’s preoccupation with virtue. This Broadview edition also includes a rich selection of historical materials, including writings from the period on sexuality, women’s work, Pamela and the print trade, and education and conduct.
